Provenance

Kicken Gallery Berlin, OHC

Explore selected works

See all 22 works of art
The image shows a front-seat view of a dirt road with two horses visible in the lower part of the frame. The road stretches straight ahead with open fields on either side predominantly covered in grass or low vegetation. The horizon is at the top third of the image with scattered trees in the distance. The color palette is monochromatic, consisting of different shades of gray. Sparse clouds are visible in the sky.
Gyula Pap, Lowlands, c. 1925, gelatin silver print, Patrons' Permanent Fund, 2004.72.7

Lowlands

Gyula Pap · c. 1925 · gelatin silver print ·  Accession ID  2004.72.7

This image shows a perspective view through an ornate wrought-iron gate onto a plaza or open area. The horizon is low, with a tall shadowy structure partially obscured by mist or fog in the distance. The gate is in sharp focus, showcasing intricate metalwork with vertical bars ending in pointed tips. Leafless trees frame the scene along the left side and the top. The color palette consists of grayscale tones, and the smooth pavement contrasts with the textured details of the architecture and natural elements.
Franz Weiser, Parktor-Rathaus (Park Gate, City Hall), 1929, gelatin silver print, Richard and Judith Smooke Fund, 2005.11.1

Parktor-Rathaus (Park Gate, City Hall)

Franz Weiser · 1929 · gelatin silver print ·  Accession ID  2005.11.1

The image shows a close-up of a man facing the camera with his head slightly tilted down. His facial features include high cheekbones, a distinct nose, and slight facial hair shadow. His hair is dark, short, and combed back smoothly. He is wearing a garment with a large collar that rises behind his head. In the background, there is a partial obstruction, possibly a window frame or structure. The background appears to be an indoor setting with some structural elements. The man's expression is neutral, and he is not wearing any visible jewelry or holding any objects.
Grit Kallin-Fischer, Untitled (Freddo Bortoluzzi as Angel), c. 1928–1930, gelatin silver print, Pepita Milmore Memorial Fund, 2022.54.1

Untitled (Freddo Bortoluzzi as Angel)

Grit Kallin-Fischer · c. 1928–1930 · gelatin silver print ·  Accession ID  2022.54.1

The image shows a bridge structure on the right side, casting shadows into the water below. The perspective is slightly elevated, offering a view across the bridge and water to the opposite bank with buildings. The horizon is set beyond the bridge with rooftops and fluffy clouds in the sky. In the distance, trees and buildings add texture to the landscape. The color palette consists of sepia tones for an antiquated effect.
Jaromír Funke, Untitled (Bridge in Kolin), 1922, gelatin silver print, Patrons' Permanent Fund, 2005.119.1

Untitled (Bridge in Kolin)

Jaromír Funke · 1922 · gelatin silver print ·  Accession ID  2005.119.1

The landscape features terraced fields carved into a hillside. A line of trees marks the horizon, with mound-like formations in the distance. The fields have smooth curves and sharp edges with trimmed grass patterns. A row of tree trunks casts long shadows along the slope. The image is in a monochromatic palette of brown and gray, emphasizing contrasts and textures.
Jaromír Funke, Landscape near Kutna Hora (Kuttenberg), 1939, gelatin silver print, Patrons' Permanent Fund, 2005.119.3

Landscape near Kutna Hora (Kuttenberg)

Jaromír Funke · 1939 · gelatin silver print ·  Accession ID  2005.119.3

The image shows a boat navigating through water. The boat is angled diagonally across the image, with its bow pointing toward the top left corner. The hull is mostly dark with some lighter sections, while the smokestack stands out with its black and white stripes. A small wake follows the boat, creating ripples on the water. The photo is in black and white, with various shades of gray.
László Káldor, Hajò (Boat), c. 1930, gelatin silver print, Patrons' Permanent Fund, 2004.72.3

Hajò (Boat)

László Káldor · c. 1930 · gelatin silver print ·  Accession ID  2004.72.3

A table covered with a white tablecloth and two chairs is positioned in front of a lattice wall, creating a pattern of shadows. The color palette is black, white, and various shades of gray. The table is centered in the image, with one chair on the left and another slightly to the right, partially tucked under the table. The lattice pattern is visible across the floor and surfaces, providing a textured backdrop.
Imre Kinszki, Karierte Welt (Checkered World), before 1933, gelatin silver print, Patrons' Permanent Fund, 2004.72.5

Karierte Welt (Checkered World)

Imre Kinszki · before 1933 · gelatin silver print ·  Accession ID  2004.72.5

The image displays a person standing against a plain backdrop. Their back is against the wall, hands clasped in front of them at waist level. They wear a distinctive headpiece or hat and an elaborate lace mask partially covers their facial features. The person's outfit consists of a dark dress below the knees, stockings, lace-up boots, and a textured boa over their shoulders. The background is a simple, shadowed wall and floor.
Annelise Kretschmer, Kostümaufnahme (Women's Suit), 1929, gelatin silver print, Pepita Milmore Memorial Fund, 2022.54.2

Kostümaufnahme (Women's Suit)

Annelise Kretschmer · 1929 · gelatin silver print ·  Accession ID  2022.54.2

This is a photograph of a shadow cast on a paved surface. The image captures the shadow of a figure holding a long object against a flat, textured ground. The light source seems strong and positioned at an angle, creating a clear shadow on the grey surface. In the background, there is a grassy verge bordered by a curb, with poles or trees casting shadows on the grass.
Franz Weiser, Shattenspiel (Shadow play), 1928, gelatin silver print, Richard and Judith Smooke Fund, 2005.11.2

Shattenspiel (Shadow play)

Franz Weiser · 1928 · gelatin silver print ·  Accession ID  2005.11.2

This is a photograph of the underside of a large, riveted metal bridge with arching supports. The image shows an intricate framework of metal arches, beams, and support structures converging into a geometric composition. Light filters through the arches, creating contrast with the darker metal surfaces, revealing the texture of rivets and industrial detailing. The overall atmosphere highlights architectural strength and industrial beauty, showcasing the engineering of the structure.
Franz Weiser, Brücke (Bridge), 1930, gelatin silver print, Robert B. Menschel Fund, 2005.11.3

Brücke (Bridge)

Franz Weiser · 1930 · gelatin silver print ·  Accession ID  2005.11.3