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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    Open daily from 10 a.m. to 5 p.m. 
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

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  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    • Must Sees

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

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    • Artists
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    • Games and Interactives
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    Artle

    A refreshed experience for our puzzle game

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    We look slightly down at an ornate fountain in a dirt and stone courtyard surrounded by about two dozen people, many of whom look at or gesture toward the fountain in this vertical painting. Most of the people have pale, peachy skin but one man, near the lower center, has dark brown skin and short black hair. The fountain has a broad, shell-shaped base filled with glimmering, aquamarine-blue water. In the basin, and as if carved from gray stone, two muscular, nude men blow horns as they ride stylized dolphins, which spout water into the pool. Two more people wearing robes sit atop a tall, pedestal-shaped form that rises from the back of the shell base. The person to our left holds aloft a bowl and the other holds a vessel on her lap as she turns to look up and behind her at the pinnacle of the fountain. There, a person, also carved from stone, sits on a throne and points down with one hand while the other, closer to us, rests on a short column with three flame-like protrusions up each side. He leans back against a short, curving ship with an oar coming through a porthole to our right. A nude, chubby, baby-like cherub straddles the rudder like a horse to our right. The sun falls down the front of the fountain, especially highlighting the middle tier and bottom shell-shaped basin, and it illuminates the people gathered around and near its base. One man to our left kneels on the edge of the basin and dips one hand in, as several others stand around it and look up at or point toward it. Most of the people wear robes, cloaks, and tunics in mustard yellow, tomato red, peach, white, and royal or light blue. A few vignettes draw the eye, including two men wearing chains on their ankles, are sprawled in shadow in the lower left corner of the composition. In that same cluster, two men stand and gesture toward the fountain while another sits at their feet. Nearby, the man with brown skin sits in front of a light-skinned man wearing a turban, a striped tunic, and a short sword hanging from his belt. The turbaned man stands with his back to us and rests his right hand on the handle of a pointed axe, using it like a cane. To our right, a person wearing an armor breastplate under a ruby-red cloak stands next to a balding man who also points up at the fountain. A young man wearing a lemon-yellow suit sits on a fallen block in the lower right corner of the composition, holding a board on his lap and presumably sketching the fountain, as a man wearing sapphire blue looks on. More people walk toward the fountain down in front of a gate to our right of the fountain. Beyond, plants and vegetation grow among ruins with columns, a stone obelisk, and a tall narrow pyramid. Pale pink clouds float in the pastel blue sky above. The artists signed their names as if written on the face of a stone block near the lower left: “B.” and “M.” next to “RICCI Faciebant.”
    Sebastiano Ricci, Marco Ricci, Memorial to Admiral Sir Clowdisley Shovell, 1725, oil on canvas, Samuel H. Kress Collection, 1961.9.58

    Memorial to Admiral Sir Clowdisley Shovell

    Memorial to Admiral Sir Clowdisley Shovell

    Sebastiano Ricci, Marco Ricci · 1725 · oil on canvas ·  Accession ID  1961.9.58

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