Provenance

Niccolini

Explore Selected Works

A person walks across a rocky path with a fortified, wall-enclosed town in the distance in this horizontal painting. The person wears a dark green robe and pink hood or cap, carries a yellow sack slung over one shoulder, and uses a walking stick. Boulders surge to either side of the path, and leafy green trees grow up the right side of the composition. Several swans float on a lake just beyond the trees. Painted in shades of gray, a person rides a camel just beyond a boulder to the left. Other forms painted with thin strokes of red or black could be people walking through the landscape in the distance. A city gate, the walls, and some of the buildings have crenelations. Trees nestle between hills that roll back to hazy, sage-green mountains along the horizon, which almost reaches the top edge of the painting. The sky above is muted blue.
Giovanni Larciani (Master of the Kress Landscapes), Scenes from a Legend, probably c. 1515/1520, oil on canvas, Samuel H. Kress Collection, 1939.1.344.c

Scenes from a Legend

Giovanni Larciani (Master of the Kress Landscapes) · probably c. 1515/1520 · oil on canvas ·  Accession ID  1939.1.344.c

Giovanni Larciani (Master of the Kress Landscapes), Scenes from a Legend, probably c. 1515/1520, oil on canvas, Samuel H. Kress Collection, 1939.1.344.a

Scenes from a Legend

Giovanni Larciani (Master of the Kress Landscapes) · probably c. 1515/1520 · oil on canvas ·  Accession ID  1939.1.344.a

Two pairs of people and a group line a rocky path that stretches away from us in this hilly, horizontal landscape painting. We look slightly down on the path as it travels steeply from the bottom center of the canvas to about the center of the composition. Dark trees and bushes are tucked on top of and between knolls and mounds rising to each side of the path. A pink-stone building with a crenelated walled area and a tower is to the left of center, and a second building is tucked in a shallow valley to the right. The hills pile up as they reach the horizon, which comes almost to the top of the composition. The narrow strip of sky above is muted aqua-blue. The pair of people nearest to us stand close to and facing each other, perhaps holding hands. They both have pale skin and wear voluminous robes. The person on the left has short blond hair and wears cardinal red. The companion wears a black cloak and may wear a turban, but details around the faces and heads of this pair are difficult to make out. A short distance farther along the path is a pair of men wearing gray, hooded monks’ robes. They also have pale skin. The person on the left appears to be cleanshaven and blond, and the man on the right has a beard. The man on the left reaches for the other man’s arm or shoulder, and they face each other. Tiny in scale within the composition, four people by the building with the tower may have pale or brown skin, and they wear clothing painted in tan, pale yellow, and soft red. Two stand facing each other, and one appears to hold a staff. They both gesture or point to a man riding a donkey to our right. Another man hunches over, perhaps pushing or pulling something, close to the building, and a fifth person peeks out an open door there.
Giovanni Larciani (Master of the Kress Landscapes), Scenes from a Legend, probably c. 1515/1520, oil on canvas, Samuel H. Kress Collection, 1939.1.344.b

Scenes from a Legend

Giovanni Larciani (Master of the Kress Landscapes) · probably c. 1515/1520 · oil on canvas ·  Accession ID  1939.1.344.b

Gasparo Cairano, Madonna and Child with Saints and Donors, 1490s, marble, Samuel H. Kress Collection, 1939.1.336

Madonna and Child with Saints and Donors

Gasparo Cairano · 1490s · marble ·  Accession ID  1939.1.336

A woman holds and looks toward a nude, young child, who sits on her lap and looks out at us, smiling, in this vertical painting. They both have pale skin and thin, gold halos floating above their heads. The clear sky behind them deepens from teal blue along the top edge to ice blue behind their shoulders. To our right, the woman is shown from the lap up with her body angled to our left, toward the child she holds. She looks down at the child almost in profile with dark eyes under faint brows. She has a long, straight nose, smooth cheeks, and her petal-pink lips are closed. Her blond hair is braided and twisted back from her face under a sheer, gold-trimmed, white veil, that flutters as if in a breeze. Her rose-pink dress has a wide neckline and the elbow-length sleeve we can see falls loosely over a tighter, spring-green sleeve. The neckline is trimmed with gold decorations and an inscription: “MDVIII.R.V.PIN.” A peacock-blue robe drapes over the shoulder farther from us and across her lap. That arm wraps around the child’s back, and she holds her other hand to her chest, near where the child grips the neckline of her dress. The child sits on a white pillow with one leg flung across the woman’s lap and the other, closer to us, dangling between her knees. Slightly slouched, his body is angled to our right, toward the woman, but he looks over his shoulder at us with dark eyes. He has faint eyebrows, a delicate nose, a dimpled chin, flushed cheeks, and his pale pink lips curl into a smile. He has wispy blond hair and pudgy, toddler-like cheeks and body. His other hand rests on the pillow between his legs. A band of gauzy, sheer fabric decorated with gold stripes wraps around one shoulder and around his upper chest.
Raphael, The Niccolini-Cowper Madonna, 1508, oil on panel, Andrew W. Mellon Collection, 1937.1.25

The Niccolini-Cowper Madonna

Raphael · 1508 · oil on panel ·  Accession ID  1937.1.25