Provenance

Mr. C.G. Boerner

German

Explore selected works

See all 63 works of art
The image depicts a scene with mythological figures. A central nude female figure holds a staff or spear, partially draped in a flowing garment. Other figures in flowing robes surround her, some sitting and others in conversation. Above them on clouds sit two regal figures holding symbols of power, with a cherub-like figure on a chariot drawn by swans. Subtle architectural elements in the background contribute to a classical atmosphere. The drawing features detailed line work emphasizing movement and expressions.
Hans Speckaert, Allegory of Minerva as the Head of the Muses, in or before 1575, pen and brown ink with brown wash over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1972.3.1

Allegory of Minerva as the Head of the Muses

Hans Speckaert · in or before 1575 · pen and brown ink with brown wash over black chalk on laid paper ·  Accession ID  1972.3.1

This is a drawing of a group gathered around a lavish table within a rocky grotto. The scene depicts an elaborate setting with numerous figures seated and interacting at a grand table adorned with various vessels and platters. The background is composed of rock formations. The figures are engaged in animated discussion or activity, enhancing the liveliness of the composition. The setting in natural rock and the presence of abundant food and drink evoke a sense of abundance and communal gathering.
Luca Penni, The Banquet of Acheloüs, c. 1545, pen and black ink with brown and blue-gray washes, heightened with white gouache on laid paper washed light brown, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.141

The Banquet of Acheloüs

Luca Penni · c. 1545 · pen and black ink with brown and blue-gray washes, heightened with white gouache on laid paper washed light brown ·  Accession ID  2007.111.141

The image depicts a pastoral scene with a group of figures in a clearing surrounded by tall trees. Some figures are dancing while others are seated. Animals graze in the background, and mountains are faintly visible in the distant horizon. The artwork is created using fine, detailed brushstrokes to show textures and contrasts of light and shadow. The color scheme is monochrome, emphasizing dark and light shades for depth and detail.
Claude Lorrain, The Country Dance (Small Plate) (La danse sous les arbres), c. 1637, etching, Andrew W. Mellon Fund, 1977.77.1

The Country Dance (Small Plate) (La danse sous les arbres)

Claude Lorrain · c. 1637 · etching ·  Accession ID  1977.77.1

The painting depicts a promenade with a decorative stone railing lined with ornate urns running alongside a pathway that extends into the distance. The horizon is suggested where the pathway disappears into lush green vegetation in the background. The brushwork is detailed and realistic, capturing intricate stone carvings and foliage. The color palette consists of earthy tones for the stonework and various shades of green for the surrounding environment. A woman in a long black dress with a floral hat is positioned near the path's edge.
Franz Skarbina, A Promenade in the Park at Sanssouci, 1885, watercolor and gouache over graphite on wove paper, Purchased as the Gift of Alexander M. and Judith W. Laughlin, 2008.52.1

A Promenade in the Park at Sanssouci

Franz Skarbina · 1885 · watercolor and gouache over graphite on wove paper ·  Accession ID  2008.52.1

This is a drawing of a religious scene featuring figures in a nativity setting. The image is intricately detailed, focusing on a group of individuals gathered around a central figure holding an infant. The composition is framed by an architectural structure resembling a stable, complete with a wooden roof and open façade, revealing various animals. The background landscape presents hills and a distant view of a castle-like structure. An angelic figure hovers in the upper right corner, guiding a star. The figures wear historical garments, and the line work enhances the texture and depth of the scene.
Master E.S., The Adoration of the Magi, engraving, Print Purchase Fund (Andrew W. Mellon, Rosenwald Collection), 1974.50.1

The Adoration of the Magi

Master E.S. · · engraving ·  Accession ID  1974.50.1

The image shows a landscape scene with a rugged, rocky terrain, delicate trees, loose and expressive brushstrokes, a muted color palette dominated by shades of brown, beige, and gray, and a layered effect created by branching trees and rocky formations.
Herman van Swanevelt, Landscape (after Paul Bril), pen and brown ink with brown and gray wash on laid paper, Ailsa Mellon Bruce Fund, 1971.22.1

Landscape (after Paul Bril)

Herman van Swanevelt · · pen and brown ink with brown and gray wash on laid paper ·  Accession ID  1971.22.1

The image shows a group of four adults and a child. From left to right, there is a woman holding a beaded object, an elderly seated woman, a child in the center being held by a younger woman, and an elderly man leaning towards the group. In the background, there are large trees and a building in the upper right corner.
Albrecht Dürer, The Holy Family with Joachim and Anne under a Tree, 1511, woodcut on laid paper, Print Purchase Fund (Ailsa Mellon Bruce, Rosenwald Collection), 1974.105.1

The Holy Family with Joachim and Anne under a Tree

Albrecht Dürer · 1511 · woodcut on laid paper ·  Accession ID  1974.105.1

The image shows two male figures in full-body outline. The figure on the left is slightly turned towards the viewer with one arm bent and the other extended towards the figure on the right. The figure on the right faces forward with one arm pointing outward. Both figures have muscular builds and detailed anatomical features. The figure on the right has defined facial features, including a mustache and upward-styled hair. The figure on the left has less detailed facial features and closely cropped or pulled back hair. Both figures seem to be nude, holding circular shields. The background is plain and tan, resembling aged paper, with no additional context, focusing solely on the figures.
Baccio Bandinelli, Two Male Nudes, c. 1520, pen and brown ink on laid paper, Ailsa Mellon Bruce Fund, 1971.48.1

Two Male Nudes

Baccio Bandinelli · c. 1520 · pen and brown ink on laid paper ·  Accession ID  1971.48.1

The image depicts a person holding scales in an alcove. The person has a classical appearance with one leg bent and the other stepped forward. They have refined facial features, hair styled with a central parting, and wear draped clothing. The background shows a wall and a torch with a nearby sword hilt. A circular medallion in the top left corner contains a profile portrait.
Master I.I.CA, Justice, c. 1520, engraving, Ailsa Mellon Bruce Fund, 1972.31.2

Justice

Master I.I.CA · c. 1520 · engraving ·  Accession ID  1972.31.2

This is a drawing of an ornate ancient ship. The drawing depicts a large, elaborately decorated vessel with intricate carvings and figures. The ship is adorned with mythological influences and what appear to be mythological creatures or deities, labeled as "Castor" and "Poluce." The ship has a high stern and bow adorned with sculptures, including horses and classical figures. Oars extend from the sides of the ship, indicating it is a rowing vessel, and the mast is adorned with banners and rigging.
Balthasar Moncornet, Barcha de Castor e Poluce, etching on laid paper, Ailsa Mellon Bruce Fund, 2002.135.8

Barcha de Castor e Poluce

Balthasar Moncornet · · etching on laid paper ·  Accession ID  2002.135.8