Provenance

Francis Baring, 3rd Baron Ashburton

1800 - 1868

Explore Selected Works

A dilapidated cottage nestles among leafy trees next to a winding dirt road in this square landscape painting. The dirt road runs from the bottom center of the painting into the distance. The cottage sits to the right of the road, encircled by a low, rustic fence. There are holes in the roof, and the whole building leans a bit to our left. The wall we can see has areas of gray, mustard yellow, and brick red, and some panels and windows are missing. Other windows have diamond-shaped panes. Gnarled sage and olive-green trees and scrubby dark green underbrush surround the hut and grow on the other side of the road, to our left. Trees on the far side of the cottage form a line between it and a spring-green lawn that leads back to a butter-yellow house. A woman and child stand in the road facing us as a thin, light brown dog scampers in our direction. The woman holds a rust-orange bundle in her arms. Further up the road, a man on horseback rides away from the woman and child toward the yellow house. Dark gray and white clouds drift in a powder-blue sky overhead.
Meindert Hobbema, Hut among Trees, c. 1664, oil on canvas, Widener Collection, 1942.9.30

Hut among Trees

Meindert Hobbema · c. 1664 · oil on canvas ·  Accession ID  1942.9.30

Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin. The horizon is about a third of the way up the composition and is lined with towers on distant, hazy, pale yellow hills. Two of the horses are to the right of center, both facing us. The horse on the left is white, and the rider wears an azure-blue tunic and red brimless cap. The other horse is brown with a white blaze, and its rider wears a red tunic and black cap. That second rider points with a whip to the sitting and standing people near the sheep, to the right. Those two people wear brown jackets, and the standing man has a mustache. The seated person rests a long staff over one shoulder. About half of the nine sheep there lie on the ground, and the others stand. The cow dips her head down to the sheep, and the splay-footed donkey has baskets hung to each side. This grouping is in front of a copse of tall trees that nearly reach the top edge of the composition. The third rider is to our left and a short distance away. That dark brown horse gallops to our right. A short distance away, another herdsman along the left edge of the composition wears a red tunic and brown pants, and he rests a long staff on one shoulder. One cow stands and one lies down next to that herdsman. Sunlight rakes across twigs, leafy plants, scrubby growth, and rocks in the foreground, closest to us. Sailboats float on the waterways that stretch horizontally across the painting in the distance, and the land separating those bodies of water is dotted with spires, windmills, towers, and other structures. A dozen dark birds fly high in the sky, which takes up the top two-thirds of the picture. A bank of iridescent yellow and pearly white clouds trundle across the pale blue sky. The artist signed the painting in the lower right corner, “A.cuijp.”
Aelbert Cuyp, Horsemen and Herdsmen with Cattle, 1655/1660, oil on canvas, Widener Collection, 1942.9.16

Horsemen and Herdsmen with Cattle

Aelbert Cuyp · 1655/1660 · oil on canvas ·  Accession ID  1942.9.16

Master of the Griselda Legend, Joseph of Egypt, c. 1490/1495, oil on panel transferred to canvas, Samuel H. Kress Collection, 1952.5.2

Joseph of Egypt

Master of the Griselda Legend · c. 1490/1495 · oil on panel transferred to canvas ·  Accession ID  1952.5.2