Provenance

Daniel Garber

American, 1880 - 1958

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See all 15 works of art
The image shows a pastoral scene dominated by a large, leafless tree. In the background, there are rolling hills and a structure that resembles a barn. Near the tree, there are two buildings - one small with clapboard siding and a pitched roof, and a larger one at the center and right. Three figures are near the smaller building engaged in conversation. The style features fine linework and textures creating depth with a monochromatic color palette of varying shades of gray.
Daniel Garber, River House, 1938, etching and drypoint in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.143.53

River House

Daniel Garber · 1938 · etching and drypoint in black on laid paper ·  Accession ID  2015.143.53

The image shows a man seated in a chair, from the waist up. He appears relaxed, with his legs slightly crossed and arms resting on the chair's armrest. The man has well-defined facial features with a contemplative expression, dark slicked-back hair, and wears a formal outfit. His hands are interlocked, and he gazes forward. The background is a muted, dark shade, emphasizing the man's face and outfit. The lighting creates a dramatic contrast, highlighting specific areas of his clothing and face.
Daniel Garber, Dick Wedderspoon, c. 1915, charcoal on wove paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.19.521

Dick Wedderspoon

Daniel Garber · c. 1915 · charcoal on wove paper ·  Accession ID  2015.19.521

The image depicts a serene landscape with a large, arching tree on the right side. In the background, a line of trees and foliage marks the horizon, with a church steeple barely visible above. The painting features soft brushstrokes in grayscale tones, creating a peaceful atmosphere. Additionally, three figures are situated under the tree, adding to the tranquil ambiance.
Daniel Garber, Sycamore—Bloomsbury, 1940-1941, charcoal on wove paper backed with wove paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.19.519

Sycamore—Bloomsbury

Daniel Garber · 1940-1941 · charcoal on wove paper backed with wove paper ·  Accession ID  2015.19.519

The drawing shows a two-story house with trees framing it. The horizon is suggested by the base of the trees and the rooftop of the house. The highest elements are the roof of the house and tall trees. The drawing features delicate pencil strokes, capturing details like the roof's shingles and foliage. The monochromatic palette of various grays gives a serene feel. In the background, more trees and the sky are visible, while foliage and a pathway are hinted at in the foreground.
Daniel Garber, Old House, late 1920s-1930s, charcoal on gray wove paper mounted to paperboard, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.19.523

Old House

Daniel Garber · late 1920s-1930s · charcoal on gray wove paper mounted to paperboard ·  Accession ID  2015.19.523

The image shows an elevated view of a bridge and the bustling activity underneath. The bridge is detailed with arches, people on top, and a focus on its texture. The monochromatic image uses sepia tones, and features horses and carts, as well as a person on a boat under the bridge.
Daniel Garber, Sand Wharf, 1926, etching and drypoint in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.19.527

Sand Wharf

Daniel Garber · 1926 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.527

The image shows a landscape with tall trees surrounding a building in the center and a church steeple slightly off-center to the right. The horizon is obscured by trees, and the building and steeple suggest a division between land and sky. The artwork appears to be a detailed sketch, using cross-hatching and shading for texture and depth. The color scheme is monochromatic in shades of sepia and brown for an antique look. A figure stands on a pathway, blending into the shadows and light. The sun casts light from the left, creating shadows and highlighting textures in the scene.
Daniel Garber, Stockton Church, 1941, etching and drypoint in black on wove paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.143.52

Stockton Church

Daniel Garber · 1941 · etching and drypoint in black on wove paper ·  Accession ID  2015.143.52

The image is a portrait from the waist up. The individual is seated, facing forward, with hands clasped together on their lap. They have a neutral expression, slightly parted lips, a straight nose, dark eyes, short dark hair styled with bangs and curls around the ears. They wear a simple garment - possibly a dress or top - with a square neckline. The drawing is in a monochrome palette, giving a textured look. In the background is an indistinct, softly shaded interior setting with a chair. The artist's signature is in the bottom left corner, and the name "Betty" is inscribed at the bottom center.
Daniel Garber, Betty, late 1910s-early 1920s, charcoal on laid paper mounted to paperboard, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.19.524

Betty

Daniel Garber · late 1910s-early 1920s · charcoal on laid paper mounted to paperboard ·  Accession ID  2015.19.524

The image shows a charcoal drawing of a person's head and shoulders. The individual is oriented to the side, with shoulder-length wavy hair. The face includes prominent cheekbones and an elongated shape. The person wears draped clothing over a shirt. The background is plain and shaded.
Daniel Garber, A Woman, 1910-early 1920s, charcoal on Ingres laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.19.526

A Woman

Daniel Garber · 1910-early 1920s · charcoal on Ingres laid paper ·  Accession ID  2015.19.526

The image shows a man from the waist up seated in a chair. He is in a relaxed position, with one hand lightly grasping the knot of a tie around his neck. The man has a well-groomed appearance, with a pronounced mustache and slicked-back hair. He is wearing a light-colored shirt with rolled-up sleeves and a tie. The background of the drawing is a simple, textured surface. There are no visible accessories or objects included in the drawing other than the man's tie and the suggestion of the chair in which he sits.
Daniel Garber, Young Sculptor, 1920s, charcoal on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.19.525

Young Sculptor

Daniel Garber · 1920s · charcoal on laid paper ·  Accession ID  2015.19.525

The image displays a landscape with tall trees at the edges and interlocking branches towards the center. The horizon is obscured by dense foliage, lacking distinct features. The artwork has an etching-like technique with fine lines for texture. The color scheme is sepia-toned, creating a warm, earthy atmosphere and emphasizing details and light contrasts. Closer to the viewer, there are dense grasses and shrubs, while further away, less detailed outlines of trees give depth and scale to the scene.
Daniel Garber, The Heron, 1923, etching and drypoint with aquatint in black on laid paper, Corcoran Collection (Museum exchange with the artist through the bequest of James Parmelee, 1942), 2015.143.55

The Heron

Daniel Garber · 1923 · etching and drypoint with aquatint in black on laid paper ·  Accession ID  2015.143.55