Provenance

Robert Hershkowitz, Ltd.

Explore selected works

See all 45 works of art
This is a photograph of a small boat on a body of water.
Peter Henry Emerson, Children of the Broad, 1890-1891, printed 1893, photogravure, Robert B. Menschel and the Vital Projects Fund, 2013.55.1.4

Children of the Broad

Peter Henry Emerson · 1890-1891, printed 1893 · photogravure ·  Accession ID  2013.55.1.4

The image is a winter landscape captured from a level point of view. The horizon is about one-third from the bottom of the image and shows snow-covered fields with buildings, including houses with sloping roofs and chimneys in the distance. A line of trees stretches across the horizon, with a prominent leafless tree on the right side. Closest to the viewer is an irregular wooden fence partially buried in snow. The image has a soft focus and a monochromatic color palette dominated by whites, grays, and browns.
Peter Henry Emerson, The Snowy Marshlands, 1890-1891, printed 1893, photogravure, Robert B. Menschel and the Vital Projects Fund, 2013.55.1.7

The Snowy Marshlands

Peter Henry Emerson · 1890-1891, printed 1893 · photogravure ·  Accession ID  2013.55.1.7

The image shows a low angle view of a grand staircase leading upwards into the distance. The steps dominate the scene with their repetitive horizontal lines. In the distance, the staircase converges towards a complex of ornate buildings topped with an obelisk. The horizon is marked by the roofline of these buildings against the darkened sky. The image is in a negative photographic style with a stark contrast between the black sky and the pale structures and staircase, giving the scene a surreal quality.
Gustave de Beaucorps, Spanish Steps, Rome, c. 1858, waxed-paper negative, Gift of Robert and Paula Hershkowitz in memory of Sam Wagstaff, 2005.43.1

Spanish Steps, Rome

Gustave de Beaucorps · c. 1858 · waxed-paper negative ·  Accession ID  2005.43.1

The image depicts a rural scene with a horse-drawn cart carrying what seems to be hay or crops. A man walks alongside the horse, while another figure sits on the cart. In the background, cows graze in a misty field. The photo has a sepia tone, giving it a vintage feel. The grass texture is detailed, and the overall image is slightly blurred, enhancing the atmospheric quality of the scene.
Peter Henry Emerson, A Frosty Morning, 1890-1891, printed 1893, photogravure, Robert B. Menschel and the Vital Projects Fund, 2013.55.1.6

A Frosty Morning

Peter Henry Emerson · 1890-1891, printed 1893 · photogravure ·  Accession ID  2013.55.1.6

The image depicts a castle with cylindrical towers at the center and slightly left. The castle has battlements with a flag on top. Close to the castle are sailing ships with tall masts grounded due to low tide. More ships line the shore to the right. The castle is made of stone. The color scheme is sepia, giving an antique look. The sky is light and overcast, blending with distant hills. A rocky bank leads to the water where a lone figure is visible.
Thomas Sutton, Scene on St. Helier, Jersey Parish, c. 1853, salted paper print, Robert B. Menschel and the Vital Projects Fund, 2016.32.1

Scene on St. Helier, Jersey Parish

Thomas Sutton · c. 1853 · salted paper print ·  Accession ID  2016.32.1

The image shows a river scene from a slightly elevated viewpoint. The still water reflects tree silhouettes and boats. The horizon is low in the image, with tall trees on the left casting shadows against the light sky. In the distance, mist softens the transition from water to land, where a row of trees and a distant windmill are visible. The composition features monochromatic gray tones, creating a calm and serene atmosphere. Subtle reflections on the water enhance the tranquility. The image has a painterly quality with soft edges and gentle tonal transitions, evoking early morning or late evening light.
Peter Henry Emerson, Buckenham Ferry, 1890-1891, printed 1893, photogravure, Robert B. Menschel and the Vital Projects Fund, 2013.55.1.3

Buckenham Ferry

Peter Henry Emerson · 1890-1891, printed 1893 · photogravure ·  Accession ID  2013.55.1.3

The image shows a man from the knees up, in a leaning position with his left elbow resting on a fabric-covered surface, and his hand supporting his head. He has a thoughtful expression on his face, with downcast eyes and dark hair that is combed to the sides. He is wearing a light-colored suit with a matching vest and a white shirt underneath, topped with a dark bow tie. His right hand is holding a book, which he rests on one knee. The background consists of patterned fabric, possibly curtains, and a wooden lattice, with ornamental details visible on the left side, including a vase and furniture.
David Octavius Hill, Robert Adamson, James Drummond, c. 1844, salted paper print, Robert B. Menschel Fund, 2002.95.1

James Drummond

David Octavius Hill, Robert Adamson · c. 1844 · salted paper print ·  Accession ID  2002.95.1

The image shows a tranquil rural landscape from a slightly elevated point of view. The horizon is obscured by dense mist, and silhouetted bare trees are faintly visible against the hazy sky. A gentle river winds through the scene, bordered by grassy areas where cattle graze. The texture is smooth with a subtle graininess, and the palette is sepia-toned, giving the picture a warm, muted appearance. The mist diffuses the light, creating a soft atmosphere.
Peter Henry Emerson, Sheep on the Marshes [Landscape with Cattle], 1890-1891, printed 1893, photogravure, Robert B. Menschel and the Vital Projects Fund, 2013.55.1.12

Sheep on the Marshes [Landscape with Cattle]

Peter Henry Emerson · 1890-1891, printed 1893 · photogravure ·  Accession ID  2013.55.1.12

The image shows a minimalist view with two clusters of dense vegetation in the center reflected on still water. The horizon is near the middle, blending with the sky and water. Soft brushstrokes or a photographic effect create gentle transitions between shades of gray. The color palette is grayscale, offering a tranquil experience. Distant elements have hazy outlines, enhancing the dreamlike quality.
Peter Henry Emerson, The Lone Lagoon, 1893, printed 1895, photogravure, Robert B. Menschel and the Vital Projects Fund, 2014.74.1

The Lone Lagoon

Peter Henry Emerson · 1893, printed 1895 · photogravure ·  Accession ID  2014.74.1

The image shows a wide expanse of land where several sheep are grazing. The horizon is positioned in the upper third of the image, with sparse trees and buildings in the distance. The overall color palette consists of brown and sepia tones, giving the scene a muted and nostalgic feel. The ground texture appears dry, emphasizing the rustic environment.
Peter Henry Emerson, Marshes by the North Sea, 1890-1891, printed 1893, photogravure, Robert B. Menschel and the Vital Projects Fund, 2013.55.1.15

Marshes by the North Sea

Peter Henry Emerson · 1890-1891, printed 1893 · photogravure ·  Accession ID  2013.55.1.15