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Carolyn Bullard

Carolyn Bullard Fine Prints and Drawings

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The image consists of swirling lines and jagged shapes. It creates a chaotic scene with elements that resemble buildings and human figures in motion. There is an architectural outline in the upper right and a circular form resembling an explosion on the left. The clustered forms suggest bodies and debris intertwined in movement.
George Grosz, Unknown, unpublished, Attack (Attentat), 1915, lithograph on laid paper, Purchased as the gift of Richard A. Simms and Ailsa Mellon Bruce Fund, 2017.100.1

Attack (Attentat)

George Grosz, Unknown, unpublished · 1915 · lithograph on laid paper ·  Accession ID  2017.100.1

The image shows a large seashell with multiple spikes and ridges against a plain textured background. The shell is detailed and colored in various shades of black, gray, and white. It is oriented with its pointed end extending towards the left and its larger, spiky section slightly elevated to the right, centered in the composition.
Wenceslaus Hollar, Shell (Murex brandaris), c. 1645, etching on laid paper, Gift of Edward William Carter and Hannah Locke Carter, in Honor of the 50th Anniversary of the National Gallery of Art, 1992.17.2

Shell (Murex brandaris)

Wenceslaus Hollar · c. 1645 · etching on laid paper ·  Accession ID  1992.17.2

This is a drawing of an ornate and allegorical scene with detailed figures, scrolls, and emblems. The drawing features a landscape scene within a central hexagonal frame. Surrounded by decorations, cherubic figures, and mythical creatures including winged figures and animals, it conveys a rich sense of baroque ornamentation. Above the central hexagon is a circular medallion showing a classical scene. The drawing incorporates swirling motifs and wreaths, contributing to its grandeur and complexity.
Michel Dorigny, Ornamental Panel Surmounted by a Winged Harpy, 1647, etching with engraving on laid paper, Katharine Shepard Fund, 2013.174.4

Ornamental Panel Surmounted by a Winged Harpy

Michel Dorigny · 1647 · etching with engraving on laid paper ·  Accession ID  2013.174.4

This image is a drawing of a decorative composition featuring elaborate ornamentation and a central vignette of landscape. The drawing consists of a vertically oriented rectangular design that showcases an opulent and intricate arrangement of elements typical of Baroque or Rococo ornamentation. In the very center, there is an oval frame encasing a simple landscape scene with a tree and a pastoral view beyond. This is surrounded by an ornate border with symmetrical scrollwork, floral motifs, and festoons. Two reclining figures are depicted at the top corners, each holding decorative elements. Below the landscape vignette is a horizontal panel depicting a classical scene with several figures engaged in interaction. The drawing displays a harmonious blend of nature and mythological elements, rendered with detailed and elegant linework.
Michel Dorigny, Ornamental Panel with Pan and Two Garland-Bearing Women, 1647, etching with engraving on laid paper, Katharine Shepard Fund, 2013.174.5

Ornamental Panel with Pan and Two Garland-Bearing Women

Michel Dorigny · 1647 · etching with engraving on laid paper ·  Accession ID  2013.174.5

This is a drawing of an ornate decorative design. The artwork features a central panel with a tree against a landscape surrounded by scrollwork. Various figures, including cherubs and mythological beings, interact with architectural and floral elements. At the top, two cherubic figures interact with a central medallion encircled by foliage. Below, two muscular figures hold garlands for balance. The lower portion showcases a scene of figures and animals within a richly embellished rectangular frame.
Michel Dorigny, Ornamental Panel Surmounted by a Basket of Flowers with Cupid and Hymen, 1647, etching with engraving on laid paper, Katharine Shepard Fund, 2013.174.9

Ornamental Panel Surmounted by a Basket of Flowers with Cupid and Hymen

Michel Dorigny · 1647 · etching with engraving on laid paper ·  Accession ID  2013.174.9

The image shows an illustration of a person standing and leaning slightly forward. The person has exaggerated facial features and long, unkempt hair under a soft cap. They wear a cloak, robe or tunic, and simple shoes. In their left hand, they hold a decorative cylindrical object, possibly a container or scroll. The background consists of closely spaced horizontal lines, serving as a backdrop.
Jacques Bellange, Jean Le Blond I, The Blind Hurdy Gurdy Player, c. 1612-1616, etching and engraving on laid paper; laid down, Ailsa Mellon Bruce Fund, 1989.17.1

The Blind Hurdy Gurdy Player

Jacques Bellange, Jean Le Blond I · c. 1612-1616 · etching and engraving on laid paper; laid down ·  Accession ID  1989.17.1

Four people are depicted in this image. The central figure is standing, examining a long cylindrical object. They wear a large hat, fur-lined jacket, and a scarf. To the left, another person holds a torch. To the right, a person holds a stick-like object. Behind them, a person is barely visible, smiling. The background is dark, emphasizing the torch's light casting shadows and highlights.
Cornelis Dusart, Jacob Gole, Victoria Publica, 1695, mezzotint on laid paper, Ailsa Mellon Bruce Fund, 2014.166.1

Victoria Publica

Cornelis Dusart, Jacob Gole · 1695 · mezzotint on laid paper ·  Accession ID  2014.166.1

The image is an engraving seen straight on. There are two winged figures at the top, above a scene of two people at a table within a wreath. Below, a frame contains a rural landscape with a tree on the right and hills in the distance. The image features detailed line work and shading for texture and depth, with a monochromatic color scheme of black and white. Two seated figures sit near an urn with drapery and scrollwork around them.
Michel Dorigny, Ornamental Panel Surmounted with Two Figures Leaning on the Bust of a Woman, 1647, etching with engraving on laid paper, Katharine Shepard Fund, 2013.174.10

Ornamental Panel Surmounted with Two Figures Leaning on the Bust of a Woman

Michel Dorigny · 1647 · etching with engraving on laid paper ·  Accession ID  2013.174.10

This drawing features an elaborate decorative motif with mythological and heraldic elements. It shows a symmetrical composition with a central oval medallion framed ornately. Two winged figures are positioned symmetrically at the top, holding garlands and standing on scrolls. An eagle above them holds a banner with the inscription 'NATOS ET NOSTRA IUVENTA'. Below the central medallion is a shell design flanked by seated figures holding flowers, set against a background of baroque scrollwork and foliage. Below the shell is a rectangular panel with a relief scene of classical figures. The composition is detailed with elements of nature and classical architecture.
Michel Dorigny, Ornamental Panel Surmounted by an Eagle and the Motto NATOS ET NOSTRA TUEMUR, 1647, etching with engraving on laid paper, Katharine Shepard Fund, 2013.174.8

Ornamental Panel Surmounted by an Eagle and the Motto NATOS ET NOSTRA TUEMUR

Michel Dorigny · 1647 · etching with engraving on laid paper ·  Accession ID  2013.174.8

The image shows a public celebration with an ornate classical building as the central focus. The scene includes an elevated horizon with statues on columns, a dramatic sky with radiant arcs, and a crowd observing the celebration. The style is detailed etching with a monochromatic sepia color palette, giving a historic feel to the festivities.
Victor Jean Nicolle, La Décoration et du Feu d'Artifice... la Naissance de Monseigneur le Daufin (Fireworks Celebrating the Birth of the Dauphin), 1782, etching and wash manner with roulette printed in brown on laid paper, Katharine Shepard Fund, 2013.174.1

La Décoration et du Feu d'Artifice... la Naissance de Monseigneur le Daufin (Fireworks Celebrating the Birth of the Dauphin)

Victor Jean Nicolle · 1782 · etching and wash manner with roulette printed in brown on laid paper ·  Accession ID  2013.174.1