Provenance

Clare Calder

Explore selected works

See all 31 works of art
The image displays a landscape with a wide expanse of land seen from a slightly elevated perspective. The horizon, featuring a line of low distant hills and scattered trees, is in the upper third of the composition. Close to us are bare trees and brush depicted with fine, delicate lines suggesting the texture of tangled branches. A simple wooden gate and a few more trees are to the right. In the distance, above the horizon, a few birds can be seen flying, lightly indicated by small dashes. The brushwork is characterized by fine, precise lines. The color palette is monochromatic, with the entire artwork executed in black ink on a pale, neutral background.
Robert Austin, Winter Landscape, Norfolk, 1934, engraving in black on wove paper, Gift from Clare Calder and her sister Rachel Austin, 2012.5.13

Winter Landscape, Norfolk

Robert Austin · 1934 · engraving in black on wove paper ·  Accession ID  2012.5.13

The image shows a detailed architectural sketch of a grand, Gothic-style cathedral against a blank sky. The view captures a side view of the structure, revealing the intricate details of the facade and spires. The horizon is low, with simple lines suggesting a base surrounding the cathedral. The technique is precise, using fine lines and cross-hatching to convey texture and depth in the stone work. The color palette is monochromatic, emphasizing the contrast between the light background and dark lines. In the distance, smaller structures with arches and flat roofs are visible, suggesting an accompanying architectural complex integrated with the cathedral.
Robert Austin, Twenty-One Gallery, The Cathedral, Palma, 1927, etching in black with white chalk, Gift from Clare Calder and her sister Rachel Austin, 2012.5.2

The Cathedral, Palma

Robert Austin, Twenty-One Gallery · 1927 · etching in black with white chalk ·  Accession ID  2012.5.2

The image shows a landscape with rolling earth formations and a winding pathway. In the distance, there are buildings, trees, and structures. A wooden fence is in the foreground, following the land's contours. The artwork uses precise lines and textures in varying shades of brown.
Robert Austin, Twenty-One Gallery, Highbridge, 1927, engraving in black on laid paper, Gift from Clare Calder and her sister Rachel Austin, 2012.5.3

Highbridge

Robert Austin, Twenty-One Gallery · 1927 · engraving in black on laid paper ·  Accession ID  2012.5.3

The image features a person lying on their side in a curled fetal-like pose. The person's head is resting on one arm, eyes closed, with a headscarf covering their hair. They are wearing loose-fitting clothing, positioned on a blanket in a grassy field. Nearby are a straw hat and a shoe. The background shows rolling hills and a distant landscape.
Robert Austin, Woman Sleeping, 1931, engraving in black with charcoal on wove paper, Gift from Clare Calder and her sister Rachel Austin, 2012.5.7

Woman Sleeping

Robert Austin · 1931 · engraving in black with charcoal on wove paper ·  Accession ID  2012.5.7

The image shows a person lying on their side in a curled position on a bed or mattress. The individual has short hair covered by a headscarf, wearing a long-sleeved garment and draped skirt. They have closed eyes, a serene expression, and one arm serving as a pillow. Nearby, there is a wide-brimmed hat, shoes, slippers, and flowers. The background includes grass and flowering plants.
Robert Austin, Woman Sleeping, 1931, engraving in black with black and white chalk, Gift from Clare Calder and her sister Rachel Austin, 2012.5.5

Woman Sleeping

Robert Austin · 1931 · engraving in black with black and white chalk ·  Accession ID  2012.5.5

The image shows a gothic-style cathedral with intricate architecture, including pointed arches and spires. The viewpoint is across an open space with the cathedral and surrounding buildings dominating the midsection against the sky. The horizon is low and the etching technique used emphasizes detail. The color palette is mainly sepia, giving a historical feel. There are gentle slopes nearby with small human figures scattered around to depict scale.
Robert Austin, Twenty-One Gallery, The Cathedral, Palma, 1927, etching printed in brown on laid paper, Gift from Clare Calder and her sister Rachel Austin, 2012.5.1

The Cathedral, Palma

Robert Austin, Twenty-One Gallery · 1927 · etching printed in brown on laid paper ·  Accession ID  2012.5.1

The image shows a person laying on their side on a textured surface that resembles grass or hay. Their hands are tucked under their head, which rests on the ground. The person's facial features are relaxed, with closed eyes. Their hair is covered by a headscarf. They are wearing a long-sleeved garment. Nearby, there is a wide-brimmed hat, a rolled-up piece of fabric, and a small bag. The background features rolling hills and mountains in the distance.
Robert Austin, Woman Sleeping, 1931, engraving in black on wove paper, Gift from Clare Calder and her sister Rachel Austin, 2012.5.6

Woman Sleeping

Robert Austin · 1931 · engraving in black on wove paper ·  Accession ID  2012.5.6

The image shows a profile view of a person's face from the forehead to just below the lips. The face has well-defined features, including a prominent nose and a slightly closed eye. The person's short hair is closely cropped. A large plant with slender leaves partially obscures the view of the face, particularly around the eye and forehead area. There are no visible clothes or accessories on the person. The background is a simple off-white canvas with minimalistic lines, creating a stark contrast that highlights the face and plant.
Robert Austin, Mask, 1933, engraving in black on laid paper, Gift from Clare Calder and her sister Rachel Austin, 2012.5.10

Mask

Robert Austin · 1933 · engraving in black on laid paper ·  Accession ID  2012.5.10

The image shows a woman digging in a garden with a church in the background. The woman is wearing traditional attire and a headscarf. She is surrounded by various plants and foliage, including detailed tree branches and bushes. In the background, there are buildings with sloped roofs, likely part of a small village. A large church with arched windows and gothic architectural details can be seen behind her, indicating a historical European setting. The scene is highly detailed with intricate lines and shading to create depth and texture.
Robert Austin, Woman Digging, 1938, engraving in black with charcoal, Gift from Clare Calder and her sister Rachel Austin, 2012.5.23

Woman Digging

Robert Austin · 1938 · engraving in black with charcoal ·  Accession ID  2012.5.23

The image shows a person standing with their back facing the viewer, wearing a voluminous cloak that drapes down to the floor. The person's head is turned to the side, looking towards an object resembling a cradle, with one hand resting on it. Their hair is styled in a low bun, visible from the back. The loose, flowing clothing covers the feet, with the toes peeking out on the side. The setting is an interior space with wooden floorboards and plain walls, with shadows and light adding depth. No visible jewelry or objects are being held.
Robert Austin, Young Mother, 1936, engraving in black on wove paper, Gift from Clare Calder and her sister Rachel Austin, 2012.5.16

Young Mother

Robert Austin · 1936 · engraving in black on wove paper ·  Accession ID  2012.5.16