Provenance

Pascal Vincent-Bertillon

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Guillaume-Benjamin-Amant Duchenne (de Boulogne), Adrien Tournachon, Weeping, tears of pity (left); Relaxed face (right), 1854-1856, printed 1862, albumen print, Pepita Milmore Memorial Fund, 2015.52.27

Weeping, tears of pity (left); Relaxed face (right)

Guillaume-Benjamin-Amant Duchenne (de Boulogne), Adrien Tournachon · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.27

Guillaume-Benjamin-Amant Duchenne (de Boulogne), Scornful disgust (left); Scornful laughter (right), 1854-1856, printed 1862, albumen print, Pepita Milmore Memorial Fund, 2015.52.24

Scornful disgust (left); Scornful laughter (right)

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.24

Guillaume-Benjamin-Amant Duchenne (de Boulogne), Surprise, 1854-1855, printed 1862, albumen print, W. Bruce and Delaney H. Lundberg Fund, in Honor of the 25th Anniversary of Photography at the National Gallery of Art, 2015.52.12

Surprise

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1855, printed 1862 · albumen print ·  Accession ID  2015.52.12

Guillaume-Benjamin-Amant Duchenne (de Boulogne), The muscle of attention (left); Eyebrow contraction due to bright light (right), 1854-1856, printed 1862, albumen print, W. Bruce and Delaney H. Lundberg Fund, in Honor of the 25th Anniversary of Photography at the National Gallery of Art, 2015.52.3

The muscle of attention (left); Eyebrow contraction due to bright light (right)

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.3

Guillaume-Benjamin-Amant Duchenne (de Boulogne), Aggression, wickedness, 1854-1856, printed 1862, albumen print, Eugene L. and Marie-Louise Garbáty Fund, 2015.52.20

Aggression, wickedness

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.20

Guillaume-Benjamin-Amant Duchenne (de Boulogne), A false, incomplete expression of agreeable surprise, or admiration, 1854-1856, printed 1862, albumen print, W. Bruce and Delaney H. Lundberg Fund, in Honor of the 25th Anniversary of Photography at the National Gallery of Art, 2015.52.10

A false, incomplete expression of agreeable surprise, or admiration

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.10

Guillaume-Benjamin-Amant Duchenne (de Boulogne), Slight lowering of the angle of the mouth due to depression (left); False laughter (right), 1854-1856, printed 1862, albumen print, Pepita Milmore Memorial Fund, 2015.52.23

Slight lowering of the angle of the mouth due to depression (left); False laughter (right)

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.23

Guillaume-Benjamin-Amant Duchenne (de Boulogne), Plate 14: Designed to show a comparison between the maximal contraction of the superior part of m. orbicularis oculi and m. corrugator supercilii, in the same individual. On the left, very strong electrization of the superior part of m. orbicularis oculi: dissatisfaction, somber thoughts. On the right, electrization of m. corrugator supercilii., 1854-1856, printed 1862, albumen print, Eugene L. and Marie-Louise Garbáty Fund, 2015.52.19

Plate 14: Designed to show a comparison between the maximal contraction of the superior part of m. orbicularis oculi and m. corrugator supercilii, in the same individual. On the left, very strong electrization of the superior part of m. orbicularis oculi: dissatisfaction, somber thoughts. On the right, electrization of m. corrugator supercilii.

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.19

Guillaume-Benjamin-Amant Duchenne (de Boulogne), Gaiety expressed by the ideas of lustfulness, cynicism and lewdness, 1854-1856, printed 1862, albumen print, Edward E. MacCrone Fund, 2015.52.31

Gaiety expressed by the ideas of lustfulness, cynicism and lewdness

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.31

Two men apply rod-like devices to a third man, whose chin is pulled back, mouth wide open, and eyebrows angled sharply upward in this vertical black and white photograph. Printed in tones of golden brown and black, the bare chest of the central man and his white shirt stand out against the shadowy background. To our left, one man wears a black vest over a white shirt with the sleeves rolled up to the elbows. He holds rods to either side of the central man’s neck. To our right, another man wears a dark suit, white tie, and spectacles perched at the end of his nose. He holds two rods to the central man’s eyebrows. All three men appear to have pale skin and dark hair with prominent mutton chops.
Guillaume-Benjamin-Amant Duchenne (de Boulogne), Terror mixed with pain, torture, 1854-1856, printed 1862, albumen print, W. Bruce and Delaney H. Lundberg Fund, in Honor of the 25th Anniversary of Photography at the National Gallery of Art, 2015.52.15

Terror mixed with pain, torture

Guillaume-Benjamin-Amant Duchenne (de Boulogne) · 1854-1856, printed 1862 · albumen print ·  Accession ID  2015.52.15