Provenance

Mr. E. Gerald Lamboley

American, 1915 - 2012

Explore selected works

See all 47 works of art
The image depicts a street-level urban scene with architectural details and activity. The horizon is not clearly defined, suggesting the buildings continue outward. The artwork appears to be an etching with fine lines highlighting the intricate details of the structures and trees. The color scheme is primarily black and sepia. People and horse-drawn carriages are visible, indicating a busy street. In the background, more building details and upper floors are seen. The scene conveys a sense of refined urban elegance.
William Walcot, The Quadrangle, Bart's Hospital, 1938, etching, aquatint, drypoint, and roulette in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2986

The Quadrangle, Bart's Hospital

William Walcot · 1938 · etching, aquatint, drypoint, and roulette in black on wove paper ·  Accession ID  2015.19.2986

The image displays a street scene with a building, a busy street, and figures in period attire and horse-drawn carriages. The brushstrokes convey movement and detail, capturing the scene in a monochromatic color palette of beige and brown. In the background is a grand building with ornate architectural details, while the foreground shows bustling street activity.
William Walcot, King Charles in Whitehall, c. 1929, etching and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2982

King Charles in Whitehall

William Walcot · c. 1929 · etching and aquatint in black on wove paper ·  Accession ID  2015.19.2982

The image contains two panels with intersecting curving lines on a teal background. The lines are black with some purple accents, creating an abstract design resembling twisting threads or flowing roots. The composition can be interpreted as flowing water or a maze, prompting viewers to follow the patterns.
Stanley William Hayter, Hector Saunier, Associated American Artists, Diptych, 1967 (published 1970), two-plate color engraving on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2971

Diptych

Stanley William Hayter, Hector Saunier, Associated American Artists · 1967 (published 1970) · two-plate color engraving on wove paper ·  Accession ID  2015.19.2971

The image shows a collection of intricate lines and shapes that hint at an urban environment with tall structures and busy activity in an abstract way. The lines create blocky, rectangular shapes resembling buildings, including a central structure with large columns. Below these buildings are dense vertical and horizontal lines that suggest figures and vehicles, forming a lively street scene. The abstraction evokes a city square bustling with people and transportation, reminiscent of famous urban locations.
William Walcot, The Bank, 1920s, etching and drypoint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2976

The Bank

William Walcot · 1920s · etching and drypoint in black on wove paper ·  Accession ID  2015.19.2976

The image depicts a street scene from an eye-level perspective. The horizon line is low, emphasizing the expansive sky above the architectural structures and the busy street. A large building with intricate details dominates the right side, stretching towards other structures in the distance. An ornate archway is visible on the left. The brushstrokes are sketchy and delicate, conveying movement. The color palette is monochromatic, with shades of beige and brown. Figures and horse-drawn carriages fill the street, while lampposts line the road.
William Walcot, Changing London—Euston Road at Saint Pancras, 1937, etching, aquatint, and roulette in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2978

Changing London—Euston Road at Saint Pancras

William Walcot · 1937 · etching, aquatint, and roulette in black on wove paper ·  Accession ID  2015.19.2978

The image depicts an intricate etching of a historical architectural scene, seemingly showing a grand castle or cathedral with detailed features. The viewpoint is direct-facing, showcasing the structure with towers and turrets. The focus is on the building, with unclear horizon. The lines are precise, giving a sense of depth and texture. The color scheme is monochromatic using sepia or gray to highlight details. Figures, possibly soldiers or guards on horseback, are visible nearby. Winter trees are seen in the distance. The left side has a large tower with ornate windows and stonework, while the right side shows smaller rounded towers with pointed roofs.
William Walcot, H.C. Dickins, Holyrood Palace, 1918, etching in black on laid paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2981

Holyrood Palace

William Walcot, H.C. Dickins · 1918 · etching in black on laid paper ·  Accession ID  2015.19.2981

The scene depicts an industrial shipyard with cranes, scaffolding, and a large ship under construction. The composition is divided by the low horizon into sky and detailed structures. The artwork features sketch-like lines and precise strokes with a color palette of soft greys and beiges. A faint structure on the water, potentially a lighthouse, is visible on the left.
William Walcot, H.C. Dickins, The Clyde, 1922, etching and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2979

The Clyde

William Walcot, H.C. Dickins · 1922 · etching and aquatint in black on wove paper ·  Accession ID  2015.19.2979

The image shows a street scene from an elevated point of view, capturing a busy urban square with various figures. The horizon features tall buildings with intricate architectural details. In the center, there is a fountain with a sculpted figure on multiple tiers. Surrounding the square are buildings with balconies and pillars. The style is defined by fine lines and a sketch-like technique, creating a sense of movement. The color palette is mainly monochromatic, with ochre and sepia tones. People in motion are visible in the foreground, along with a trolley and street carriage. Buildings in the distance fade, creating depth.
William Walcot, H.C. Dickins, Piccadilly Circus, with the Criterion Theatre, 1924, etching, aquatint, and roulette in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2984

Piccadilly Circus, with the Criterion Theatre

William Walcot, H.C. Dickins · 1924 · etching, aquatint, and roulette in black on wove paper ·  Accession ID  2015.19.2984

The image presents a view of a Venetian scene with a canal filled with gondolas. The perspective is slightly elevated, showing architectural elements. The horizon is low, defined by the waterway and buildings. The brushstrokes are delicate, capturing architectural details and water reflections. The color palette is monochromatic with varying shades of black and gray. Statues and columns rise in the distance, adding to the scene's complexity and grandeur.
William Walcot, H.C. Dickins, Library of San Marco, 1921, etching, drypoint, and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2983

Library of San Marco

William Walcot, H.C. Dickins · 1921 · etching, drypoint, and aquatint in black on wove paper ·  Accession ID  2015.19.2983

The image depicts a scene overlooking a river with historical buildings and boats. The horizon is high, showing a cityscape fading into the distance. The buildings have a hazy quality, and the artwork features sketch-like brushstrokes defining outlines and shading in a monochrome style. The color palette consists of sepia tones and light grays. A steamship is seen in the foreground on the water, and a bridge crosses the river with visible pedestrian activity. Various boats are present on the river, with industrial buildings along the water's edge.
William Walcot, H.C. Dickins, The Tyne, 1922, etching and aquatint in black on wove paper, Corcoran Collection (Gift of E. Gerald Lamboley), 2015.19.2989

The Tyne

William Walcot, H.C. Dickins · 1922 · etching and aquatint in black on wove paper ·  Accession ID  2015.19.2989