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Jane P. Watkins

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The image shows a composition of vertical and horizontal rectangles in different colors forming an abstract design. A series of alternating beige and deep blue rectangles are stacked vertically on the left side. Towards the center, three wide vertical rectangles—two in mustard yellow and one in warm brown—are present. On the right side, green and black rectangles create a pattern similar to piano keys or a stack of books.
Sean Scully, Untitled, 1984, watercolor over graphite on wove paper, Gift of Jane P. Watkins, 2008.95.3

Untitled

Sean Scully · 1984 · watercolor over graphite on wove paper ·  Accession ID  2008.95.3

The image shows a large circular shape with a textured surface, marked by fine vertical and horizontal lines that create depth. At the center, there is a dark, irregular dot. The lines and shading give the impression of an aged material or a weathered surface, suggesting a view from above.
Emmet Gowin, Snow over Pivot Agriculture, near Liberal, Kansas, 1995, gelatin silver print, Gift of Jane P. Watkins, 2015.185.5

Snow over Pivot Agriculture, near Liberal, Kansas

Emmet Gowin · 1995 · gelatin silver print ·  Accession ID  2015.185.5

The image shows horizontal rectangular shapes stacked in alternating red and blue colors. The bottom row includes alternating blue and mustard-yellow vertical rectangles.
Sean Scully, Mexico COLOLA, 1983, watercolor over graphite on wove paper, Gift of Jane P. Watkins, 2006.137.1

Mexico COLOLA

Sean Scully · 1983 · watercolor over graphite on wove paper ·  Accession ID  2006.137.1

The image shows an aerial view of a landscape with ponds and varied terrain formations. There is no visible horizon, only a straight-down perspective capturing a rectangular area with natural and artificial features. The image lacks brushstrokes, indicating it is a photograph. The color palette consists of shades of gray, highlighting the contrasts between water bodies, land, and possible vegetation. The scene includes serpentine lines, irregular patches, and pathways, suggesting man-made features. Similar patterns continue into the distance, creating an organized yet organic appearance.
Emmet Gowin, Golf Course under Construction, Arizona, 1993, gelatin silver print, Gift of Jane P. Watkins, 2015.185.11

Golf Course under Construction, Arizona

Emmet Gowin · 1993 · gelatin silver print ·  Accession ID  2015.185.11

The image depicts a series of vertical and horizontal rectangular shapes arranged in a grid-like pattern. The vertical shapes on the left alternate between orange and green hues. Following these are horizontal rectangles in mustard yellow and rust colors. On the right side, the blocks alternate between blue and brown tones. The overall composition may evoke connections to objects like shelves, books, or textiles.
Sean Scully, Traveller, 1984, watercolor over graphite on wove paper, Gift of Jane P. Watkins, 2010.98.3

Traveller

Sean Scully · 1984 · watercolor over graphite on wove paper ·  Accession ID  2010.98.3

The image shows an aerial view of agricultural fields with large, circular patterns formed by crop rows. The circles are precisely aligned and take up most of the composition. Two distinct circular fields dominate the scene. There is no visible horizon, with the perspective solely focused downward, capturing a structured, geometric layout of the land. The visual texture is crisp, highlighting the contrast between the dark soil and the lighter lines of crops. The color palette is monochromatic, composed of various shades of gray, emphasizing the repetitive pattern of concentric circles. In the distance or along the edges of the image, the lines occasionally fade, showing a boundary or transition to different land use. The lack of visible sky or landscape elements beyond the fields directs all attention to the layout of the agricultural landscape below.
Emmet Gowin, Pivot Agriculture on the Snake River Plain near the Confluence of the Snake and Columbia Rivers, Washington, 1991, gelatin silver print, Gift of Jane P. Watkins, 2015.185.3

Pivot Agriculture on the Snake River Plain near the Confluence of the Snake and Columbia Rivers, Washington

Emmet Gowin · 1991 · gelatin silver print ·  Accession ID  2015.185.3

The image displays a network of swirling lines and circular shapes creating an abstract pattern. The loops and curves intersect and overlap, conveying a sense of energy and motion. Darker areas contrast with the overall design. The composition suggests a dynamic map of invisible pathways.
Emmet Gowin, Off Road Traffic Pattern along the Northwest Shore of the Great Salt Lake, Utah, 1988, gelatin silver print, Gift of Jane P. Watkins, 2015.185.12

Off Road Traffic Pattern along the Northwest Shore of the Great Salt Lake, Utah

Emmet Gowin · 1988 · gelatin silver print ·  Accession ID  2015.185.12

The image shows bold rectangular shapes and lines. The rectangles on the left are deep blue, while the stripes on the right alternate between red and soft gray. The composition resembles a flag, with a blue field and striped pattern. The painting has a balance between the blue portion and the vibrant stripes.
Sean Scully, Mexico HUA HUA, 1983, watercolor over graphite on wove paper, Gift of Jane P. Watkins, 2006.137.2

Mexico HUA HUA

Sean Scully · 1983 · watercolor over graphite on wove paper ·  Accession ID  2006.137.2

The image displays a series of shapes with horizontal blue stripes on the left and a grid of blue and yellow bands on the right. The composition forms a checkerboard or patchwork quilt pattern with color-blocked elements. The lines create a sense of movement and structure in the artwork.
Sean Scully, Mexico OSTULA, 1983, watercolor and graphite on wove paper, Gift of Jane P. Watkins, 2008.95.1

Mexico OSTULA

Sean Scully · 1983 · watercolor and graphite on wove paper ·  Accession ID  2008.95.1

The image shows an aerial view of a vast landscape with numerous winding paths etched into the earth. The horizon is positioned high in the image, revealing a division between the patterned terrain and structured areas in the distance. On the horizon, there is a road cutting across from left to right, accompanied by circular and oval-shaped configurations. The grayscale palette emphasizes the texture of the land, with light and shadow play accentuating the network of tracks close to us, gradually blending into sparser texture further away.
Emmet Gowin, Race Track and Motor Cross near the Airport, Albuquerque, New Mexico, 1988, gelatin silver print, Gift of Jane P. Watkins, 2015.185.7

Race Track and Motor Cross near the Airport, Albuquerque, New Mexico

Emmet Gowin · 1988 · gelatin silver print ·  Accession ID  2015.185.7