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Hauswedell & Nolte

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The image is a detailed and shaded portrait drawing of a woman's head and upper torso. She is facing forward in a relaxed position, with her shoulders slightly angled. Her facial features are softly rendered, displaying prominent eyes, a calmly set mouth, and a clear complexion. Her hair is dark, voluminous, and wavy, surrounding her face and extending down past the shoulders. She appears to be wearing a simple garment with a rounded neckline. There is no visible jewelry or objects being held by the person. The background is predominantly dark with rough, textured shading that frames her face.
Edvard Munch, Anton Peder Nielsen Kildeborg, Danish Lady, 1912, lithograph, The Epstein Family Collection, 2024.148.26

Danish Lady

Edvard Munch, Anton Peder Nielsen Kildeborg · 1912 · lithograph ·  Accession ID  2024.148.26

This is a drawing of an ornate classical frame with allegorical figures. The image depicts a richly decorated frame with swirling, rococo motifs. Within this intricate border, there are three figures: one seated, one standing, and one above, all dressed in flowing classical robes. The seated figure holds a staff-like object. The standing figure has a beard and a staff. The figure above appears winged. Delicately drawn architectural elements like the scrolled frame, cloud forms, and the way the figures interact within this composition hint at themes of storytelling or mythology. The line work is executed with fine detail, emphasizing the elegance and complexity typical of classical allegorical art.
Johann Daniel Herz the Elder, Rococo Cartouche with Allegorical Figures, red and black chalk on laid paper, Ailsa Mellon Bruce Fund, 1989.43.1

Rococo Cartouche with Allegorical Figures

Johann Daniel Herz the Elder · · red and black chalk on laid paper ·  Accession ID  1989.43.1

The image shows an elongated figure with exaggerated facial features, including large eyes and a high forehead, standing with one hand gesturing forward. The person is dressed in a long, tattered robe and the hair is dark and swept back. Surrounding the figure are smaller sketchy figures, and the background is filled with lines and abstract forms.
Walter Gramatté, Scene in the Cafe with the Cripple, 1918, drypoint, Gift of Ruth Cole Kainen, 2012.92.242

Scene in the Cafe with the Cripple

Walter Gramatté · 1918 · drypoint ·  Accession ID  2012.92.242

The image displays bold, black lines and angular shapes in an abstract composition. In the center is a figure resembling a ladder or staircase ascending to the top right corner. To the left, a figure sits in an ornate chair merging with the background, hinting at an interior room. Adjacent is an angular form suggesting a standing person with a static posture. The artwork forms an interconnected geometric scene resembling a domestic space.
Ernst Ludwig Kirchner, The Visit, 1923, woodcut printed in black on paper printed yellow, Gift of Ruth Cole Kainen, 2012.92.71

The Visit

Ernst Ludwig Kirchner · 1923 · woodcut printed in black on paper printed yellow ·  Accession ID  2012.92.71

The image consists of jagged lines and angular shapes creating an intricate abstract composition. One prominent figure in the foreground appears to have exaggerated, elongated features. In the background, there are blurred and distorted figures. The overall composition suggests a bustling cityscape filled with shadowy, overlapping forms, evoking a sense of depth and motion.
Walter Gramatté, Robert in the Theater, 1918, drypoint on laid paper, Gift of Ruth Cole Kainen, 2012.92.241

Robert in the Theater

Walter Gramatté · 1918 · drypoint on laid paper ·  Accession ID  2012.92.241

This is a drawing of a street market with various figures engaging in activities. The urban setting features tall buildings framing the scene. The street is busy with market stalls, some covered with awnings, and figures interacting or shopping. The sketch emphasizes movement and a vibrant atmosphere, capturing daily urban life with spontaneity and intricacy.
Max Liebermann, Bruno Cassirer, The Jewish Quarter in Amsterdam, 1906, etching on laid cream paper, Gift of Ruth Cole Kainen, 2012.92.358

The Jewish Quarter in Amsterdam

Max Liebermann, Bruno Cassirer · 1906 · etching on laid cream paper ·  Accession ID  2012.92.358

This painting features abstract figures against a blue background. Three figures in bold pink lines are depicted near a blue area. The contrast between the figures and the blue background creates a dynamic composition. The use of color and brushstrokes conveys motion and spontaneity. The forms are simplified, emphasizing abstraction.
Ernst Ludwig Kirchner, Three Bathers by Stones, 1913, color lithograph in pink, blue, red, and black on calendered paper, Ruth and Jacob Kainen Collection, 1986.95.5

Three Bathers by Stones

Ernst Ludwig Kirchner · 1913 · color lithograph in pink, blue, red, and black on calendered paper ·  Accession ID  1986.95.5

The image depicts a close-up of a person's face. The individual's features are shown in detail, including wide eyes, arched eyebrows, distinct lines around the mouth, and short, dark hair. The expression is intense, with tears drawn as black streaks running down the face. The image is in black and grey tones, with a blank background focusing solely on the face.
Walter Gramatté, Peter with a Gunshot Wound in His Forehead, 1918, drypoint, Gift of Ruth Cole Kainen, 2012.92.240

Peter with a Gunshot Wound in His Forehead

Walter Gramatté · 1918 · drypoint ·  Accession ID  2012.92.240

The image depicts two individuals. On the left, there is a person sitting, with their body shown from the upper thighs to the head. This person has their hair swept back away from the face, and is draped in a white garment. The facial features are simple. To the right, there is another person standing and facing the seated individual, shown from the upper body to the lower legs. This standing figure has short, dark hair and is wearing a bright yellow shirt with long sleeves and light blue pants. They appear to be holding a white cloth near the seated person's head. The background is composed of abstract patterns using colors like dark blue, red, and white. The overall style is loose and painterly, with bold use of color and simplified forms.
Ernst Ludwig Kirchner, Russian Dancers, 1909, color lithograph on wove paper, Ruth and Jacob Kainen Collection, 1986.95.4

Russian Dancers

Ernst Ludwig Kirchner · 1909 · color lithograph on wove paper ·  Accession ID  1986.95.4

The image features a black and white abstract print of a person's face and part of the head. The face is centered, facing forward, with angular, textured features. The hair is stylized with curved lines. The background shows abstract patterns and shapes, including a leaf or feather-like form. Handwritten words are at the bottom of the image.
Ernst Ludwig Kirchner, Head of Dr. Robert Binswanger (the Student), 1917-1918, woodcut printed in black, Gift of Ruth Cole Kainen, 2012.92.48

Head of Dr. Robert Binswanger (the Student)

Ernst Ludwig Kirchner · 1917-1918 · woodcut printed in black ·  Accession ID  2012.92.48