Provenance

Herbert List

German, 1903 - 1975

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See all 28 works of art
The image displays swirling and curved lines creating an abstract composition. In the center, there is a figure wrapped in flowing fabric or flames, with a gesture suggesting movement. The lines can evoke a windswept cloak or chaotic fire around the figure, giving a sense of motion and energy. The figures are sketch-like, appearing like ghostly images floating among swirling clouds or smoke.
Baldassare Franceschini, The Assumption of the Virgin, c. 1667, red chalk on cream laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.83

The Assumption of the Virgin

Baldassare Franceschini · c. 1667 · red chalk on cream laid paper ·  Accession ID  2007.111.83

This is a drawing depicting multiple figures in a dynamic scene. The artwork shows a muscular winged figure reaching out a hand to a seated bearded figure, with another figure partially visible. The drawing utilizes gestural lines and shading, using charcoal and red chalk. Swirling cloud-like forms in the background enhance the dramatic and dynamic feel of the scene.
Gaspare Diziani, The Sacrifice of Isaac, c. 1755, tip of the brush with gray ink over red chalk, gray wash, strengthened with pen and gray and brown ink, heightened with white gouache, Wolfgang Ratjen Collection, Purchased as the Gift of Diane A. Nixon, 2007.111.68

The Sacrifice of Isaac

Gaspare Diziani · c. 1755 · tip of the brush with gray ink over red chalk, gray wash, strengthened with pen and gray and brown ink, heightened with white gouache ·  Accession ID  2007.111.68

This is a drawing of a group of figures in a scene. The upper portion features three figures on clouds, with the central figure holding objects, giving an impression of power. The surrounding figures seem to be in a posture of reverence. In the lower section, multiple figures are shown in various states of movement, with architectural elements in the background. The use of light and shadow, alongside intricate detailing, adds depth to the scene.
Lattanzio Gambara, Plague Victims Pleading for Help from Christ, the Virgin, and Saint Roch, 1567/1573, pen and brown ink with brown wash over black chalk, heightened with white gouache, with a small patched pasted over the head of the Virgin and then redrawn, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.89

Plague Victims Pleading for Help from Christ, the Virgin, and Saint Roch

Lattanzio Gambara · 1567/1573 · pen and brown ink with brown wash over black chalk, heightened with white gouache, with a small patched pasted over the head of the Virgin and then redrawn ·  Accession ID  2007.111.89

This is a drawing of a group gathered around a lavish table within a rocky grotto. The scene depicts an elaborate setting with numerous figures seated and interacting at a grand table adorned with various vessels and platters. The background is composed of rock formations. The figures are engaged in animated discussion or activity, enhancing the liveliness of the composition. The setting in natural rock and the presence of abundant food and drink evoke a sense of abundance and communal gathering.
Luca Penni, The Banquet of Acheloüs, c. 1545, pen and black ink with brown and blue-gray washes, heightened with white gouache on laid paper washed light brown, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.141

The Banquet of Acheloüs

Luca Penni · c. 1545 · pen and black ink with brown and blue-gray washes, heightened with white gouache on laid paper washed light brown ·  Accession ID  2007.111.141

This is a drawing of a mythical or religious scene. The drawing shows several figures in different positions and actions. The composition is divided into two main sections with figures in the upper levels and lower levels. The upper section appears to depict a group of figures witnessing or participating in an event. The lower section shows figures in dynamic poses with swords or engaged in struggle. The scene is detailed with a brownish wash for tonal contrast.
Giorgio Vasari, The Last Judgment, c. 1567, pen and brown ink with brown wash over traces of red and black chalk, squared for transfer with black chalk, on cream laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.177

The Last Judgment

Giorgio Vasari · c. 1567 · pen and brown ink with brown wash over traces of red and black chalk, squared for transfer with black chalk, on cream laid paper ·  Accession ID  2007.111.177

