Provenance

Sir Edward Astley 4th Baron, Hastings

Astley, Edward 4th Baron Hastings Sir

British, 1729 - 1802

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The image portrays four figures, mainly shown from the waist up. There is a central child held by a woman on the right. Another child is kneeling on the left side, offering a cup to the seated child. An older woman is seated behind them, looking forward with her right hand raised. The background features shaded horizontal lines, adding texture to the setting.
Annibale Carracci, The Madonna della Scodella, 1606, etching with engraving on laid paper, Gift of Kate Ganz, 2008.104.13

The Madonna della Scodella

Annibale Carracci · 1606 · etching with engraving on laid paper ·  Accession ID  2008.104.13

The image shows a portrait of a person with curly hair wearing a beret-style hat that covers part of their face. The person is facing the viewer with their head turned to the right. They have a mustache and wear a draped garment. The background is plain, and there is a signature that reads "Rembrandt f. 1633" at the bottom of the image.
Rembrandt van Rijn, Self-Portrait in a Cap and Scarf with the Face Dark, 1633, etching on laid paper, Rosenwald Collection, 1946.21.166

Self-Portrait in a Cap and Scarf with the Face Dark

Rembrandt van Rijn · 1633 · etching on laid paper ·  Accession ID  1946.21.166

This is a drawing of a mythological or allegorical scene. The scene features various figures of different ages engaged in activities around a central structure resembling an ornate draped curtain held up by columns. There is a celestial element shining down from the top, and an emblem or coat of arms held by winged figures at the very top. The figures are dressed in flowing robes and interact with each other and objects such as a globe and a staff. The composition is rich with symbolism, typical of artwork focused on narrative depth and storytelling.
Cornelis Galle II, Title Page for G. de St. Vincent, Opus Geometricum Quadraturae Circuli, 1647, engraving on laid paper [proof before letters], William B. O'Neal Fund, 1996.78.19

Title Page for G. de St. Vincent, Opus Geometricum Quadraturae Circuli

Cornelis Galle II · 1647 · engraving on laid paper [proof before letters] ·  Accession ID  1996.78.19

The image shows a male figure standing in a dynamic posture on a rough surface. The man has deep-set eyes, a furrowed brow, curly hair, and a muscular physique. He is wearing a draped garment, revealing his arms and legs. In one hand, he holds branches with bees. There are swirling patterns in the background, a tree trunk to the left, and an arched structure with text at the bottom.
Cornelis Galle I, Title Page for Maffeo Barbarini, Poemata, 1634, engraving on laid paper, William B. O'Neal Fund, 1996.78.55

Title Page for Maffeo Barbarini, Poemata

Cornelis Galle I · 1634 · engraving on laid paper ·  Accession ID  1996.78.55

This is a drawing of a scene depicting a divine figure seated above an open book, surrounded by clouds and rays of light. The figure has a radiant headpiece and is accompanied by cherub-like figures holding the book open. Below, a figure is kneeling with hands raised towards the divine presence. Faces and arms emerge from the depths below. The scene is framed by ornate architectural elements, including columns. The drawing emphasizes spiritual communication and revelation, with detailed depiction of garments, clouds, and expressions.
Cornelis Galle I, Title Page for Olivier Boonaerts' "In Ecclesiasticvm Commentarivs...", 1634, engraving on laid paper [proof before letters], William B. O'Neal Fund, 1996.78.5

Title Page for Olivier Boonaerts' "In Ecclesiasticvm Commentarivs..."

