Provenance

Count Ludwig Yorck von Wartenburg

German, 1805 - 1865

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See all 28 works of art
The image shows three men standing closely together in a circular formation. Each man faces one another as if in conversation. The man on the left wears a long-sleeved tunic with a belt and a cap with a length of fabric hanging down the back. His facial features are partially visible, with a prominent nose and upward gaze towards the man in the middle. The central figure wears a turban-like headdress, has a thick beard and mustache, and holds a long stick or staff with both hands. He is dressed in a similar long-sleeved tunic and appears slightly taller. The man on the right is facing slightly towards the middle man; he wears a wide-brimmed fur hat and a layered tunic with a belt. His face shows a prominent nose and small eyes, and he holds a woven basket in his right hand, with a small case or sheath hanging from his belt. The background is plain, emphasizing the detailed linework and texture on the men's clothes and features.
Albrecht Dürer, Three Peasants in Conversation, c. 1497, engraving on laid paper, Rosenwald Collection, 1943.3.3473

Three Peasants in Conversation

Albrecht Dürer · c. 1497 · engraving on laid paper ·  Accession ID  1943.3.3473

The image displays long, flowing lines in an intricate pattern. The abstract design resembles curling tendrils or swirling waves. The black lines against the light background create a sense of movement. The delicate curves and loops can be likened to the exaggerated curls of smoke rising and twisting.
Martin Schongauer, Leaf Ornament, c. 1480/1490, engraving on laid paper, Rosenwald Collection, 1943.3.92

Leaf Ornament

Martin Schongauer · c. 1480/1490 · engraving on laid paper ·  Accession ID  1943.3.92

The image depicts three armored figures with various symbols and inscriptions atop their heads. The figures are dressed in detailed armor and ornate clothing, holding different objects. Their expressions suggest communication or deep thought. The top of the image includes inscriptions identifying the figures. The background is minimal, highlighting the details of the figures. The style displays detailed line work, typical of Renaissance engravings or woodcuts, emphasizing texture and pattern in the clothing and armor.
Hans Burgkmair I, Joshua, David and Judas Maccabaeus, 1516, woodcut, Rosenwald Collection, 1944.8.48

Joshua, David and Judas Maccabaeus

Hans Burgkmair I · 1516 · woodcut ·  Accession ID  1944.8.48

This is a drawing of a heraldic design with whimsical figures and intricate scrollwork. The design features a large shield or crest with elaborate patterns. Atop the shield, two exaggerated figures are depicted in a playful scene. One figure holds a staff with an ornamental object at the end. Inside the shield is an upside-down figure with curly hair. The drawing showcases attention to detail, texture, shading, and a playful exploration of form and content within the heraldic tradition.
Israhel van Meckenem, Coat of Arms with Tumbling Boy, c. 1480/1490, engraving, Rosenwald Collection, 1943.3.166

Coat of Arms with Tumbling Boy

Israhel van Meckenem · c. 1480/1490 · engraving ·  Accession ID  1943.3.166

The image depicts three figures titled "S. ELENA," "S. BRIGITA," and "S. ELSBETA." They are standing and visible from head to toe. The central figure is "S. BRIGITA," positioned between "S. ELENA" on the left and "S. ELSBETA" on the right. "S. ELENA" on the left is holding a large cross and wearing elaborately patterned and layered garments and a detailed headdress. "S. BRIGITA," in the center, is clothed in plain draped fabrics with a head covering and holds a piece of cloth over her hands. "S. ELSBETA" on the right wears clothing with detailed patterns similar to "S. ELENA" and holds a staff with a cross-like design. Each figure is surrounded by a halo. In front of them are three shields bearing different heraldic symbols. The background is plain.
Hans Burgkmair I, Saint Helena, Saint Brigitta and Saint Elizabeth, 1516, woodcut on laid paper, Rosenwald Collection, 1944.8.50

Saint Helena, Saint Brigitta and Saint Elizabeth

Hans Burgkmair I · 1516 · woodcut on laid paper ·  Accession ID  1944.8.50

This drawing depicts a scene with a castle in the background and multiple figures engaged in action. The castle has several towers on the left side. In the foreground, there are figures in dynamic poses, including one figure kneeling and another throwing stones. The composition is detailed with lines and shading, typical of intricate engraving techniques. The scene conveys movement and tension through the expressive gestures and postures of the figures.
Israhel van Meckenem, The Stoning of Saint Stephen, c. 1470, engraving on laid paper, Rosenwald Collection, 1943.3.144

The Stoning of Saint Stephen

Israhel van Meckenem · c. 1470 · engraving on laid paper ·  Accession ID  1943.3.144

This image shows a three-quarter view of three women standing side by side. The central figure wears an ornate and elaborate dress with detailed patterns, a crown, feathered headpiece, and jewelry. The woman on the left holds a sword and wears a simpler gown with a headscarf. The woman on the right holds a model of a building and wears a flowing gown with styled hair. Each woman stands with one foot visible above their respective shields labeled "LVC," "SPQR," and with an eagle. The background is plain. Text at the top labels the figures as "DREI GVT HAIDIN LVRECIAVETVRIA VIRGINIA."
Hans Burgkmair I, Lucretia, Veturia and Virginia, 1516, woodcut, Rosenwald Collection, 1944.8.52

Lucretia, Veturia and Virginia

Hans Burgkmair I · 1516 · woodcut ·  Accession ID  1944.8.52

The image shows two people within an architectural frame. On the left, a person holds a sword, with curly hair and a short beard. On the right, another person looks down at an open book. Both wear robes and halos. The background is detailed with arches and a patterned wall. At the bottom, there is Latin text in a decorative font.
Israhel van Meckenem, Saints Thomas and James the Less, c. 1480/1485, engraving, Rosenwald Collection, 1943.3.131

Saints Thomas and James the Less

Israhel van Meckenem · c. 1480/1485 · engraving ·  Accession ID  1943.3.131

This is a drawing of a scene showing a figure surrounded by mourners and symbolic objects. The lifeless figure lies in the foreground, partially covered with fabric, with arms and legs prominently visible. Two figures weep on either side while a ladder leans against a large vertical timber in the background. Various objects lie at the base of the timber, including a pot, a smaller cylindrical container, and tools resembling nails. The composition is expressive and strongly delineated, typical of woodcut prints influenced by Northern Renaissance art.
Hans Baldung Grien, Lamentation for Christ, 1515/1517, woodcut, Rosenwald Collection, 1949.5.90

Lamentation for Christ

Hans Baldung Grien · 1515/1517 · woodcut ·  Accession ID  1949.5.90

The image depicts the upper half of a man in profile, facing left. He has a prominent nose, light wavy hair styled in a bob, and wears a detailed garment with a high collar and voluminous sleeves. He wears a medallion on a chain around his neck and a wide-brimmed hat with decorative elements. The background has a textured pattern, and there is Latin text at the bottom identifying the person.
Barthel Beham, King Ferdinand I, 1531, engraving on laid paper, Rosenwald Collection, 1943.3.869

King Ferdinand I

Barthel Beham · 1531 · engraving on laid paper ·  Accession ID  1943.3.869

Bibliography

1921

  • Ref Number: 2669
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.