Provenance

Epstein Family Fund

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See all 19 works of art
This is a photograph of a decorative book cover. The cover has a richly designed leather binding with a large diamond shape in the center. The design includes embossed patterns framing the diamond, a border around the edges, and intricate floral motifs in a light contrasting color at the corners. The color scheme is deep brown with warmer tones highlighting the elements. This design showcases traditional craftsmanship in bookbinding.
Johann Jacob Scheuchzer, Kupfer-Bibel, volume II, published 1731, 1 vol: ill: title page, 3 pages introductory text (unnumbered), 396 pages text (numbered 277-672), 193 engravings (numbered 175-364 with 3 additional plates); plates are engraved by various artists after Füssli; border designs are after Preissler, Epstein Family Fund, 1987.26.2

Kupfer-Bibel, volume II

Johann Jacob Scheuchzer · published 1731 · 1 vol: ill: title page, 3 pages introductory text (unnumbered), 396 pages text (numbered 277-672), 193 engravings (numbered 175-364 with 3 additional plates); plates are engraved by various artists after Füssli; border designs are after Preissler ·  Accession ID  1987.26.2

The image is a drawing of a head-and-shoulders portrait of a person. The person is facing forward with distinct facial features, wearing circular eyewear. The hair is styled in a scattered manner. The individual's clothing is simple, and a hand is partially visible near their neck. The background is plain to emphasize the figure.
Max Pechstein, Dr. Paul Fechter, 1919, drypoint in black on laid paper, Epstein Family Fund, 1998.30.1

Dr. Paul Fechter

Max Pechstein · 1919 · drypoint in black on laid paper ·  Accession ID  1998.30.1

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Philosopher (Philosoph)

Max Klinger, Amsler & Ruthardt, Wilhelm Felsing · 1909 · etching and aquatint in black on japan paper ·  Accession ID  1993.60.1

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Spring

Ferdinand Hodler · c. 1900/1901 · transfer lithograph on imitation vellum ·  Accession ID  1997.4.1

This is a photograph of an antique leather-bound book. The cover features a worn brown leather exterior with an embossed rectangle and diamond pattern in lighter brown hues. The design includes delicate decorative dots and filigree at the corners of the rectangular border. The spine of the book is visible on the left, exhibiting slightly raised bands. The overall condition suggests age, with visible scratches and wear.
Johann Jacob Scheuchzer, Kupfer-Bibel, volume I, published 1731, 1 vol: ill: mezzotint portrait of Scheuchzer, engraving opposite title page, title page, 26 pages introductory text (unnumbered), 276 pages text (numbered 1-276), 177 engravings (numbered 1-174 with 3 additional plates); plates are engraved by various artists after Füssli; border designs are after Preissler, Epstein Family Fund, 1987.26.1

Kupfer-Bibel, volume I

Johann Jacob Scheuchzer · published 1731 · 1 vol: ill: mezzotint portrait of Scheuchzer, engraving opposite title page, title page, 26 pages introductory text (unnumbered), 276 pages text (numbered 1-276), 177 engravings (numbered 1-174 with 3 additional plates); plates are engraved by various artists after Füssli; border designs are after Preissler ·  Accession ID  1987.26.1

The artwork is an abstract representation of a person from the shoulders up in a forward-facing position with a slight downward tilt. The facial features are exaggerated with geometric lines and shadows. The hair is dense and voluminous with dark, swirling strokes. The person is wearing a coat and appears to be near a piano, with hands near piano keys in the corner. A piece of sheet music with notations is visible on the left. The background consists of abstracted shadowed elements blending into the central figure.
Conrad Felixmüller, The Composer Bernd Bosseljon, 1923, crayon lithograph in black on cream wove paper, Epstein Family Fund, 1996.40.2

The Composer Bernd Bosseljon

Conrad Felixmüller · 1923 · crayon lithograph in black on cream wove paper ·  Accession ID  1996.40.2

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A Step (Ein Schritt)

Max Klinger · 1882 · etching in black on japan paper ·  Accession ID  1994.22.1

The sketch depicts the upper body of a person in a loosely abstract style. The person is in a three-quarter pose facing slightly to the left. The facial features are strongly defined with bold lines, showcasing a prominent nose, deep-set eyes, and an intense expression. The hair is depicted with energetic strokes, appearing somewhat unkempt and spiky. The clothing consists of a jacket and a collared shirt, and there is a suggestion of a tie or similar garment at the neck. The background is plain, emphasizing the figure, and there is a signature on the left indicating "09/20/1915".
Ludwig Meidner, Hans Freimark, 1915, graphite, Epstein Family Fund, 1983.73.1

Hans Freimark

Ludwig Meidner · 1915 · graphite ·  Accession ID  1983.73.1

The image shows a portrait focused on the upper half of a person's body, highlighting the face and neck. The person is facing forward with a composed expression. Their facial features include prominent cheekbones, a pointed nose, and a defined jawline, with narrow, slightly closed eyes. The hair is styled in a way that it appears swept back, with no particular details on individual strands. The clothing visible is dark in color, with a possible textured pattern or fur around the neck area. The background features abstract, linear patterns and shapes. The artwork is created using bold and expressive lines.
Erich Heckel, Head of a Young Girl (Madchenkopf), 1919, drypoint, Epstein Family Fund, 1980.33.1

Head of a Young Girl (Madchenkopf)

Erich Heckel · 1919 · drypoint ·  Accession ID  1980.33.1

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Kupfer-Bibel, volume III

Johann Jacob Scheuchzer · published 1733 · 1 vol: ill: title page, 3 pages introductory text (unnumbered), 738 pages text (numbered 1-738), 215 engravings (numbered 365-575 with 4 additional plates); plates are engraved by various artists after Füssli; border designs are after Preissler ·  Accession ID  1987.26.3