Cornelis Galle I · 1634 · engraving on laid paper [proof before letters] ·  Accession ID  1996.78.5

This is a drawing of an ornate frame with angelic figures and symbolic imagery. The central feature is an undecorated rectangular space surrounded by an elaborate border. Flanking this space are two winged figures, one on each side, each holding a vertical staff topped respectively with a ship and a cross-keys symbol. Above them, two cherubs are leaning into the frame from clouds, amidst rays of light. At the bottom of the image, the scene transitions into a pastoral landscape with vegetation.
Netherlandish 17th Century, Border Illustration with the Ascension of Christ, Keys and Fish, 1613/1646, engraving on laid paper [proof before letters], William B. O'Neal Fund, 1996.78.41

Border Illustration with the Ascension of Christ, Keys and Fish

Netherlandish 17th Century · 1613/1646 · engraving on laid paper [proof before letters] ·  Accession ID  1996.78.41

This is a drawing of an ornate title page for a religious text. The drawing includes detailed decorative elements surrounding the title "Biblia Sacra cum Glossa Ordinaria." At the top of the image, a figure representing Theologia stands on a pedestal between two columns decorated with shields and cherubic figures. The left shield displays a pentagram with Latin text, while the right shield features the "IHS" Christogram. Flanking the central figure are two sculpturesque figures in classical attire. Below the central pediment, the primary text is inscribed in a rectangular frame and adorned with iconography including angelic and demonic motifs, all within a richly ornamented stone-like border. The artwork showcases intricate Baroque design elements emphasizing theological and classical sculpture stylings.
Hans Collaert the Younger, Balthazar Bellerus, Jan van Keerbergen, Title Page for Biblia Sacra Cvm Glossa Ordinaria, 1617, engraving on laid paper, William B. O'Neal Fund, 1996.78.1

Title Page for Biblia Sacra Cvm Glossa Ordinaria

Hans Collaert the Younger, Balthazar Bellerus, Jan van Keerbergen · 1617 · engraving on laid paper ·  Accession ID  1996.78.1

This is a drawing of a figure struggling with an animal. The image shows a strong figure with wild hair exerting power over an animal, likely a lion, as indicated by its mane and muzzle restraint. The scene is set in a rocky environment with a tree branch above and Latin text below, all framed within a classical arch. The composition features vigorous lines and shading that convey movement and power, reminiscent of Baroque art styles.
Cornelis Galle I, Title Page for Maffeo Barbarini, Poemata, 1634, engraving on laid paper, William B. O'Neal Fund, 1996.78.56

Title Page for Maffeo Barbarini, Poemata

Cornelis Galle I · 1634 · engraving on laid paper ·  Accession ID  1996.78.56

This is a drawing of an allegorical figure sitting beside an ornamental shield with an inscription. The figure is classically draped, holding scales in one hand, and there is a cornucopia of flowers beside them. The background includes an archway with brickwork and foliage. The ornamental shield is inscribed with text in Latin. The drawing is detailed with cross-hatching techniques to indicate texture and depth.
Netherlandish 17th Century, Title Page for Imperatorvm Romanorvm Nvmismata Avrea, 1627, engraving on laid paper, William B. O'Neal Fund, 1996.78.69

Title Page for Imperatorvm Romanorvm Nvmismata Avrea

Netherlandish 17th Century · 1627 · engraving on laid paper ·  Accession ID  1996.78.69

This is a drawing of a classical allegorical scene. The drawing features a central figure holding a globe and wearing an elaborate helmet. This figure is flanked by an angelic form. Surrounding these figures are classical armor, including spears and shields. Below them, two muscular figures recline with draped fabric, set against a backdrop of classical elements. An inscription is present at the base. The overall style is highly detailed and indicative of the classical Renaissance or Baroque periods, focused on themes of mythology and symbolism.
Michel Lasne, Title Page for Ludovicus Nonnius, Commentarius in Nomismata, 1620, engraving on laid paper, William B. O'Neal Fund, 1996.78.24

Title Page for Ludovicus Nonnius, Commentarius in Nomismata

Michel Lasne · 1620 · engraving on laid paper ·  Accession ID  1996.78.24

Bibliography

1921

  • Ref Number: 2774
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.

  • Ref Number: 2775
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.

  • Ref Number: 2774.
    Lugt.2774.