Provenance

Miss Ellen T. Bullard

American, 1865 - 1959

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See all 31 works of art
The image is a portrait showing the upper body of a person. The person is in a front-facing position, with the body slightly turned to the side. They have long, curly hair that cascades past the shoulders and frames their face. The facial features include a straight nose, full lips, and eyes that gaze slightly to the side. The person is dressed in ornate clothing, featuring a lace collar and a garment that includes armor on one shoulder. The background is a simple, textured oval space, within which the person is contained. There is a decorative border with inscriptions surrounding the portrait.
Robert Nanteuil, Louis XIV, 1664, engraving, Gift of Miss Ellen T. Bullard, 1941.4.8

Louis XIV

Robert Nanteuil · 1664 · engraving ·  Accession ID  1941.4.8

The image shows a street scene with a cluster of buildings viewed from above, showcasing varying architectural designs, balconies, and windows with people visible. The drawing uses fine pencil strokes to emphasize details, with a monochromatic grey palette highlighting textures and street activity. People are depicted in the scene going about their daily activities, adding a dynamic element. The composition invites viewers to explore the intricate details of the alleyways and building facades.
Samuel Prout, Sion, c. 1830, graphite with white heightening on gray paper, Gift of Miss Ellen T. Bullard, 1941.4.9

Sion

Samuel Prout · c. 1830 · graphite with white heightening on gray paper ·  Accession ID  1941.4.9

The image displays a stone bridge over a river, with a low horizon. The sky has thin clouds. The bridge is detailed, with arches and stonework. A horse-drawn cart is on the left, while people are by boats on the right. Stone structures in ruins are visible in the background, amid hills. The color palette is gray and black.
Jan Both, The Ponte Molle, etching, Gift of Miss Ellen T. Bullard, 1941.4.1

The Ponte Molle

Jan Both · · etching ·  Accession ID  1941.4.1

The image contains elaborate lines and shapes forming an intricate design that fills the page. Swirling lines and floral motifs create a sense of symmetry. The central portion appears to show hanging foliage, resembling vines or garlands. On either side, the lines and shapes could be interpreted as columns or classical garden features. The overall arrangement suggests a whimsical garden setting, with faint outlines resembling figures or cherubs amid the curls and flourishes.
Antoine Watteau, The Bower, c. 1716, red chalk and red chalk counterproof on laid paper, Ailsa Mellon Bruce Fund, 1982.72.1

The Bower

Antoine Watteau · c. 1716 · red chalk and red chalk counterproof on laid paper ·  Accession ID  1982.72.1

The image is a detailed portrait engraving showing the upper body of a man within an ornate oval frame. The man is positioned at a slight angle, gazing towards the viewer. He has a prominent facial structure, with long, curly hair that reaches to his shoulders, a mustache, a small pointed beard, and a beauty mark on his cheek. He is dressed in luxurious clothing typical of a historical military figure, featuring a ruffled collar and a suit of armor with intricate detailing. The man appears to be depicted with decorative armor and a sash over his shoulder. Around him, within the oval frame, are decorative elements including palm fronds and a crest with heraldic symbols. The background consists of diagonally lined shading, creating contrast with the intricately illustrated frame, which includes various elements such as a helmet, a shield adorned with the crest, and a pair of crossed halberds. The name and titles of the person are inscribed underneath the portrait.
Robert Nanteuil, Marechal de Guebriant, 1655, engraving, Gift of Miss Ellen T. Bullard, 1941.4.7

Marechal de Guebriant

Robert Nanteuil · 1655 · engraving ·  Accession ID  1941.4.7

This is a drawing of a forest scene with figures in medieval attire. The artwork shows two figures reclined on the ground near a forest clearing with a wooden structure in the background. A third figure is engaged in a dialogue with the others. The dense forest has tall trees, and the background shows open landscape with distant hills and a faint indication of a structure on a hilltop. Various details like weapons, clothing, and a jug are visible among the trees and figures, creating a dynamic scene. The grayscale rendering suggests precise line work, giving it a historic and narrative quality.
Lucas van Leyden, Mahomet and the Monk Sergius, 1508, engraving, Gift of Miss Ellen T. Bullard, 1941.4.5

Mahomet and the Monk Sergius

Lucas van Leyden · 1508 · engraving ·  Accession ID  1941.4.5

The image is an engraving of a formal garden scene from an elevated perspective. The horizon is in the upper third of the image. The garden has geometric designs filled with people engaging in leisure activities. The structures have intricate architectural details and frame the central area. There are more architectural elements and distant hills on the horizon. The composition has a monochromatic color palette typical of engravings, with a variety of tones enhancing the textures and linework. The illustration is detailed with fine contours capturing the location's grandeur and leisurely scene. Figures are walking, conversing, and enjoying the space, creating a bustling atmosphere.
Jacques Callot, The Palace Gardens at Nancy, 1625, etching on laid paper, Gift of Miss Ellen T. Bullard, 1941.4.2

The Palace Gardens at Nancy

Jacques Callot · 1625 · etching on laid paper ·  Accession ID  1941.4.2

This is a drawing of an art gallery interior. The drawing shows a spacious gallery hall with an arched ceiling, high walls adorned with framed artwork, and several figures moving or standing around. The sketchy lines convey movement and volume, creating a soft and atmospheric view of the space. The perspective is directed towards an archway at the end of the gallery where more figures can be observed.
James McNeill Whistler, The Long Gallery, Louvre, 1894, lithograph in black on wove paper, Gift of Miss Ellen T. Bullard, 1941.4.30

The Long Gallery, Louvre

James McNeill Whistler · 1894 · lithograph in black on wove paper ·  Accession ID  1941.4.30

Maxime Lalanne, Rue des Marmousets (Quartier de la cite, vieux Paris), 1862, etching on laid tissue paper, Gift of Miss Ellen T. Bullard, 1941.4.4

Rue des Marmousets (Quartier de la cite, vieux Paris)

Maxime Lalanne · 1862 · etching on laid tissue paper ·  Accession ID  1941.4.4

The sculpture depicts a mounted figure astride a horse. The rider is clad in armor, with detailed garments and the horse's ornate tack suggesting a historic or classical theme. The monochromatic sculpture appears in a dark metallic shade, likely bronze. The horse is captured mid-stride with its front right leg lifted off the ground and its tail sweeping behind it, while the rider holds the reins firmly. The sculpture rests on a rectangular base.
Ferdinand Gaillard, Gattamelata, 1866, engraving on gray chine collé on wove paper, Gift of Miss Ellen T. Bullard, 1941.4.3

Gattamelata

Ferdinand Gaillard · 1866 · engraving on gray chine collé on wove paper ·  Accession ID  1941.4.3