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Enrico Cortona

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The image depicts a coastal landscape with a fortress or city on rocky hills in the distance. A tree on the right frames the scene, featuring detailed branches and leaves. The artwork shows fine brushstrokes detailing textures in rocks, water, and sky using a monochromatic color palette. Figures near the shoreline seem to be maneuvering a boat, while distant ships and a tower are visible against the water and sky, creating an atmosphere of movement and activity.
Ludovico Mattioli, Martius (March), late 17th century, etching on laid paper, Ailsa Mellon Bruce Fund, 2017.76.5

Martius (March)

Ludovico Mattioli · late 17th century · etching on laid paper ·  Accession ID  2017.76.5

The landscape is observed from an elevated or mid-level viewpoint. The horizon is towards the upper third of the image, marked by distant hills. The etching technique gives a detailed style, with fine lines showing textures of the landscape and clouds. The color palette is monochromatic, using shades of black and white. Large trees with canopies frame the scene on the left, shrubbery and smaller trees on the right. A winding path leads into the scene where figures and animals are moving. In the distance, gently sloping hills provide scale, with sparse clouds in the sky.
Ludovico Mattioli, Iunius (June), late 17th century, etching on laid paper, Ailsa Mellon Bruce Fund, 2017.76.8

Iunius (June)

Ludovico Mattioli · late 17th century · etching on laid paper ·  Accession ID  2017.76.8

The image shows a landscape with a building on a hill, surrounded by trees. The scene is in monochrome with a focus on shadows and textures. The view is slightly elevated, looking down a slope towards the left where the building is located. The sky is heavily shaded, adding to the contrast. The building's sharp architectural details are emphasized. There is a faint glow on the horizon, hinting at a sun. Barren trees in the foreground partially obstruct the view of the building. The brushstrokes are fine and linear, creating an etched appearance. The use of dark tones and some lighter lines enhances the play between shadow and light. The color palette is limited to shades of gray and black, creating a moody atmosphere.
Luigi Conconi, Solitudine [Solitude], 1892, etching with monotype wiping, printed in black on wove paper, Ailsa Mellon Bruce Fund, 2017.76.1

Solitudine [Solitude]

Luigi Conconi · 1892 · etching with monotype wiping, printed in black on wove paper ·  Accession ID  2017.76.1

The image depicts a rustic landscape with buildings, a river, trees, and mountains. The scene is created using delicate lines and cross-hatching techniques for texture. In the foreground, there are thatched-roof buildings on a hill, a tree, and a herdsman with sheep. The color scheme is monochrome in varying shades of gray.
Ludovico Mattioli, November, late 17th century, etching on laid paper, Ailsa Mellon Bruce Fund, 2017.76.13

November

Ludovico Mattioli · late 17th century · etching on laid paper ·  Accession ID  2017.76.13

This is a drawing of a reclining figure surrounded by clouds. The drawing features a central figure on a soft, cloud-like surface. Around the central figure are dynamic, swirling lines representing ethereal clouds. The use of sepia tones and fluid linework conveys a sense of motion and otherworldliness.
Luigi Brenta, Juno Seated on the Clouds, early 19th century, pen and brown ink with brown wash over graphite on laid paper, squared for transfer, Ailsa Mellon Bruce Fund, 2017.158.2

Juno Seated on the Clouds

Luigi Brenta · early 19th century · pen and brown ink with brown wash over graphite on laid paper, squared for transfer ·  Accession ID  2017.158.2

This image depicts a landscape with a village visible in the distance. A church tower with a cross stands out on the horizon. The art style is detailed with fine lines in a monochromatic color scheme dominated by various shades of black. The scene includes a river, a figure by the bank, village structures, trees, and hills in the background.
Ludovico Mattioli, Augustus (August), late 17th century, etching on laid paper, Ailsa Mellon Bruce Fund, 2017.76.10

Augustus (August)

Ludovico Mattioli · late 17th century · etching on laid paper ·  Accession ID  2017.76.10

This is a drawing featuring detailed black and white sketches on a single sheet. The sheet displays various scenes and portraits. In the top left corner, there is a profile drawing of a woman's head with various hairstyles. Next to it, there is a chaotic scene of figures in a tussle. Adjacent is a sketch of an elderly man. Below the woman's portrait, there is an illustration of a cherubic figure standing on a globe. Alongside it, there is a sketch of a robed figure holding a tablet. Below the tussle, there is a scene of figures clashing in battle. Finally, in the bottom right, there is a sketch of figures in discussion. The sketches reflect a 17th-century Baroque style.
Gaetano Gandolfi, Sheet with Seven Etchings, c. 1775, seven etchings printed on one sheet of laid paper, Ailsa Mellon Bruce Fund, 2020.46.5.a-g

Sheet with Seven Etchings

Gaetano Gandolfi · c. 1775 · seven etchings printed on one sheet of laid paper ·  Accession ID  2020.46.5.a-g

The image depicts a pastoral scene with a church structure positioned off-center to the left. The church is surrounded by lush trees and bushes, creating a tranquil setting. The horizon is low, allowing the church and landscape to dominate the composition. Linear brushstrokes create textures in the greenery, clouds, and architectural details, enhancing the atmosphere. The color palette is monochrome with various shades of gray. Two small figures are walking along a path to the left, and hills rise in the distance. The sky features swirling cloud formations.
Ludovico Mattioli, Lulius (July), late 17th century, etching on laid paper, Ailsa Mellon Bruce Fund, 2017.76.9

Lulius (July)

Ludovico Mattioli · late 17th century · etching on laid paper ·  Accession ID  2017.76.9

The image shows an artwork of several men gathered around a table. The central figure is seated with a halo around his head, looking upward, along with a few other figures. One man is seated across the table, raising his hand, while another covers his face with one hand. The figures have facial hair and long hair, dressed in flowing garments. Additional figures are around them, with a drapery hanging behind and a cherubic figure in the clouds above. A scenic landscape is visible through an archway to the right, adding depth. Text at the bottom provides context or information about the artwork.
José del Castillo, The Supper at Emmaus, 1778, etching on laid paper, Given by Adult Program and Foreign Language Docents in Memory of Laura Wyman, 2012.53.1

The Supper at Emmaus

José del Castillo · 1778 · etching on laid paper ·  Accession ID  2012.53.1

The image depicts a seated male figure in a sideways position, leaning back on one hand with one leg extended and the other bent. The individual has a muscular physique, with dark, curly hair and is nude. The background is textured and dark, contrasting with the lighter-toned body of the figure.
Carle Van Loo, Seated Man with Head in Hand, c. 1743, etching on laid paper, Ailsa Mellon Bruce Fund, 2013.46.5

Seated Man with Head in Hand

Carle Van Loo · c. 1743 · etching on laid paper ·  Accession ID  2013.46.5