Provenance

Major Edmund Louis Gray Zalinski

American, born Poland, 1849 - 1909

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The image shows three full-bodied figures standing together in conversation. Each person is positioned standing up, with one slightly leaning to the left. The figures have indistinct facial features, and their hair is covered by wide-brimmed hats. They are dressed in simple clothing, consisting of long coats and trousers. One figure appears to have a bandaged leg. The clothing is drawn with lines indicating texture and folds. Each person has a bag slung over their shoulder. There are also two smaller sketches of individuals, one enclosed in a circular design above the main figures. The background is lightly sketched with lines suggesting a row of plants or trees.
Winslow Homer, Prisoners of War, 1864, graphite on wove paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.12

Prisoners of War

Winslow Homer · 1864 · graphite on wove paper ·  Accession ID  1996.121.12

This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.
Winslow Homer, Soldiers felling sapling, and weaving saplings into baskets [verso], 1862, graphite on straw paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.7.b

Soldiers felling sapling, and weaving saplings into baskets [verso]

Winslow Homer · 1862 · graphite on straw paper ·  Accession ID  1996.121.7.b

The image shows a pencil sketch on textured brown paper. The sketch depicts a scene with a large spherical object on the ground. The sketch has a low horizon line with conical tent shapes and vertical lines suggesting trees in the background. The trees and tents are drawn with loose pencil strokes. The color palette consists of natural tan paper and soft black pencil lines. The drawing style is rough and sketchy, with varying intensity of shading. A small figure near the base of the balloon appears to gesture upwards.
Winslow Homer, Intrepid [recto], 1862, graphite on straw paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.7.a

Intrepid [recto]

Winslow Homer · 1862 · graphite on straw paper ·  Accession ID  1996.121.7.a

The image depicts a sketch of two men mounted on horses. Both men are seated upright and visible from the waist up. The man on the left wears a wide-brimmed hat and a mustache, while the man on the right wears a side cap and a clean-shaven face. They both wear military-style uniforms with double-breasted coats. The sketch is set against a plain background with faint outlines suggesting terrain, and there are handwritten notes at the bottom of the image.
Winslow Homer, Two Scouts, 1865, graphite on wove paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.18

Two Scouts

Winslow Homer · 1865 · graphite on wove paper ·  Accession ID  1996.121.18

The image features a pencil sketch of a scene set in an open field. The viewpoint is from a moderate distance, looking at a group of three figures standing close to us. In front of them are tree stumps scattered across the ground, suggesting a recently cleared area. The horizon line is somewhat indistinct but can be imagined to run across the middle of the image, with a cluster of trees beyond the figures. The trees break the open space above them. The drawing is executed with light, sketchy pencil lines, providing a sense of spontaneity and immediacy. The overall color palette is monochromatic, using muted tones of pencil on paper to create a subdued visual effect.
Winslow Homer, Carrying the Wounded, 1865, graphite on wove paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.3

Carrying the Wounded

Winslow Homer · 1865 · graphite on wove paper ·  Accession ID  1996.121.3

The image shows a sketch with abstract elements. The drawing features rough outlines of figures with abstract landscapes or gardening elements. It is done in pencil with lines and shading. Unclear text and shapes are also part of the composition, contributing to its abstract quality.
Winslow Homer, Thanksgiving in Camp [verso], n.d., graphite on wove paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.16.b

Thanksgiving in Camp [verso]

Winslow Homer · n.d. · graphite on wove paper ·  Accession ID  1996.121.16.b

This is a drawing of a group of military figures in a camp scene. The image shows individuals gathered under a makeshift shelter supported by wooden poles and intersecting branches. The scene depicts a moment of rest or casual interaction within a military camp, based on the uniforms and hats worn by the figures. The drawing is done in a sketch style, offering only an outline and minimal details. The setting appears rustic and temporary with the structure of the shelter and the positioning of the figures, some of whom seem to be leaning or sitting on makeshift benches or tables.
Winslow Homer, Sutler's Tent, 3rd Pennsylvania Cavalry [recto], 1862, graphite and charcoal on wove paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.16.a

Sutler's Tent, 3rd Pennsylvania Cavalry [recto]

Winslow Homer · 1862 · graphite and charcoal on wove paper ·  Accession ID  1996.121.16.a

The image shows a group of soldiers lying on the ground in a line, preparing for action. The soldiers wear blue caps. The background features a horizon line with trees and the scene is depicted with minimal, sketchy brushstrokes in shades of brown and blue. The soldiers are seen from behind, with their bodies angled slightly towards the horizon.
Winslow Homer, Rebel Works at Yorktown, 1862, graphite with watercolor on wove paper, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.13

Rebel Works at Yorktown

Winslow Homer · 1862 · graphite with watercolor on wove paper ·  Accession ID  1996.121.13

The image shows a minimalist sketch drawn from an elevated viewpoint. The horizon is near the center of the composition, marked by faint pencil lines depicting simple shapes suggesting buildings in the distance. The sketch is composed of light pencil strokes outlining basic contours without shading or extra details. The color palette is neutral, with beige paper and gray pencil lines.
Winslow Homer, Roof Line [verso], 1862, graphite on bristol board, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.4.b

Roof Line [verso]

Winslow Homer · 1862 · graphite on bristol board ·  Accession ID  1996.121.4.b

The image displays curved and angular lines creating an abstract composition hinting at humanoid shapes and possible vegetation or trees. The lines suggest motion and activity, with shapes resembling drums and sticks scattered around. The overall impression is of a gathering or event, with figures depicted standing or moving, along with lines indicating movement or sound waves from musical instruments.
Winslow Homer, End of the March [recto], 1862, graphite on bristol board, Gift of Dr. Edmund Louis Gray Zalinski, II, 1996.121.4.a

End of the March [recto]

Winslow Homer · 1862 · graphite on bristol board ·  Accession ID  1996.121.4.a