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Ellen von Seggern Richter and Jan Paul Richter

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The image depicts a bust of a man in profile within a decorative oval frame. The man has a mustache and beard, an intense expression, and wears a feathered headpiece and armor-like attire. He holds a sword. Cherubic figures are positioned above him, and others are depicted crafting an object below. The background features swirling designs, Latin inscriptions, and intricate details.
Antoine Jacquard, Self-Portrait (The Trade Card of Anthoine Jacquard), engraving on laid paper, Ellen von Seggern Richter and Jan Paul Richter, 2007.46.1

Self-Portrait (The Trade Card of Anthoine Jacquard)

Antoine Jacquard · · engraving on laid paper ·  Accession ID  2007.46.1

In the image, a man is standing in a slightly turned position, leaning over a book on a table or surface. He has short, dark hair and distinctive facial features, although details are obscured by shadows. The man is wearing a shirt with rolled-up sleeves and an open neckline, showing his muscular build. The room is dimly lit with another figure's shadow in the background, implying the presence of someone else. The background is minimal, with predominating shadows, creating contrast with the dimly lit space around the man.
Eugène Delacroix, A Blacksmith (Un Forgeron), 1833, aquatint on laid paper, Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Ritcher, and Ailsa Mellon Bruce Fund, 2020.83.3

A Blacksmith (Un Forgeron)

Eugène Delacroix · 1833 · aquatint on laid paper ·  Accession ID  2020.83.3

This is a drawing of architectural and decorative panels with intricate details and figures against a background of trees and rocks. In the center is a panel with floral and mythical motifs, surrounded by similarly detailed decorations. The overall scene conveys a sense of opulence and grandeur, with elements of classical architecture and sculpture. Shadows and contrasts create depth and texture, evoking a dramatic and historical atmosphere.
Jean Jacques Lagrenée II, Title Page, 1782, etching, aquatint, and lift-ground aquatint printed in brown on laid paper (proof), Purchased as the Gift of Ellen von Seggern Richter and Jan Paul Richter, 2019.25.1

Title Page

Jean Jacques Lagrenée II · 1782 · etching, aquatint, and lift-ground aquatint printed in brown on laid paper (proof) ·  Accession ID  2019.25.1

The image shows a historical architectural complex surrounded by water. The buildings have gabled roofs and a central spire. Tall trees stand to the left of the buildings. The water reflects the buildings and the sky. The style of the image is detailed and precise, resembling an engraving with delicate line work. The color palette is monochrome with shades of brown and grey. In the distance, there is sky with a few clouds.
Wenceslaus Hollar, Groenendael Abbey, 1647, etching on laid paper, The Ellen von Seggern Richter and Jan Paul Richter Fund, 2010.127.1

Groenendael Abbey

Wenceslaus Hollar · 1647 · etching on laid paper ·  Accession ID  2010.127.1

This is a drawing of a cherubic figure surrounded by mythical and earthly elements. The central figure is a large, winged, chubby child. They appear to be in a dynamic pose, stepping onto a spherical object with one foot and leaning on an elaborate structure with one hand. The figure has large, curly hair and wears a fabric draped over one shoulder. The intricate background includes twisted trees, columns, and various figures engaged in different activities below. The scene is filled with detailed line work and patterns, creating a rich tapestry of textures and shapes reminiscent of a detailed engraving. The elements suggest a scene rich in symbolism, common in Renaissance art.
Master H.L., Cupid Balancing on a Globe, 1533, engraving on laid paper, Ailsa Mellon Bruce Fund and Ellen von Seggern Richter and Jan Paul Richter Fund, 2005.90.1

Cupid Balancing on a Globe

Master H.L. · 1533 · engraving on laid paper ·  Accession ID  2005.90.1

The image displays a detailed print of a rocky landscape. In the forefront, a group of figures and lions can be seen within a cave. The figures are intricately depicted wearing detailed clothing. A tree is shown arching upwards to the right. In the background, a cityscape with buildings is visible, along with a textured sky. The composition is framed with ornamental decorations of birds and floral motifs. The color palette is monochromatic with varying shades of sepia or black ink on a neutral background, emphasizing the detailed linework.
Adriaen Collaert, Claes Jansz Visscher, Daniel in the Lion’s Den, c.1584, engraving on laid paper, Gift of Funds from Ellen von Seggern Richter and Jan Paul Richter, 2023.169.3

Daniel in the Lion’s Den

Adriaen Collaert, Claes Jansz Visscher · c.1584 · engraving on laid paper ·  Accession ID  2023.169.3

The image consists of a landscape scene with a border. The landscape includes cliffs, a small castle or fortress, trees, water, and figures by the water's edge. A sailboat sails nearby, and more ships are seen in the distance. The scene is depicted in fine, intricate line art with a monochromatic color palette of varying shades of gray. The border features birds, butterflies, and floral and faunal elements.
Adriaen Collaert, Eduard van Hoeswinckel, Pharaoh’s Daughter Finding Moses, c.1584, engraving on laid paper, Gift of Funds from Ellen von Seggern Richter and Jan Paul Richter, 2023.169.1

Pharaoh’s Daughter Finding Moses

Adriaen Collaert, Eduard van Hoeswinckel · c.1584 · engraving on laid paper ·  Accession ID  2023.169.1

The image displays two vases with floral arrangements on either side of a central design, featuring the upper part of a human figure. The color palette consists of shades of grey and black, typical of engravings. On the left is a vase labeled "HOMO" with a floral arrangement and a squirrel, while the right vase labeled "BVLLA" has another floral display with an owl. Above, a decorative network of birds, a bat, and serpentine elements encircle the central figure, with inscriptions in Latin framing the composition.
Jacob Hoefnagel, Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Titlepage], 1592, engraving on laid paper, Gift of Ellen von Seggern Richter and Jan Paul Richter, 2023.45.3

Archetypa studiaque patris Georgii Hoefnagelii [Part 4, Titlepage]

Jacob Hoefnagel · 1592 · engraving on laid paper ·  Accession ID  2023.45.3

The image is an intricately detailed engraving depicting a scenic pastoral view. The point of view is slightly elevated, showing a landscape with figures, including children, an adult, and animals gathered under a large tree. The scene opens up to a wide countryside with a village or town in the distance. The horizon is suggested by distant hills and structures, with an intricate decorative border containing flora and fauna. The monochrome palette emphasizes light, shadow, textures, and details.
Adriaen Collaert, Eduard van Hoeswinckel, The Mocking Children Cursed by Elijah and Eaten by a She-Bear, c.1584, engraving on laid paper, Gift of Funds from Ellen von Seggern Richter and Jan Paul Richter, 2023.169.2

The Mocking Children Cursed by Elijah and Eaten by a She-Bear

Adriaen Collaert, Eduard van Hoeswinckel · c.1584 · engraving on laid paper ·  Accession ID  2023.169.2

The image shows a detailed engraving of a river scene in a mountainous landscape. The horizon features a cityscape with spires and fortified structures. In the middle, a bridge connects the city with rocky hillsides. Mythological or religious figures are depicted near a riverbank with trees. The water includes figures and rocks. The composition is monochromatic in shades of gray and black, emphasizing textures. A decorative border surrounds the central panel with floral elements, animals, and mythological creatures.
Adriaen Collaert, Claes Jansz Visscher, The Baptism of Christ, c.1584, engraving on laid paper, Gift of Funds from Ellen von Seggern Richter and Jan Paul Richter, 2023.169.4

The Baptism of Christ

Adriaen Collaert, Claes Jansz Visscher · c.1584 · engraving on laid paper ·  Accession ID  2023.169.4