This is a drawing of a scene under a tree with figures in various poses. One figure is tied to the tree while another interacts with them, with other figures in the background. The drawing features light and shading to create depth and realism, showcasing dynamic action and emotion.
Paolo Farinati, The Flaying of Marsyas, 1570/1575, pen and brown ink with gray and brown wash over black chalk, heightened with white on greenish laid paper (originally blue), Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.78

The Flaying of Marsyas

Paolo Farinati · 1570/1575 · pen and brown ink with gray and brown wash over black chalk, heightened with white on greenish laid paper (originally blue) ·  Accession ID  2007.111.78

The image is a drawing of the head and neck of a young person. The person is looking downward, with their eyes closed and lips slightly curved. They have short, wavy hair falling gently around their head. The drawing is done in red chalk on textured beige paper, emphasizing delicate lines and shading. There are no clothing details, with a minimal background. In the lower left corner, there is a signature, and a small stamp is in the bottom right corner.
Aniello Falcone, Head of a Boy (Gennaro Falcone?), 1635/1640, red chalk on oatmeal paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.77

Head of a Boy (Gennaro Falcone?)

Aniello Falcone · 1635/1640 · red chalk on oatmeal paper ·  Accession ID  2007.111.77

This is a drawing of a celestial scene. The image shows several figures surrounded by clouds and light, with a larger figure in the center being crowned by two others. The figures have different postures, some standing, others sitting or reclining among swirling clouds. The composition creates a dynamic and harmonious arrangement, with movement directed towards the central figures. The style of the drawing features intricate lines, detailed shading, and themes of divinity and ethereality commonly seen in religious artwork.
Jacopo Palma il Giovane, The Coronation of the Virgin, 1585/1594, pen and brown ink and some gray ink with brown wash over charcoal on brown prepared oatmeal paper, heightened with white, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.139

The Coronation of the Virgin

Jacopo Palma il Giovane · 1585/1594 · pen and brown ink and some gray ink with brown wash over charcoal on brown prepared oatmeal paper, heightened with white ·  Accession ID  2007.111.139

The image shows a sketch of a person's head and part of the shoulders. The face is turned upwards in a slightly diagonal and upward-right angle, with expressive lines defining features such as brows and a nose. The person's hair is depicted as wavy and voluminous, flowing outward. Minimal lines suggest clothing over the shoulders. There are no visible jewelry or objects held. The background features a plain, textured surface with crosshatching and sweeping lines for depth.
Pietro Antonio Novelli, Head of a Man Looking Up, 1770s, pen and brown ink over charcoal, heightened with white chalk on ochre prepared paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.135

Head of a Man Looking Up

Pietro Antonio Novelli · 1770s · pen and brown ink over charcoal, heightened with white chalk on ochre prepared paper ·  Accession ID  2007.111.135

This drawing is a sketch of two young children in dynamic poses. At the top of the sketch is a child sitting with one knee bent, facing the right. They are using one arm to carry a large log or beam on their shoulder. They have short, curly hair and are nude. Below them is a sketch of another child who is also kneeling, their body facing us and their head turned to the right. They are leaning forward with their arms extended to the left, using both hands to pull a long pole. This child has short, straight hair, and they appear to have cloth wrapped around their waist. There are other partial sketches on the page, including part of an arm surrounded by cloth in the bottom right corner and a hand holding a curved object near the upper right corner. The background is a sepia-toned paper with faint grid lines, and the sketches are done in pale red.
Pompeo Batoni, Two Nude Children Lifting a Cudgel, c. 1748, red chalk heightened with white chalk on paper washed ochre, partially squared for transfer in red chalk, Wolfgang Ratjen Collection, Purchased as the Gift of Diane A. Nixon, 2007.111.48

Two Nude Children Lifting a Cudgel

Pompeo Batoni · c. 1748 · red chalk heightened with white chalk on paper washed ochre, partially squared for transfer in red chalk ·  Accession ID  2007.111.48