Provenance

Debbie Taylor

Explore selected works

See all 18 works of art
A long, twisted dark object hangs vertically from a thin horizontal line at the top of the image. The object has a cylindrical base near the bottom. The background is light gray with small specks or splotches scattered throughout. The monochromatic palette consists of grayscale tones, adding to the textured surface. The twisted object is centered in a vertical composition.
Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup, Flypaper, 1989, etching, spitbite aquatint, drypoint and polishing on Zerkall Bütten paper, Gift of Debbie Taylor, 2018.112.8

Flypaper

Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup · 1989 · etching, spitbite aquatint, drypoint and polishing on Zerkall Bütten paper ·  Accession ID  2018.112.8

The image features vertical parallel lines stretching from the bottom to the top, converging around an oval shape resembling a tunnel or archway at the top. The lines create an effect similar to looking through a grate or slatted window, framed by a darker border. Scattered throughout are circular forms that suggest floating bubbles or light particles, adding depth and texture.
Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup, Ventilated Ceiling, 1989, drypoint, spitbite aquatint, and polishing on Zerkall Bütten paper, Gift of Debbie Taylor, 2018.112.17

Ventilated Ceiling

Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup · 1989 · drypoint, spitbite aquatint, and polishing on Zerkall Bütten paper ·  Accession ID  2018.112.17

The image shows a grid of twelve boxes containing abstract shapes and lines. Some of the shapes resemble coiled lines, loops, and wavy forms. Above the grid, text states "TEN COMMON (HAWAIIAN HOUSEHOLD) OBJECTS" with a list of objects like "FLYPAPER," "BOTTLED WATER," and "SEX ROCKS." The composition is framed by a wash of dark tones.
Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup, Title Page, 1989, etching, spitbite aquatint, drypoint, and burnishing on Zerkall Bütten paper, Gift of Debbie Taylor, 2018.112.7

Title Page

Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup · 1989 · etching, spitbite aquatint, drypoint, and burnishing on Zerkall Bütten paper ·  Accession ID  2018.112.7

This print displays an abstract arrangement of irregular oval shapes. A thin horizontal line divides the print into two halves. In the center of the top half is a long, thin oval shape surrounded by smaller pebble-like forms are scattered around the central figure. In the lower half are two large oval shapes with a grouping of smaller shapes near the bottom right corner. Along with these shapes, there are also areas where the off-white paper has gray tints, creating cloud-like shapes.
Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup, Sex Rocks, 1989, drypoint, etching, spitbite aquatint, and open bite etching on Zerkall Bütten paper, Gift of Debbie Taylor, 2018.112.14

Sex Rocks

Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup · 1989 · drypoint, etching, spitbite aquatint, and open bite etching on Zerkall Bütten paper ·  Accession ID  2018.112.14

The image contains vertical thin lines that intersect with tubular shapes hanging at various angles. The lines and shapes create an abstract form resembling elongated strings with objects reminiscent of cylindrical cans or pipes attached to them. The background is a solid rectangular black color, contrasting with the lighter, empty surrounding space. This emphasizes the suspended elements in a manner suggestive of an unbalanced mobile.
Al Taylor, Bat Parts, 1994, graphite and gouache on wove paper, Gift of Debbie Taylor in honor of Judith Brodie, 2018.112.5

Bat Parts

Al Taylor · 1994 · graphite and gouache on wove paper ·  Accession ID  2018.112.5

The image displays thin, vertical and diagonal lines creating an abstract composition. The lines converge towards the center, with spots and smudges around. A kite-shaped form is visible on the side. The overall effect suggests energy and motion, resembling fireworks or a meteor streaking across the sky.
Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup, Broomstick, 1989, etching, spitbite aquatint, open bite etching, and drypoint on Zerkall Bütten paper, Gift of Debbie Taylor, 2018.112.12

Broomstick

Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup · 1989 · etching, spitbite aquatint, open bite etching, and drypoint on Zerkall Bütten paper ·  Accession ID  2018.112.12

The image shows a series of wavy, undulating lines forming a complex pattern with a woven-like structure. The lines densely pack together, creating an intricate grid reminiscent of musical notes on paper or city streets seen from above.
Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup, Window Screen, 1989, sugarlift and spitbite aquatint, and open bite etching on Zerkall Bütten paper, Gift of Debbie Taylor, 2018.112.15

Window Screen

Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup · 1989 · sugarlift and spitbite aquatint, and open bite etching on Zerkall Bütten paper ·  Accession ID  2018.112.15

The image displays an abstract composition with a central elongated oval shape filled with intersecting lines and curves. Wire-like lines in colors such as green, yellow, and blue are intricately wrapped around the central form, resembling coiled strings or tangled cables. The overall structure suggests a cocoon or a futuristic hanging light fixture suspended by thin vertical lines.
Al Taylor, X-Ray Tube, 1995, gouache, graphite, and colored pencil on wove paper, Gift of Debbie Taylor in honor of Judith Brodie, 2018.112.1

X-Ray Tube

Al Taylor · 1995 · gouache, graphite, and colored pencil on wove paper ·  Accession ID  2018.112.1

The image displays various organic lines and shapes, intertwining and varying in thickness. The abstract composition features lines that ripple and curve in different directions, in shades of green, blue, and brown. These shapes intersect with circular forms, some filled with a solid color, like the blue circle on the left side. Scattered throughout are smaller dots.
Al Taylor, The Peabody Group #32, 1992, watercolor, gouache, ink, and coffee with graphite on Lenox wove paper, Gift of Debbie Taylor, 2010.64.1

The Peabody Group #32

Al Taylor · 1992 · watercolor, gouache, ink, and coffee with graphite on Lenox wove paper ·  Accession ID  2010.64.1

The image shows abstract shapes and lines forming a composition. A cylindrical figure resembling a telescope or rocket is at the center of the image, along with elliptical and circular shapes suggesting barrels, wheels, or lenses around it. The design evokes a sense of machinery or gadgetry with shading and texture. The interplay of shapes and lines creates depth and complexity, encouraging viewers to ponder the connections between these forms.
Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup, Bottled Water, 1989, etching, spitbite aquatint, and drypoint on Zerkall Bütten paper, Gift of Debbie Taylor, 2018.112.9

Bottled Water

Al Taylor, Niels Borch Jensen, Galerie Alfred Kren, Cologne, Dan Albert Benveniste, Mette Ulstrup · 1989 · etching, spitbite aquatint, and drypoint on Zerkall Bütten paper ·  Accession ID  2018.112.9