Provenance

(Aimé Charles) Horace His de la Salle

French, 1795 - 1878

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The image shows a round, bronze sculpture with intricate designs. The sculpture features multiple human figures in dynamic poses engaged in a battle or struggle. A central figure is prominently positioned, appearing to wear a helmet and gesturing assertively. Additional figures and a horse or similar animal are in the background. The surface of the sculpture has a dark, metallic hue typical of aged bronze. The edges have a detailed border, and the top is inscribed with the words "DVDIA FORTVNA."
Antico, Battle Scene [reverse], c. 1490, bronze, Samuel H. Kress Collection, 1957.14.666.b

Battle Scene [reverse]

Antico · c. 1490 · bronze ·  Accession ID  1957.14.666.b

The image shows a medallion sculpture featuring a relief portrait of a woman in profile. The woman has a detailed braided hairstyle with bead-like elements, and wears a beaded necklace. Her attire includes subtle folds, hinting at luxurious fabric. The medallion is made of bronze or brass-like metal with a warm tone and patina. The edges have small embossments and the inscription reads “DIVAE IVLIA PRIMVM FELIX."
Antico, Diva Giulia [obverse], c. 1490, bronze, Samuel H. Kress Collection, 1957.14.666.a

Diva Giulia [obverse]

Antico · c. 1490 · bronze ·  Accession ID  1957.14.666.a

The sculpture is a sculpted medal with the profile of a man facing right. The man has medium-length hair and wears a detailed garment with ornate decorations, reliefs, and patterns. The sculpture is made of tarnished grayish metal, likely bronze or a similar alloy. There is an inscription in capital letters around the edge of the medal.
Cristoforo di Geremia, Alfonso V of Aragon, 1396-1458, King of Naples and Sicily 1443 [obverse], c. 1458, bronze, Samuel H. Kress Collection, 1957.14.804.a

Alfonso V of Aragon, 1396-1458, King of Naples and Sicily 1443 [obverse]

Cristoforo di Geremia · c. 1458 · bronze ·  Accession ID  1957.14.804.a

This is a photograph of a sculpted medallion. The medallion features an embossed design showcasing a seated figure in the center, flanked by other figures participating in a ceremonial crowning. The design has intricate details such as clothing folds and texture of the figures. Around the medallion's edge, inscriptions can be seen. It appears to be made of metal with traces of wear and patina. The craftsmanship shows classical influences, possibly from the Renaissance period.
Cristoforo di Geremia, Alfonso Crowned by Mars and Bellona [reverse], c. 1458, bronze, Samuel H. Kress Collection, 1957.14.804.b

Alfonso Crowned by Mars and Bellona [reverse]

Cristoforo di Geremia · c. 1458 · bronze ·  Accession ID  1957.14.804.b

The image shows a circular relief sculpture featuring the busts of two men facing to the right. The men are depicted in period attire with distinct facial hair and detailed features. The material appears to be a golden-colored metal, possibly brass or bronze. Surrounding the relief is a circular border inscribed with text. The busts are raised from the background, emphasizing their profiles and textures. The relief appears slightly worn, adding to its historic feel. The design captures the likenesses of the individuals in a compact, coin-like form.
Giovanni da Cavino, Girolamo Panico, died 1558, and Pompeo Ludovisi, died 1565 [obverse], mid 16th century, bronze//Struck, Samuel H. Kress Collection, 1957.14.988.a

Girolamo Panico, died 1558, and Pompeo Ludovisi, died 1565 [obverse]

Giovanni da Cavino · mid 16th century · bronze//Struck ·  Accession ID  1957.14.988.a

This is a photograph of an ancient coin. The coin features an engraving of a standing figure draped with a cloth around the waist, holding a cornucopia in one hand and a circular object in the other, pouring a libation over an altar with flames. Latin inscriptions encircle the coin's edge. The coin shows signs of wear, indicating its age and use. The carving demonstrates craftsmanship and reflects the era when coins were considered works of art.
Giovanni da Cavino, Genius Holding a Dolphin and Sacrificing [reverse], mid 16th century, bronze//Struck, Samuel H. Kress Collection, 1957.14.988.b

Genius Holding a Dolphin and Sacrificing [reverse]

Giovanni da Cavino · mid 16th century · bronze//Struck ·  Accession ID  1957.14.988.b

The sculpture is a relief portrait of a man in profile, facing left. It depicts the bust of the man with detailed, curly hair tied back with a ribbon, and a sculpted face showing a prominent nose and chin. The sculpture is embedded on a medallion, surrounded by a circular band containing inscriptions or letters. It is made of bronze, giving it a rich, brownish-gold color that is reflective and slightly weathered. The sculpture appears small, comparable in size to a large coin, with a hole at the top and bottom. The three-dimensional effect of the relief provides depth and shadowing, accentuating the facial features and hair texture of the subject.
Giovanni Boldù, Self-Portrait [obverse], 1458, bronze, Samuel H. Kress Collection, 1957.14.735.a

Self-Portrait [obverse]

Giovanni Boldù · 1458 · bronze ·  Accession ID  1957.14.735.a

The sculpture is a round bronze relief depicting two cherubic figures seated on the ground. One figure covers their face with one hand, while the other holds a human skull. Both figures have youthful features and subtle musculature. The background contains ornate lines, and the sculpture is bordered with a Latin inscription. The material is polished bronze, giving the sculpture a rich brown color with lighter highlights. The viewer sees details of the figures' expressions and the crafting of the skull, highlighting the skillful work in small-scale bronze artistry.
Giovanni Boldù, Boldù with the Genius of Death [reverse], 1458, bronze, Samuel H. Kress Collection, 1957.14.735.b

Boldù with the Genius of Death [reverse]

Giovanni Boldù · 1458 · bronze ·  Accession ID  1957.14.735.b

The sculpture is a coin or a medallion with a profile depiction of a man's head and upper shoulders. The man is wearing a round hat with a prominent crease and a tunic-like garment with pleats or ridges visible around the neckline. The man has a prominent nose, a slightly furrowed brow, and close-cropped, curly hair visible beneath the hat. The entire sculpture is made of bronze with a dark brown color, showcasing smooth, polished surfaces and textured patina. There is a border around the edge of the medallion featuring engraved text, possibly in Latin, which surrounds the profile of the man. The medallion has a small hole near the top. The portrait style is a traditional side profile, with the subject looking stately and dignified.
Maffeo Olivieri, Altobello Averoldo of Brescia, died 1531, Bishop of Pola, Apostolic Legate [obverse], 1517/1521, bronze, Samuel H. Kress Collection, 1957.14.754.a

Altobello Averoldo of Brescia, died 1531, Bishop of Pola, Apostolic Legate [obverse]

Maffeo Olivieri · 1517/1521 · bronze ·  Accession ID  1957.14.754.a

The sculpture is a round, flat medal featuring a relief of three human figures. The figures appear dynamic, captured in mid-motion, engaging in an entwined dance or struggle. They are depicted in a stylized, elongated manner with flowing hair, and some are adorned with drapery or cloth that accentuates the movement. The medal is made from a material that appears to be bronze, exhibiting a brown, slightly greenish patina. The inscription "VERITATI" followed by "D" is embossed below the figures on the rim of the medal. The medal has a small hole at the top for hanging or display.
Maffeo Olivieri, Two Men Trying to Unveil Truth [reverse], 1517/1521, bronze, Samuel H. Kress Collection, 1957.14.754.b

Two Men Trying to Unveil Truth [reverse]

Maffeo Olivieri · 1517/1521 · bronze ·  Accession ID  1957.14.754.b