Provenance

Merritt P. Dyke

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The image shows a landscape view with an elevated perspective looking out towards a scene. A village with a church steeple is visible across a stream, with a mountain rising on the right. A stone structure is situated on the mountain slope. The image is monochromatic, likely created with charcoal, showcasing soft shades and textures on trees and rocks. The color palette is limited to earthy tones. Rocks and trees in the foreground lead the eye towards the distant elements of the landscape.
Simon Mathurin Lantara, Moonlit Landscape with a River and Castle, c. 1770/1778, black chalk and white chalk on brown paper, Gift of Funds from Merritt P. Dyke, 2022.116.1

Moonlit Landscape with a River and Castle

Simon Mathurin Lantara · c. 1770/1778 · black chalk and white chalk on brown paper ·  Accession ID  2022.116.1

The image shows a landscape scene viewed from a slightly elevated perspective. The horizon is in the upper third of the composition with a line of tall trees. The sky is filled with a mix of gray and bluish clouds. Brushstrokes are evident, providing a painted appearance with attention to texture. The ground has patches of green grass and rocky formations. Two figures are visible, walking through the landscape carrying large bundles. The color palette consists of earthy tones.
Henri Rivière, Stream in Lopérec (Ruisseau à Lopérec), c. 1901, black ink, black chalk, and watercolor with collage (for the two figures) on Japanese paper, Purchased as the Gift of Merritt P. Dyke, 2019.74.1

Stream in Lopérec (Ruisseau à Lopérec)

Henri Rivière · c. 1901 · black ink, black chalk, and watercolor with collage (for the two figures) on Japanese paper ·  Accession ID  2019.74.1

The image shows an outdoor scene with a group of people engaged in various activities. The perspective is positioned near the people. The horizon aligns with the tops of trees, adding depth. The drawing uses delicate lines to depict the grass and tree bark. The color palette is monochromatic, using shades of grey for contrast. A woman holds cloth or laundry, looking at a man seated next to a fabric or a blanket. Another woman stands nearby, surrounded by trees. Branches above spread out in a detailed pattern, casting light shadows.
Léon Augustin Lhermitte, Washerwomen Setting the Linens Out to Dry, 1884, black charcoal with brown pastel on wove paper laid down on board, Gift of Merritt Porter Dyke in Honor of Andrew Robison, 2016.130.1

Washerwomen Setting the Linens Out to Dry

Léon Augustin Lhermitte · 1884 · black charcoal with brown pastel on wove paper laid down on board ·  Accession ID  2016.130.1

This is a drawing of a rustic interior scene. The artwork depicts an interior where a table is surrounded by chairs. On the table, there is a bowl, as the individuals appear to be interacting or reaching towards it. In the background, livestock and chickens are visible, suggesting the environment is possibly a farm or a barn with a dining space. The use of soft lines and shading creates a warm, intimate, and slightly somber atmosphere within the image, with light and shadow playing an important role in highlighting the subjects and their surroundings.
Max Liebermann, East Frisian Peasants Eating Supper, 1893, charcoal heightened with white chalk on light green wove paper, with later touches of red chalk along the top (recto); charcoal on greenish paper (verso), Wolfgang Ratjen Collection, Purchased as the Gift of Merritt P. Dyke, 2007.111.17

East Frisian Peasants Eating Supper

Max Liebermann · 1893 · charcoal heightened with white chalk on light green wove paper, with later touches of red chalk along the top (recto); charcoal on greenish paper (verso) ·  Accession ID  2007.111.17

The image contains swirling and intersecting lines, creating an abstract scene on the paper. The curved shapes and meandering lines hint at the contour of a room with tables and chairs. Angular lines and round shapes suggest the presence of objects or people like hats or lamps. The use of vibrant colors like red, yellow, and blue adds energy to the composition.
Walter Gramatté, Das leere Café (The Empty Café), 1918, pen and black ink with crayons on wove paper, Merritt Porter Dyke Fund, 2007.71.2

Das leere Café (The Empty Café)

Walter Gramatté · 1918 · pen and black ink with crayons on wove paper ·  Accession ID  2007.71.2

This image is a detailed sketch of a man's profile, depicting his head and part of his upper torso. The man is facing left, with his side profile prominently displayed. His facial features include a prominent brow and a strong, slightly aquiline nose. He has a bald head, with hair visible on the sides and around the back. His facial hair includes a thick sideburn. The man is dressed in a dark garment, possibly a coat, with a high collar that is visible. The background of the sketch is plain, with shading that emphasizes the contour of his figure and the depth of the depiction.
Karl Stauffer-Bern, Adolph Menzel, 1885, charcoal and graphite with stumping and scraped corrections, touched with yellow pastel, on tan wove paper, indented for transfer, Wolfgang Ratjen Collection, Purchased as the Gift of Merritt P. Dyke, 2007.111.41

Adolph Menzel

Karl Stauffer-Bern · 1885 · charcoal and graphite with stumping and scraped corrections, touched with yellow pastel, on tan wove paper, indented for transfer ·  Accession ID  2007.111.41

The image shows a large tree with sprawling branches and leaves taking up most of the canvas. Towards the top half, the horizon is visible meeting the sky, with faint outlines of mountains and distant trees in the background. The artist uses delicate brushstrokes to create texture in the foliage, resulting in a full and dynamic appearance. The color scheme consists mainly of green and brown tones, with touches of blue in the leaves and sky, creating a calm and natural atmosphere.
Jules Dupré, Two Ancient Trees before a Mountain Peak, c. 1830, watercolor on wove paper, Merritt Porter Dyke Fund, 2010.71.1

Two Ancient Trees before a Mountain Peak

Jules Dupré · c. 1830 · watercolor on wove paper ·  Accession ID  2010.71.1

The image shows a natural landscape with tall grass and rocks. In the distance, two figures are walking with bundles on their backs towards foliage and trees. A row of trees marks the horizon line. The painting style resembles ukiyo-e, with stylized brushstrokes and a color palette of greens, browns, and grays. The sky is depicted with soft colors.
Henri Rivière, Stream in Lopérec (Ruisseau à Lopérec), 1901, color lithograph on simili Japan paper, Purchased as the Gift of Merritt P. Dyke, 2019.74.2

Stream in Lopérec (Ruisseau à Lopérec)

Henri Rivière · 1901 · color lithograph on simili Japan paper ·  Accession ID  2019.74.2

Leopold von Kalckreuth, The Artist's Wife Reading in Bed, 1885/1890, watercolor over graphite on wove paper, laid down, Wolfgang Ratjen Collection, Purchased as the Gift of Merritt P. Dyke, 2007.111.107

The Artist's Wife Reading in Bed

Leopold von Kalckreuth · 1885/1890 · watercolor over graphite on wove paper, laid down ·  Accession ID  2007.111.107

This is a drawing of a café interior. It depicts various furnishings and architectural elements. The drawing is executed in pencil or charcoal, creating a monochromatic and textured appearance. There is a row of round tables and chairs to the left, arranged in diminishing perspective, leading deeper into the café. In the foreground, there is a person not fully detailed, giving the scene a sketch-like quality. On the right, other tables and chairs are spaced throughout the room. The ceiling features a chandelier or hanging lights for illumination. The ambiance is quiet, capturing the essence of an early 20th-century café setting. Shading and line work are used to create depth and texture.
Walter Gramatté, Das leere Café (The Empty Café), 1917, graphite with touches of stumping on wove paper, Merritt Porter Dyke Fund, 2007.71.1

Das leere Café (The Empty Café)

Walter Gramatté · 1917 · graphite with touches of stumping on wove paper ·  Accession ID  2007.71.1