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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    Open daily from 10 a.m. to 5 p.m. 
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

  • Art & Artists

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    Open daily from 10 a.m. to 5 p.m. 
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    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Featured exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Now on view

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    • Artists
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    A refreshed experience for our puzzle game

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    A woman wearing a long black robe sits on a wide, bench-like seat and holds a child on her lap in this vertical painting. Both have pale skin, rosy cheeks, and gold halos. The panel is shaped so that it is round around the woman’s head and halo; it then widens into a tall rectangle at her shoulders. That woman, Mary, sits with her body facing us and looks off to our right with brown, almond-shaped eyes. She has an oval face with arched brows, a long, straight nose, and her narrow pink lips are closed. Her black garment has a pattern of brick-red diamond shapes with tiny white swirls at the corners. The area between her hood and her face is red, suggesting a veil or the underside of the robe. The pointed tips of red shoes extend out from under the hem, which reaches the floor. A gold crown over her hood comes to a point above her forehead, and rows of circles dangle down each side like a stylized chain. Dark blue and red circles suggest gemstones and touches of white suggest pearls. She supports the baby’s torso with one long-fingered hand and touches a tiny foot with the other. The child, Jesus, has adult-like proportions with a small head, sloping nose, and blond hair. The hand to our left is raised with the first two fingers extended and he holds a scroll in the other hand. He wears a pale gold garment wrapped tightly around his body. Distinct, rose-pink lines suggest folds. The two people’s features and clothing are outlined in black or darker shades. The bench on which they sit is nearly as wide as the panel and seems to curve up a bit to each side. It is scarlet red with designs in black to make scrolls, nested triangles, or stylized leaves. Four people, half the height of Jesus, float against the faded gold background, two to each side. All four have pale, peachy skin and wear long robes in cream white, pale pink, blue, or brown. The bottom two, near Mary’s elbows, wear gold crowns and hold jugs. The man at the top left, near Mary’s shoulder, is bareheaded and gestures toward the center. In the upper right, a bearded man with his gray hair cut into ring around his head holds a red book in one elbow and holds up his other hand, palm facing us. The background seems a little scuffed and some of the gold has worn away. An inscription along the bottom reads, “MARGARIT RITIO ME FECIT.”
    Margaritone d'Arezzo, Madonna and Child Enthroned with Four Saints, c. 1240/1245, tempera on panel, Samuel H. Kress Collection, 1952.5.12

    Madonna and Child Enthroned with Four Saints

    Madonna and Child Enthroned with Four Saints

    Margaritone d'Arezzo · c. 1240/1245 · tempera on panel ·  Accession ID  1952.5.12

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