Provenance

The Honorable William H.G. FitzGerald, Mr. Desmond FitzGerald, and Mr. B. Francis Saul II, c/o The New York Studio School

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The image shows an illustration of part of a human figure in a reclining position. The upper torso and part of the head are visible. The person is lying on their back with their head tilted backward. The lips are emphasized with a red color. The person has short, dark brown hair, and there is a green blanket or cushion near their shoulder. The background features various colors and patterns, including blue and purple grid-like patterns, a red and pink cloud-like shape, and a textured brown and orange area. In the upper left corner, there is a window or framed picture with abstract gray patterns and an orange border.
Tom Wesselmann, Study for "Long Delayed Nude", 1973-1975, colored pencil, crayon, and graphite on wove tracing paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II), 2014.136.215.1

Study for "Long Delayed Nude"

Tom Wesselmann · 1973-1975 · colored pencil, crayon, and graphite on wove tracing paper ·  Accession ID  2014.136.215.1

This image features an abstract landscape with a horizon near the top third of the composition. The brushstrokes are loose and expressive, using varying shades of gray and black. Close to the viewer, the strokes are more defined and dense, creating shapes that suggest movement or texture. The color palette is mostly monochromatic with hints of muted blues for contrast.
Elaine de Kooning, Etampes, 1974, watercolor and ink wash on wove paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II), 2015.19.2720

Etampes

Elaine de Kooning · 1974 · watercolor and ink wash on wove paper ·  Accession ID  2015.19.2720

The image contains a mix of curved and straight lines forming abstract shapes. A large irregular pink cloud-like shape dominates the scene. On the right, an outline of a face with red lips is present. Below the face is a rectangular area with gridded green lines. In the bottom left corner, a circular teal shape is located next to a face. Bright color blocks and recognizable elements are used to create an abstract artwork with a playful and eclectic feel.
Tom Wesselmann, Study for "Long Delayed Nude", 1973-1975, colored pencil, crayon, and graphite on wove tracing paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II), 2014.136.215.2

Study for "Long Delayed Nude"

Tom Wesselmann · 1973-1975 · colored pencil, crayon, and graphite on wove tracing paper ·  Accession ID  2014.136.215.2

The image shows vertical embossed lines on a pale, cream-colored surface. The lines create an abstract pattern that resembles tightly packed rows, like a combed textile or plowed field. The embossing creates a play of light and shadow, adding depth to the design.
Michael Goldberg, Untitled, 1974, paper relief, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II), 2015.19.2727

Untitled

Michael Goldberg · 1974 · paper relief ·  Accession ID  2015.19.2727

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Untitled [verso]

Giorgio Cavallon · 1971 · brown pastel and graphite on wove paper ·  Accession ID  2015.19.2714.b

The image shows a sketch of a reclining figure. The person is lying down with one arm extended above their head and the other arm resting on their side. The head is turned slightly upwards, with simple lines indicating facial features. The hair is suggested with soft pencil strokes. The figure is nude, with basic body contours capturing a relaxed posture. No jewelry or objects are visible, and the sketch is drawn on plain, neutral-toned paper without background elements.
Arthur Beecher Carles, Female Nude [verso], c. 1910s, charcoal on wove paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II), 2015.19.2712.b

Female Nude [verso]

Arthur Beecher Carles · c. 1910s · charcoal on wove paper ·  Accession ID  2015.19.2712.b

The sketch shows a person seated with their legs crossed, facing slightly sideways. They have medium-length hair falling around their face, and are wearing a loose garment that covers their arms and extends to their feet, which are shown bare. The person's facial features include a calm expression with outlined mouth and eyes. The background is plain, with no additional elements. The sketch is done in light pencil strokes on plain paper.
Clement Greenberg, Seated Woman, 1975, graphite on laid paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II), 2015.143.167

Seated Woman

Clement Greenberg · 1975 · graphite on laid paper ·  Accession ID  2015.143.167

The drawing features a person lying on their back on a loosely sketched surface. The person's right arm is bent under their head, while their left arm rests alongside their body. The facial features have closed eyes and a calm expression, with dark and short hair framing the face. The figure is unclothed and drawn with simple lines and shading. Fabric folds surrounding the person suggest bedding or drapery. The background shows a minimalistic interior space with vertical and horizontal lines indicating walls or partitions. The composition is sparse, with ample blank space around the figure.
Larry Day, Untitled, 1970s, graphite on wove paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II, 1978), 2015.19.2719

Untitled

Larry Day · 1970s · graphite on wove paper ·  Accession ID  2015.19.2719

The image displays intersecting lines and geometric shapes forming an irregular and complex structure. It resembles a cluster of three-dimensional rectangular blocks or beams, appearing to be suspended in space and overlapping at various angles. The arrangement suggests a fragmented architectural model or a set of building blocks, highlighting an interplay of shadows and light across the surfaces.
James Rosati, Untitled, 1972, black colored pencil with graphite on wove paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II, 1978), 2015.19.2756

Untitled

James Rosati · 1972 · black colored pencil with graphite on wove paper ·  Accession ID  2015.19.2756

The drawing depicts a large, ornate house surrounded by vegetation. The point of view is slightly elevated, showcasing the architectural details of the house. The horizon is not clearly defined, as the focus is on the house and its surroundings. The sketch uses pencil drawing techniques such as hatching and shading to create texture and depth. The color palette is grayscale, emphasizing contrast and details. Close-up details include foliage and the house's porch with arched structures and various windows.
Jon Carsman, Victorian House, 1970, graphite on spiral-bound, wove paper, Corcoran Collection (Gift of William H. G. FitzGerald, Desmond FitzGerald, and B. Francis Saul II, 1978), 2015.19.2713

Victorian House

Jon Carsman · 1970 · graphite on spiral-bound, wove paper ·  Accession ID  2015.19.2713