Provenance

Galerie Jan Krugier

A. Schwarz and Galerie Jan Krugier
Krugier, Galerie Jan
Private Collection c/o Galerie Jan Krugier

est. 1972

Explore selected works

The image is a detailed pencil sketch depicting two figures, primarily showing their upper bodies and portions of their lower bodies. One figure is seated and embracing a large, stringed instrument similar to a lute or mandolin, which is resting on their lap. This figure appears to be gently leaning forward, their face featuring distinct curls cascading over the forehead, indicating curly hair, with facial features stooped and slightly angled downwards. The second figure is positioned close behind the first, intimately leaning over the shoulder of the first figure, and seems to be attentively observing either the player or the instrument. This figure has a head full of curls and a more defined outline of facial features. Both figures are clothed in flowing garments, with the fabric draping around them, indicating robes or classical attire. The background is plain, highlighting the soft shadows and lines of the figures, with faint sketched lines suggesting setting suggestions rather than clear details. There are no prominent accessories or jewelry visible on the figures.
Henry Fuseli, An Intimate Concert, 1814, graphite on laid paper, William B. O'Neal Fund, 2015.71.1

An Intimate Concert

Henry Fuseli · 1814 · graphite on laid paper ·  Accession ID  2015.71.1

Jean-François Millet, Path in the Countryside, Vichy, 1866/1868, pen and brown ink with brown wash, on wove(?) paper laid down on an old mount, Purchased as the Gift of Joan and David Maxwell in Honor of Margaret Morgan Grasselli, 2020.91.1

Path in the Countryside, Vichy

Jean-François Millet · 1866/1868 · pen and brown ink with brown wash, on wove(?) paper laid down on an old mount ·  Accession ID  2020.91.1

Giorgio Morandi, Still Life, 1948, oil on canvas, Collection of Mr. and Mrs. Paul Mellon, 2006.128.27

Still Life

Giorgio Morandi · 1948 · oil on canvas ·  Accession ID  2006.128.27

This painting features an abstract composition of geometric shapes and lines on a vertically divided background. The left side is teal and the right side is pink, and both are slight gradients, fading to pale yellow. On the left, overlapping circles in various sizes and shades of brown, green, and blue create a cluster near the top left corner. Below is a grid of rectangles. A thick, black vertical stripe slices through the center, separating the teal and pink sections. On the right, a 3D abstract polygon resembling a faceted gem floats near the top, made of teal, purple, and dark red faces. Below is an inverted triangular shape with three black curved lines.
Wassily Kandinsky, Geteilt (Divided), 1928, watercolor and ink on wove paper on Kandinsky's original black paper mount, Gift of Mr. and Mrs. Stephen M. Kellen, 1999.51.1

Geteilt (Divided)

Wassily Kandinsky · 1928 · watercolor and ink on wove paper on Kandinsky's original black paper mount ·  Accession ID  1999.51.1

This is a drawing of an architectural structure. The image depicts a detailed plan and elevation of a monumental building or a triumphal arch, characterized by ornamental sculptures and reliefs. The drawing is meticulously crafted with precise lines depicting the architectural design, including niches with statues, decorative panels, and arches. Two figures are placed at elevated positions, likely representing sculptures or statues. The structure features a central arch with a relief above it and the lower portion of the image shows what appears to be the floor plan, indicating the spatial arrangement and design elements, such as the placement of walls and columns. The entire image gives the impression of a carefully thought-out architectural masterpiece. The drawing showcases strong attention to symmetrical details and artistic embellishments typical of classical architecture.
Antonio da Sangallo, An Imperial Tomb: Elevation and Ground Plan, c. 1530, pen and brown ink with wash over blind stylus on laid paper, William B. O'Neal Fund, 2015.72.1

An Imperial Tomb: Elevation and Ground Plan

Antonio da Sangallo · c. 1530 · pen and brown ink with wash over blind stylus on laid paper ·  Accession ID  2015.72.1

Bibliography

1983

  • Seilern, Louisa, ed. Galerie Jan Krugier. Dix ans d'activité [1972-1782]. Paris, 1983.

1991

  • Tauvel-Dorsaz, Hèléne. "Jan Krugier." Voir 82 (September 1991): 4-5.