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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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Open today 10:00 a.m. to 5:00 p.m. ⸱ Always free

National Gallery of Art
  • Visit

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    • Accessibility
    • Visiting with Kids
    • Food and Drink
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    • Must Sees

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.
  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Upcoming Exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Opens May 18
  • Art & Artists

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    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
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    Artle

    A refreshed experience for our puzzle game

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  • Visit

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    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Must Sees

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.
  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Upcoming Exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Opens May 18
  • Art & Artists

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    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

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    Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right. The people wear long-sleeved shirts, vests, britches, stockings, dresses, hats, and caps in shades of straw yellow, olive green, apple red, muted blue, brown, and bright white. Touches of peach paint suggest they are all pale skinned. The people closest to us are three men working along what might be the remains of a stone foundation in the lower left corner. One raises an instrument while another crouches nearby on the far side of the structure, and the third leans on our side, looking down at the grass. The land rises gently back to the end of a row of structures to our left. A thick-trunked tree with a sparse canopy is halfway between those structures and a building on our side of the bridge, in the center of the composition. That bone-white structure has engaged columns with capitals, a tiled roof, and a round, gazebo-like lantern or bell tower. A brick wall between more buildings line a lane beyond the tree and these structures, and rooflines pile up along the horizon, which comes halfway up the composition. People and children stand and sit on the grassy knoll or walk along the lane. The canal angles from the lower right corner of the canvas to the center of the horizon. The walls of the canal are built with thin layers of peach and tan-colored stone. Close to us, the wall on our side jogs to our left, creating an inlet or bay. A staircase cuts into the far wall to allow access to the water. Boats steered by men using long sticks carry people or supplies. A more elaborate covered boat, likely a ferry, pulls up to the base of the stairs. The stairs lead up to a plaza, which is lined with peanut-brown buildings with terracotta-brown roofs. People and dogs mill about the square and cross the bridge beyond the ferry. Some smoky-purple clouds drift into the scene from the left against an otherwise clear blue sky.
    Canaletto, The Porta Portello, Padua, c. 1741/1742, oil on canvas, Samuel H. Kress Collection, 1961.9.53

    The Porta Portello, Padua

    The Porta Portello, Padua

    Canaletto · c. 1741/1742 · oil on canvas ·  Accession ID  1961.9.53

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