Provenance

Mary E. Maxwell

Explore selected works

See all 27 works of art
The image shows an etching of a busy street scene in a market setting. A large ornate building dominates the background. The artwork features detailed brushstrokes and shading in a monochrome color palette of sepia and brown. Figures are depicted throughout the scene engaging in different activities, with camels also present.
Ernest Stephen Lumsden, Jaipur, Evening, No. 2, 1913, etching in black on laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.308

Jaipur, Evening, No. 2

Ernest Stephen Lumsden · 1913 · etching in black on laid paper ·  Accession ID  2015.19.308

The image shows a landscape with a symmetrical avenue of tall, slender trees leaning gently inward from both sides. The trees lead the eye toward the horizon, where a line of low vegetation is visible. Near the foreground, two figures are walking along the path, providing scale against the trees. The etching technique is evident in the fine lines defining the leaves and bark, creating a sense of motion. The color palette consists of muted sepia tones, giving the image a nostalgic atmosphere.
Martin Hardie, David Strang, A Breton Road, 1928, drypoint in black on laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.358

A Breton Road

Martin Hardie, David Strang · 1928 · drypoint in black on laid paper ·  Accession ID  2015.19.358

The image shows an etching of a street view featuring a grand building with ornate iron gates. The perspective is from eye level facing the building, partially obstructed by trees and the gates. The etching displays delicate line work and subtle shading for texture and depth. The color scheme is monochromatic with sepia tones. The building has a statue at its top center. The foreground includes detailed iron gates and pathways, leading to the building with climbing plants. The background shows trees framing the scene and the building's intricate facade.
Joseph Pennell, Joseph Pennell, Rossetti's House, 1906, etching in black on laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.305

Rossetti's House

Joseph Pennell, Joseph Pennell · 1906 · etching in black on laid paper ·  Accession ID  2015.19.305

This is a drawing of a group of figures gathered around a seated figure. The scene takes place outdoors, with the figures around a central seated figure. The figures are sketched with light lines, giving a sense of movement. The seated figure wears a large brimmed hat and appears engaged in drawing or writing. The drawing is simple yet expressive, capturing a moment of engagement or observation. The background is minimal, focusing attention on the figures.
James McNeill Whistler, The Title Page for "Douze Eaux Fortes d'après Nature", 1858, etching in brown-black on laid paper, Corcoran Collection (Bequest of Mary E. Maxwell), 2015.19.611

The Title Page for "Douze Eaux Fortes d'après Nature"

James McNeill Whistler · 1858 · etching in brown-black on laid paper ·  Accession ID  2015.19.611

The image depicts a group of camels and travelers crossing a flat, sandy terrain near a body of water. The sky takes up a large portion of the composition, with the horizon placed in the center. The camels are intricately drawn, carrying goods and connected in a caravan. The color scheme is muted, with beige and brown tones dominating the landscape. In the distance, goats graze near the horizon line and their reflections are visible in the water.
Edward Julius Detmold, River Bank, c. 1925, etching in black on wove paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.355

River Bank

Edward Julius Detmold · c. 1925 · etching in black on wove paper ·  Accession ID  2015.19.355

The image showcases a detailed view of a Venetian scene from the water, with grand buildings lining the canal. The horizon is high, defined by rooftops and distant structures. The intricate facades of the buildings display arched windows and ornate balconies. The brushstrokes and etching style focus on line detail, bringing out the texture of the buildings and water surfaces. The color palette is monochromatic, using shades of brown and beige. Two gondolas are on the water, aligning with reflections of the structures above. More buildings and narrow passages suggest the continuation of the canal cityscape.
Ernest D. Roth, Ca' d'Oro—Venice, 1913, etching in black on laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.300

Ca' d'Oro—Venice

Ernest D. Roth · 1913 · etching in black on laid paper ·  Accession ID  2015.19.300

The image depicts a historic bridge surrounded by old buildings. The viewpoint focuses on the buildings and their details, extending upwards and obscuring the horizon. The structures on the bridge show windows and balconies, typical of urban architecture. The brushstrokes are etched, providing texture and depth, particularly in the stonework and water reflections. The color palette is sepia, creating a vintage feel. The water under the bridge reflects the architecture above, with a small boat on the right side.
George Walter Chandler, Ponte Vecchio, Florence, 1909, etching in brown on wove paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.314

Ponte Vecchio, Florence

George Walter Chandler · 1909 · etching in brown on wove paper ·  Accession ID  2015.19.314

The image shows a harbor from a low perspective, looking towards the port. There are buildings along the horizon. There are several ships and boats close to the viewer. The artwork features intricate line work and cross-hatching to depict movement and texture. The color scheme is limited to sepia tones, creating a vintage look. The buildings in the background are subtly portrayed, shifting focus to the ships and water details.
H. Ivan Neilson, The Harbor, Quebec, Canada, c. 1910, etching in black with chine collé on wove paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.299

The Harbor, Quebec, Canada

H. Ivan Neilson · c. 1910 · etching in black with chine collé on wove paper ·  Accession ID  2015.19.299

The image shows a row of buildings and a church in an urban setting. The church tower is prominent among the structures. A large tree is on the right side of the image, with branches framing the top. In the distance, more buildings are visible with intricate architectural details. Some individuals are near a fence lining the street. The image is detailed and appears like an etching, using fine lines. It has a monochromatic color scheme with a vintage look. Light, shadow, and precise lines create a subdued yet intricate scene.
Joseph Pennell, House Where Whistler Died, 1904, etching in black on laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.303

House Where Whistler Died

Joseph Pennell · 1904 · etching in black on laid paper ·  Accession ID  2015.19.303

This artwork shows a street-level view of an architectural structure, potentially a cathedral, with a detailed tower at the center. Scaffolding is visible on parts of the building, suggesting construction or renovation. The brushstrokes are precise, capturing the intricate details of the Gothic architecture. The color scheme is monochrome, enhancing the textures and shadows. Figures in period attire walk along a shadowed square. Trees frame the right side, adding depth. The sky is lightly sketched in the background.
Charles J. Watson, Saint Germain, L'Auxerrois, 1913, etching and drypoint in black on laid paper, Corcoran Collection (Museum Purchase, Mary E. Maxwell Fund), 2015.19.356

Saint Germain, L'Auxerrois

Charles J. Watson · 1913 · etching and drypoint in black on laid paper ·  Accession ID  2015.19.356