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Haines Gallery

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The image depicts star trails in a circular pattern on a dark brown-toned sky. There is a bright spot to the left of the center. No horizon is visible in the image.
Linda Connor, August 10, 1955, 1996, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2013.82.3

August 10, 1955

Linda Connor · 1996 · gelatin silver print ·  Accession ID  2013.82.3

This blue-tinged photograph displays organic shapes and fluid lines in different shades of blue and gray. The shapes are similar to swirling clouds, ocean waves, or ice crystals. The overall impression is one of natural patterns and asymmetrical formations.
Meghann Riepenhoff, Ice #323 (27-39°F, Confluence of Schel Chelb Ephemeral Stream and Puget Sound, WA 02.24.22), 2022, cyanotype, Robert B. Menschel and the Vital Projects Fund, Gift of Funds from Katherine and Peter Kend, and Gift of Funds from Eric Richter , © Meghann Riepenhoff, 2023.88.1

Ice #323 (27-39°F, Confluence of Schel Chelb Ephemeral Stream and Puget Sound, WA 02.24.22)

Meghann Riepenhoff · 2022 · cyanotype ·  Accession ID  2023.88.1

The image depicts an x-ray-like visual of a person's head and upper shoulders. The person faces forwards, positioned centrally in the frame. Facial features, including eyes, nose, and mouth, are visible but appear blurred and diffused. The hair is not distinctly visible, contributing to a glowing outline around the head and shoulders. Clothing is not discernible, and the background is completely black.
David Maisel, History's Shadow GM16, 2010, printed 2011, inkjet print, Alfred H. Moses and Fern M. Schad Fund, 2012.43.3

History's Shadow GM16

David Maisel · 2010, printed 2011 · inkjet print ·  Accession ID  2012.43.3

The image contains intersecting and curving lines on a dark background, creating an abstract composition resembling a network of elongated shapes. The lines twist and spread in various directions, similar to cracks in glass or leaf veins. A small circular form appears near the center. Additionally, inverted text is placed in the upper corners, adding to the mysterious and scientific aesthetic of the image.
Linda Connor, September 3, 1895, 2002, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2013.82.4

September 3, 1895

Linda Connor · 2002 · gelatin silver print ·  Accession ID  2013.82.4

The image features a large tree trunk in the center with detailed bark texture. In the distance, there are dark evergreen trees against rocky mountains. The horizon is above the trees with shadowed mountains in the backdrop. The sky shows dark cloudy tones transitioning to lighter hues. The color palette includes blues, grays, and greens. The photograph combines clarity on the tree trunk with softer brushstrokes in the sky and mountains, emphasizing texture and contrast.
Binh Danh, Sugar Pine Tree, Yosemite, CA, April 2, 2012, 2012, daguerreotype, Alfred H. Moses and Fern M. Schad Fund, 2013.54.1

Sugar Pine Tree, Yosemite, CA, April 2, 2012

Binh Danh · 2012 · daguerreotype ·  Accession ID  2013.54.1

This is a photograph of a solar eclipse. The image shows the moon passing between the Earth and the Sun, casting a shadow and creating a glowing corona around the Sun. The photograph is rendered in sepia tones. A thin, curving line runs diagonally across the frame.
Linda Connor, April 16, 1893, 1997, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2013.82.1

April 16, 1893

Linda Connor · 1997 · gelatin silver print ·  Accession ID  2013.82.1

The image features a waterfall falling down a steep rock face, with cliffs obscuring most of the horizon. In the background, rugged peaks are visible. The painting portrays smooth brushstrokes capturing the textures of the stone and water, with a sepia color palette. Large boulders are at the waterfall's base, with trees growing in the crevices.
Binh Danh, Lower Yosemite Falls, Yosemite, CA, October 13, 2011, 2011, daguerreotype, Alfred H. Moses and Fern M. Schad Fund, 2013.69.1

Lower Yosemite Falls, Yosemite, CA, October 13, 2011

Binh Danh · 2011 · daguerreotype ·  Accession ID  2013.69.1

The image shows a stairway leading up a vegetation-covered hill. A concrete wall with a lamp fixture is on the left, casting a shadow. The horizon is not visible. The concrete wall has visible textures and shades of gray. The color palette includes greens from the vegetation and grays and browns from the concrete. The lighting indicates late afternoon or early evening with angled shadows and warm tones.
John Chiara, Vermont End (North), Variation B, 2012, silver dye bleach print, Alfred H. Moses and Fern M. Schad Fund, 2013.111.1

Vermont End (North), Variation B

John Chiara · 2012 · silver dye bleach print ·  Accession ID  2013.111.1

This grayscale photograph is a portrait of a person's head and upper body. The person is standing upright, facing us with a neutral expression. They have short, dark hair that is slightly swept to the side, covering their forehead. They have thick eyebrows, deep-set eyes, high cheekbones, and a strong jawline. The person is wearing a dark jacket or coat with a wide collar over a high-necked white garment, and there appears to be a large tag attached to the front of their jacket. The background is plain and blurred, and there are some dark spots on the surface of the photograph.
Binh Danh, Ghost of Tuol Sleng Genocide Museum #1, 2008, daguerreotype, Alfred H. Moses and Fern M. Schad Fund, 2012.43.1

Ghost of Tuol Sleng Genocide Museum #1

Binh Danh · 2008 · daguerreotype ·  Accession ID  2012.43.1

The image shows a profile silhouette of a human figure from the shoulders up. The face is partially obscured by bright lighting, giving a glowing effect to the figure. The hair is styled back or in a bun, with minimal details due to the high contrast with the dark background. The bright glow merges the shoulders into the white light, making clothing details indistinguishable. There are no visible accessories. The background is black, emphasizing the bright, luminous figure and creating a ghostly and abstract composition.
David Maisel, History's Shadow GM12, 2010, printed 2011, inkjet print, Alfred H. Moses and Fern M. Schad Fund, 2012.43.2

History's Shadow GM12

David Maisel · 2010, printed 2011 · inkjet print ·  Accession ID  2012.43.2