Provenance

Andrew M. Brown

Brown, Andrew The Hon.

American

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The sculpture is a round object resembling an old coin or medallion. The design features a central motif with a pointed, arrow-like figure surrounded by four circular patterns encased within a lobed border. The material appears to be metal, likely silver or a similar alloy, with a silver-gray color and areas of tarnish. Around the edges, there is an inscription or series of symbols. The sculpture is relatively flat with raised designs and inscriptions.
Paduan 14th Century, Four-wheeled Carro, Heraldic Symbol of the Carrara Family [reverse], 1390, silver, Gift of Andrew Brown, 2006.115.1.b

Four-wheeled Carro, Heraldic Symbol of the Carrara Family [reverse]

Paduan 14th Century · 1390 · silver ·  Accession ID  2006.115.1.b

The sculpture depicts the side profile of a man's face with detailed facial features, including the bridge of his nose and a faint outline of his ear. The subject appears to be wearing a garment that rises to his neck. The material of the sculpture appears metallic, with a tarnished silver or grey coloring, suggesting it may be crafted from a type of metal like silver or bronze. The sculpture is engraved on a circular surface, similar to a coin or medallion, with inscriptions surrounding the profile in a stylized script. The texture of the sculpture shows some wear.
Paduan 14th Century, Francesco II da Carrara, 1359-1406, Lord of Padua 1388-1405 [obverse], 1390, silver, Gift of Andrew Brown, 2006.115.1.a

Francesco II da Carrara, 1359-1406, Lord of Padua 1388-1405 [obverse]

Paduan 14th Century · 1390 · silver ·  Accession ID  2006.115.1.a

The sculpture shows multiple figures in a religious scene. At the center, a seated figure holds a child, surrounded by two kneeling figures. Two standing figures flank the scene, with a cherubic figure above them. The sculpture is detailed with acanthus leaves and ornamental patterns. It is made of bronze or brass with a dark gold or patinated bronze color. The overall appearance is ornate and intricate, capturing religious iconography in a classical style.
North Italian 16th Century, Central Italian 16th Century, Pax with the Madonna of the Rosary, fourth quarter 16th century, bronze, Gift of the Honorable Andrew M. Brown, 2002.102.2

Pax with the Madonna of the Rosary

North Italian 16th Century, Central Italian 16th Century · fourth quarter 16th century · bronze ·  Accession ID  2002.102.2

The image shows a relief medallion featuring a knight on horseback. The subject is depicted with armor and a cape, holding a lance, with the horse in mid-gallop. The medallion is round and made of a metallic material, with a silver or bronze color. The intricate detailing includes the knight's features, attire, and the horse's musculature. In the background, there is a landscape scene with a building or castle. The medallion has inscriptions around its circumference. The sculpture conveys a sense of historical or classical style with detailed engraving.
Western European 17th Century, Emperor Rudolph II, c. 1600/1610, silver, Gift of Andrew Brown, 2009.55.1

Emperor Rudolph II

Western European 17th Century · c. 1600/1610 · silver ·  Accession ID  2009.55.1

The sculpture depicts numerous human and animal figures in dynamic poses. There is an elephant on a wheeled platform in the center. The figures are engaged in various actions such as riding horses or wielding weapons like swords and shields. The sculpture is crafted from a reddish-brown material, likely bronze or a similar metal, with a dark patina. It is in low relief on an oval-shaped background, suggesting a narrative captured in miniature form. The detailing conveys movement and action to the piece.
North Italian 16th Century, The Triumph of Fame, early 16th century, bronze, Gift of the Honorable Andrew M. Brown, 2002.102.1

The Triumph of Fame

North Italian 16th Century · early 16th century · bronze ·  Accession ID  2002.102.1

The sculpture is a circular relief medallion depicting a profile portrait of a man in a hooded robe and a cap. It is dark bronze with a metallic sheen, showing detailed sculpting work on the robe, the man's face, and inscriptions on the border. The craftsmanship reflects a high level of detail and skill in medallion art.
Antonio Francesco Selvi, Giancarlo Rossetti, 1712-1793, Carmelite Preacher Padre Marco di San Francesco [obverse], 1748, bronze, Gift of Andrew Brown, 2009.107.2.a

Giancarlo Rossetti, 1712-1793, Carmelite Preacher Padre Marco di San Francesco [obverse]

Antonio Francesco Selvi · 1748 · bronze ·  Accession ID  2009.107.2.a

The image shows a round bronze medallion featuring a biblical or historical scene in relief. At the center is a mountain or mound with a robed figure holding a large key. Surrounding the central mound are human figures in various poses. The figures show detailed drapery in their clothing. The medallion has a golden rim and Latin inscriptions on the border. The material appears to be bronze with a dark finish, giving it an ancient look. The medallion is small and likely designed for handheld use or display.
Antonio Francesco Selvi, Giancarlo Rossetti Preaching with the Agnus Dei on a Mound [reverse], 1748, bronze, Gift of Andrew Brown, 2009.107.2.b

Giancarlo Rossetti Preaching with the Agnus Dei on a Mound [reverse]

Antonio Francesco Selvi · 1748 · bronze ·  Accession ID  2009.107.2.b

The sculpture depicts a figure in a dynamic scene set in a woodland or forest. The central figure has long flowing hair and is adorned with various ornaments. The figure is partially clothed and holds a bow in one hand, with another object in the other hand. Surrounding the figure are trees, animals, and other natural elements. The sculpture is made of bronze, giving it a monochrome brownish hue with intricate textures and patterns. The relief sculpture conveys movement and action, with attention to detail, inviting viewers to imagine the scene in a mythological context.
German 17th Century, Netherlandish 17th Century, America, c. 1600/1625, lead alloy, Gift of Andrew M. Brown, 2004.118.1

America

German 17th Century, Netherlandish 17th Century · c. 1600/1625 · lead alloy ·  Accession ID  2004.118.1

The sculpture is a relief on a round medallion depicting a figure riding a lion. The figure is holding a large curved horn in one hand and the lion's tail in the other. The lion is robust with a prominent mane. The sculpture is made of copper, giving it a reddish-brown color with a metallic sheen. Engraved text surrounds the outer edge of the medallion. There is a small hole near the top for hanging or attaching.
Gianfrancesco Enzola, Allegory of Fortune, c. 1475, bronze, Gift of Andrew Brown, 2008.114.1

Allegory of Fortune

Gianfrancesco Enzola · c. 1475 · bronze ·  Accession ID  2008.114.1

The sculpture is a bronze relief depicting several human figures in various poses. A group of three central figures are shown in active movements, while additional figures are dispersed throughout the composition. The background features celestial figures, clouds, an architectural scene, trees, and a bridge. The sculpture is cast in dark bronze, creating a unified and solid appearance. The surface detail and interplay of light add to the piece's visual appeal.
French 17th Century, Flemish 17th century, The Martyrdom of Saint Stephen, c. 1600, bronze, Gift of Andrew Brown, 2023.123.4

The Martyrdom of Saint Stephen

French 17th Century, Flemish 17th century · c. 1600 · bronze ·  Accession ID  2023.123.4