Provenance

Jim Dine

Dine, James

American, born 1935

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The image shows abstract technical sketches. It includes charcoal line drawings on a plain background, depicting geometric and architectural elements. These elements include a rectangle with an 'X', rectangular forms resembling parts of a structure, and a three-dimensional corner form drawn with perspective. There are measures and numerical annotations like 3/8 and 7/8 indicating dimensions or proportions. The style implies preliminary design ideas for architectural elements.
Jim Dine, Graphicstudio, Sketch for folding screen "The Foreign Plowman", c. 1987/1989, graphite on wove paper, Gift of Graphicstudio/University of South Florida and the Artist, 1991.75.85

Sketch for folding screen "The Foreign Plowman"

Jim Dine, Graphicstudio · c. 1987/1989 · graphite on wove paper ·  Accession ID  1991.75.85

The image shows a floral pattern with pink roses and yellow poppies on a deep navy blue background. Green leaves complement the flowers, which are evenly distributed across the image.
Jim Dine, Graphicstudio, Background for "The Robe Goes to Town", 1982-1983, color screenprint on buff Arches Cover paper, Gift of Graphicstudio/University of South Florida and the Artist, 1991.75.86

Background for "The Robe Goes to Town"

Jim Dine, Graphicstudio · 1982-1983 · color screenprint on buff Arches Cover paper ·  Accession ID  1991.75.86

The image shows five panels with abstract, textured surfaces featuring organic and geometric shapes. The first panel contains elongated lines, while the second panel has similar lines integrated into a grayish canvas. Panels three and four show embedded items resembling utensils on a granular surface. The fifth panel displays jagged, triangular, and rectangular forms alongside linear objects. The composition suggests abstract textures and forms emerging from plaster-like surfaces.
Jim Dine, Graphicstudio, Petersburg Press, The Tampa Tool Reliefs, 1974, five panels of cast aluminum, Gift of Jim Dine, 1990.45.1-5

The Tampa Tool Reliefs

Jim Dine, Graphicstudio, Petersburg Press · 1974 · five panels of cast aluminum ·  Accession ID  1990.45.1-5

The image shows a drawing of a person's head and shoulders. The subject is positioned facing forward, with a direct gaze at the viewer. The person's facial features are prominent, with defined cheekbones, a straight nose, and an angular jawline. Their hair is short and styled upwards. The person is wearing a dark-colored top with a round neckline. There are no visible jewelry or objects being held. The background is dark and textured. The overall tone of the drawing is monochromatic, employing shades of black, gray, and white.
Jim Dine, 12 Rue Jacob, 1986, drypoint, softground and hardground etching, aquatint, and power-tool drypoint in black on Hahnemühle paper, Gift of the Artist, 2014.11.51

12 Rue Jacob

Jim Dine · 1986 · drypoint, softground and hardground etching, aquatint, and power-tool drypoint in black on Hahnemühle paper ·  Accession ID  2014.11.51

The image showcases an intricate arrangement of overlapping lines and shapes. The design predominantly consists of handwritten words and names in different sizes and orientations. The abstract composition combines the beauty of human handwriting with a structured layout. The collection of names and phrases resembles a wall covered with graffiti or signatures. The bright and dim colors against a dark background emphasize the texture and depth within the abstract design.
Jim Dine, Cincinnati II, 1969, lithograph in white and black on J. Green Mould Made paper, Gift of the Artist, 2014.11.9

Cincinnati II

Jim Dine · 1969 · lithograph in white and black on J. Green Mould Made paper ·  Accession ID  2014.11.9

The image shows an abstract composition of geometric shapes outlined in bold, black lines. The shapes form a figure resembling a human torso silhouette. The sections are filled with vibrant colors such as reds, greens, yellows, and blues. The background features large sweeping strokes and textured lines, adding to the abstract nature of the piece. The overall appearance is of a colorful, fragmented figure.
Jim Dine, Alan Holoubek, Tom Pruitt, Patrick Foy, Greg Burnet, Graphicstudio, The Oil of Gladness, 1988, color etching and woodcut on Arches Cover wove paper, Gift of Graphicstudio/University of South Florida and the Artist, 1989.56.4

The Oil of Gladness

Jim Dine, Alan Holoubek, Tom Pruitt, Patrick Foy, Greg Burnet, Graphicstudio · 1988 · color etching and woodcut on Arches Cover wove paper ·  Accession ID  1989.56.4

The image shows a large light bulb mounted on a vertical stand. The color palette is grayscale, featuring various shades of black, white, and grey. The bulb and stand are centrally positioned within a rectangular shape that is slightly darker than the rest of the light background.
Jim Dine, Ten Winter Tools [awl], 1973, lithograph in black on German Etching Deluxe paper, Gift of the Artist, 2014.11.21.5

Ten Winter Tools [awl]

Jim Dine · 1973 · lithograph in black on German Etching Deluxe paper ·  Accession ID  2014.11.21.5

Jim Dine, Ten Winter Tools [adjustable wrench], 1973, lithograph in black on German Etching Deluxe paper, Gift of the Artist, 2014.11.21.7

Ten Winter Tools [adjustable wrench]

Jim Dine · 1973 · lithograph in black on German Etching Deluxe paper ·  Accession ID  2014.11.21.7

The image displays a large wrench on the left and a cloth-like texture in the center, with another faint outline of a wrench on the right side. The color palette is black and white, with varying shades of gray for shading and texture. The first wrench is placed vertically on the left, the textured shape occupies the center, and the second faint wrench outline is slightly to the right of center, all against a plain white background.
Jim Dine, Ten Winter Tools [three adjustable wrenches], 1973, lithograph in black on German Etching Deluxe paper, Gift of the Artist, 2014.11.21.6

Ten Winter Tools [three adjustable wrenches]

Jim Dine · 1973 · lithograph in black on German Etching Deluxe paper ·  Accession ID  2014.11.21.6

A small spoon is depicted in fine lines and smudges for a shaded effect, sitting slightly below the center of a cream-colored canvas. The spoon, oriented with its handle downward, is encircled by a soft, circular smudge.
Jim Dine, Ten Winter Tools [spoon], 1973, lithograph in black on German Etching Deluxe paper, Gift of the Artist, 2014.11.21.8

Ten Winter Tools [spoon]

Jim Dine · 1973 · lithograph in black on German Etching Deluxe paper ·  Accession ID  2014.11.21.8