Provenance

Mr. and Mrs. Brenda and Robert Edelson

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The image shows an expansive view of the sky, captured from a low angle. The horizon, marked by a silhouetted ridge or distant hills, contrasts with the luminous sky. Clouds stretch across the sky in various directions, suggesting movement and depth. The monochromatic palette uses shades of gray and black, highlighting the texture of the clouds. The image conveys the grandeur of the sky with its cloud formations and tonal shifts.
Ralph Steiner, Untitled, 1980, gelatin silver print, Corcoran Collection (Gift of Brenda and Robert Edelson), 2015.19.4486

Untitled

Ralph Steiner · 1980 · gelatin silver print ·  Accession ID  2015.19.4486

This is a black and white photograph of a vintage automobile parked in front of a wooden structure with a shingled roof on the left side, next to a larger building with "SARATOGA COAL COMPANY" painted across it. The scene suggests an industrial setting with signage related to coal and masonry supplies. The image captures a well-preserved early 20th-century backdrop featuring classic architecture and automotive design.
Ralph Steiner, Saratoga Coal Company, 1929, printed 1978, gelatin silver print, Corcoran Collection (Gift of Brenda and Robert Edelson), 2015.19.4491

Saratoga Coal Company

Ralph Steiner · 1929, printed 1978 · gelatin silver print ·  Accession ID  2015.19.4491

This is a photograph of a rough textured surface with a circular object embedded in it. The image shows a landscape of a gritty surface with the focal point being a round object positioned near the center. Surrounding the object is a spread of material with irregular edges. The surface is speckled with light spots, possibly due to weathering or granular impurities. The composition captures an interaction of man-made and organic elements.
Emila Medková, Černoch (Black Man), 1949, gelatin silver print, Corcoran Collection (Gift of Brenda and Robert Edelson), 2015.19.4535

Černoch (Black Man)

Emila Medková · 1949 · gelatin silver print ·  Accession ID  2015.19.4535

This is a photograph of a rooftop structure with a pointed sign. The image shows a large, triangular-shaped structure on top of a building, featuring a prominent metal framework with bold, angular shapes. Extending from the sides of the structure are several rod-like extensions supporting smaller rectangular elements, potentially lighting fixtures. The central triangular sign includes rows of circular elements that suggest it may have been or is illuminated. The image is composed with high contrast against a bright sky, highlighting the structure's metal and geometric design elements.
Ralph Steiner, Untitled (Rival), 1924, printed 1981, gelatin silver print, Corcoran Collection (Gift of Brenda and Robert Edelson), 2015.19.4494

Untitled (Rival)

Ralph Steiner · 1924, printed 1981 · gelatin silver print ·  Accession ID  2015.19.4494

This is a black and white photograph of an urban street scene. There is a parking garage with vintage cars parked in the foreground, and a building with a "Texaco" sign and "Park Ave Parking" signage. The building has arched windows and a fire escape. The garage has three open bays, with a car visible entering or exiting one of them. An exterior sign displays parking pricing, and a large sign on the right side reads "J.T. Anderson."
Ralph Steiner, Untitled (Park Avenue Garage Variant), 1965, gelatin silver print, Corcoran Collection (Gift of Brenda and Robert Edelson), 2015.19.4489

Untitled (Park Avenue Garage Variant)

Ralph Steiner · 1965 · gelatin silver print ·  Accession ID  2015.19.4489

The image depicts a large, spiraled shell in the central left portion, with a round, pupil-like object in the upper right corner. The color palette is monochrome, with varying shades of gray emphasizing the texture and curves of the shell.
Josef Sudek, Still Life: Shell and Eye, 1948, printed 1955, gelatin silver print, Corcoran Collection (Museum Purchase, Brenda and Robert Edelson Collection), 2015.19.4591

Still Life: Shell and Eye

Josef Sudek · 1948, printed 1955 · gelatin silver print ·  Accession ID  2015.19.4591

The image shows an abstract composition with a slightly disorienting point of view that appears like an upside-down reflection. There is a faint meeting point of sky and land in the middle of the image, forming an inverted V shape sloping downward from right to left. The sky is a pale white dominating the upper half of the scene. A dark silhouette of a tall electrical pole is prominently featured on the left, with additional poles receding into the distance. On the right, the ground slopes upward with a grassy area and hints of dark-toned bushes or small trees. The style is stark and minimalistic, utilizing high contrast between dark elements and the white background. The image is in black and white, lacking traditional brushstrokes. The color palette consists of black, white, and various gray tones.
Jaroslav Rössler, Le Paysage Spatial (Mirage), 1962, gelatin silver print, Corcoran Collection (Gift of Brenda and Robert Edelson), 2015.19.4683

Le Paysage Spatial (Mirage)

Jaroslav Rössler · 1962 · gelatin silver print ·  Accession ID  2015.19.4683

This is a photograph of an old automobile parked in front of a building. It features a vintage car near a wooden structure with a small window and door. In the background, the side of a large building displays signage for "SARATOGA COAL COMPANY" and "MASON'S SUPPLIES" in bold, contrasting lettering. The structure appears to be a warehouse or industrial building, indicated by its elevated platform and lack of visible windows. The photograph has a warm tonal quality, characteristic of sepia-toned prints.
Ralph Steiner, Saratoga Coal Company, 1929, printed 1980, gelatin silver print, Corcoran Collection (Gift of Robert and Brenda Edelson), 2015.19.4473

Saratoga Coal Company

Ralph Steiner · 1929, printed 1980 · gelatin silver print ·  Accession ID  2015.19.4473

The image shows a church with a tall spire as the focal point. The church is slightly off-center to the right, with a stone structure and steeply pitched roof. The spire extends high into the pale sky, emphasizing the vertical lines. The horizon is not visible due to the church and surrounding walls occupying most of the image. Another building with brickwork is partially visible on the left. The scene is monochromatic, giving it a classic appearance. In the foreground, there is a paved area curving around gravel separated by a low stone wall. The composition is orderly and serene, with subtle tonal variations enhancing the stone textures.
Werner Mantz, Church, 1932, gelatin silver print, Corcoran Collection (Museum Purchase, Brenda and Robert Edelson Collection), 2015.19.4588

Church

Werner Mantz · 1932 · gelatin silver print ·  Accession ID  2015.19.4588

The image features a stone staircase leading to a cobblestone path. The horizon is not visible. Light reflects off the water, creating bright spots that contrast with the darker stone surfaces. A person in dark clothing is walking in the distance, casting a long shadow over the cobblestones. The color palette is monochrome, using shades of black, white, and gray to highlight light and shadow. Diagonal lines lead the eye through the scene, creating a dramatic effect.
Édith-Claire Gérin, Quai du Louvre, c. 1930s, gelatin silver print, Corcoran Collection (Museum Purchase, Brenda and Robert Edelson Collection), 2015.19.4587

Quai du Louvre

Édith-Claire Gérin · c. 1930s · gelatin silver print ·  Accession ID  2015.19.4587