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    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

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    • Food and Drink
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    • Must Sees

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.
  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Upcoming Exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Opens May 18
  • Art & Artists

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    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
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    Artle

    A refreshed experience for our puzzle game

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  • Visit

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    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Must Sees

    Open daily from 10 a.m. to 5 p.m. 
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Only have an hour to spend?

    We've got you covered.
  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    A sprig of flowering rosemary lying against an ivory-white background and the twelve insects that surround it fills this horizontal painting. Stretching nearly the length of the composition with the cut end to our left, the rosemary has blunted, needle-like, gently curling teal-green leaves and small periwinkle-blue flowers along the ash-brown stem. Several insects perch on the sprig while others are seen as if looking from overhead, resting on the white background. The three largest insects perch along the top of the sprig, with an ivory-white butterfly with moss-green and black markings to the left, a black and golden, fuzzy bumblebee near the center, and a lemon-yellow butterfly with red antennae to our right. A tiny red insect, perhaps a ladybug without spots, sits on a leaf between the bee and yellow butterfly, and a small wasp-like insect rests on a leaf in at the lower left. Another mosquito-like insect alights on the surface nearby, next to a beetle with a honey-orange body with black, almost tiger-like stripes. A large cockroach sitting near the lower right corner has six spindly legs, a mahogany-colored abdomen, a black thorax, and tiny, black head. Spaced somewhat evenly across the top of the panel are a brick-red, winged insect to the left, a mint-green, beetle-like bug near a moth patterned with bone white and black, and a black, fly-like insect to our right. Lit from the upper left, the rosemary and insects cast shadows on the surface. The artist signed and dated the work with gray in the lower left corner: “J v. kessel . . f. Ao 1653.”

    Upcoming Exhibition:

    Little Beasts: Art, Wonder, and the Natural World

    Opens May 18
  • Art & Artists

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    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Artle

    A refreshed experience for our puzzle game

    Today's puzzle

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    4. Juanita G. Ramsey

    Juanita G. Ramsey

    American, died 1966

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    This horizontal painting shows a daylit, covered terrace, where two women with pale skin and wearing long dresses lounge and recline along a ledge as a turbaned man with dark brown skin plays a musical instrument. To our left, behind one of the women, the musician's white turban drapes around his neck. His white shirt has wide, salmon-pink cuffs. His head is bent over a stringed instrument with a light yellow rounded body and a long, narrow wooden neck. His features are mostly lost in shadow but his closed lips are dark pink. Behind and framing the musician, a dark green drapery with gold edging cuts across the top left corner of the painting and is drawn back to reveal a bright sea view beyond. Close to us, one woman wears an orange-red dress with gold embroidery and a low-cut transparent blouse that shows her pale skin beneath. She lounges on her back, head near the musician, and body splayed along the ledge out toward our right. Her eyes are half-closed, and her head rests on a large gold pillow with green and pink embroidery over which her long, dark red hair cascades. Her left arm is bent and thrown back behind her head while her right arm hangs limply toward the floor. Her extended legs are bent, and feet with red and gold pointed slippers emerge from the bottom of the dress. Beyond her legs and to our right, the second woman reclines in a gold and cream-white dress with a filmy top and gold jacket. She rests her head in her hand, propped up by a crooked elbow resting on the ledge, while her body extends to our right. She gazes at us with dark eyes. She has dark brown, wavy hair that flows behind her shoulders, and she wears a gold headband with round, coin-like links. Beyond the group of three, another man stands to the far right in the background, in a corner of the terrace patio next to a pillar. Like the other man, he has dark brown skin and wears a turban, a loose white shirt under a yellow vest, and light blue, loose trousers. The back of the terrace opens to a bright and sunny day, the light blue sky scattered with thin white clouds above a vivid blue sea, where three sailboats approach the port. Distant mountains are bathed in light and appear pink, beyond the white roofs of the port or village along the water's edge, to our left.
    Jean Joseph Benjamin Constant, The Favorite of the Emir, c. 1879, oil on canvas, Courtesy of the United States Naval Academy Museum, 2010.95.1

    The Favorite of the Emir

    The Favorite of the Emir

    Jean Joseph Benjamin Constant · c. 1879 · oil on canvas ·  Accession ID  2010.95.1

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