Provenance

The Honorable J. William Middendorf II

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The image shows a drawing of a reclined person with one supporting arm and the other resting on a bent knee. The individual's head is slightly turned to the side, providing a profile view of the face. The person has short, straight hair and appears unclothed, with detailed anatomical features. The background is plain and neutral, emphasizing the subject. The artwork is done in pencil or charcoal on paper, with some minor imperfections visible.
James Goodwyn Clonney, Seated Male Nude [recto], c. 1830-1835, graphite on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2637.a

Seated Male Nude [recto]

James Goodwyn Clonney · c. 1830-1835 · graphite on wove paper ·  Accession ID  2015.19.2637.a

The image shows a landscape with a pastoral scene, including trees, fields, and figures walking along a path. The horizon line is above the center of the image. The sketch features soft brushstrokes and a monochromatic color palette of gray on a tan-brown background.
James Goodwyn Clonney, Pastoral Landscape, c. 1840-1850, graphite on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2678

Pastoral Landscape

James Goodwyn Clonney · c. 1840-1850 · graphite on wove paper ·  Accession ID  2015.19.2678

The image depicts a pencil sketch with various figures and objects. In the upper left corner, there is a full-body drawing of a nude person seated on a chair. On the right, there is a faint sketch of a man wearing a hat and coat, holding a pipe. Lower on the right, two clothed figures are drawn. One is an older man standing with a cane, and the other is a younger man. Below them is a sketch of a boot or shoe on a box or ledge. The background is plain with aged paper.
James Goodwyn Clonney, Studies of Men and Boys, c. 1840-1850, graphite on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2677

Studies of Men and Boys

James Goodwyn Clonney · c. 1840-1850 · graphite on wove paper ·  Accession ID  2015.19.2677

The image is a pencil sketch of a person's upper torso and head, with a stern expression. The person is holding a sword with both hands, leaning slightly forward. The face shows furrowed brows, a broad nose, and tightly pressed lips. The hair is curly or wavy. The clothing is loosely drawn, with a possibly open shirt. The sword's hilt has some decorative elements. The background is blank.
James Goodwyn Clonney, Revenge, c. 1835-1845, graphite on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2636

Revenge

James Goodwyn Clonney · c. 1835-1845 · graphite on wove paper ·  Accession ID  2015.19.2636

The image is a pencil sketch showing two figures in a natural setting. The point of view is at eye level, providing a straightforward perspective of the scene. One figure stands with their back turned, while another figure kneels next to a sailboat leaning against a tree. The horizon is suggested by faint lines in the distance. The tree is sparse with a few leaves and branches, surrounded by bushes and hints of distant trees in the background. The drawing style is minimalist with delicate lines outlining the figures and elements. The color palette is monochromatic in shades of grey on off-white paper.
James Goodwyn Clonney, Boys with a Boat, c. 1830-1835, graphite on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2640

Boys with a Boat

James Goodwyn Clonney · c. 1830-1835 · graphite on wove paper ·  Accession ID  2015.19.2640

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Study for "Militia Training" [verso]

James Goodwyn Clonney · c. 1841 · graphite on wove paper ·  Accession ID  2015.19.2648.b

This is a drawing of small vignettes on a single sheet. The drawing depicts various sketches scattered across a pale background. There is a darkly shaded dog in the lower right corner in a dynamic pose. Surrounding this are faint sketches of human figures in different compositions, including several gesturing or interacting with each other. These include a small group pointing, a duo engaged in an activity on the upper left, and several other figures positioned around the page. The drawing is executed with a minimal, loose line style, indicating quick, observational sketches capturing movements and interactions.
James Goodwyn Clonney, Barking Dog and Studies for "Militia Training", c. 1841, graphite and ink wash on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2643

Barking Dog and Studies for "Militia Training"

James Goodwyn Clonney · c. 1841 · graphite and ink wash on wove paper ·  Accession ID  2015.19.2643

This is a drawing of four figures interacting in a confrontational manner. The figures are engaged in a tense scene, where two figures on the left and right each hold a pole that crosses the body of a central figure dressed in military uniform. The central figure appears to be off balance, suggesting motion or struggle. The figures are drawn with detailed and expressive lines. The muted palette and loose sketch style focus attention on the figures' movement and expressions.
James Goodwyn Clonney, Study for "Militia Training" [recto], c. 1841, black ink wash over graphite on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2648.a

Study for "Militia Training" [recto]

James Goodwyn Clonney · c. 1841 · black ink wash over graphite on wove paper ·  Accession ID  2015.19.2648.a

The image features two sketched scenes on a textured, beige sheet. On the right side, within a square frame, two figures are drawn. One figure wears a hat and sits in profile on a surface with debris. Beside them, another figure is seated in a relaxed posture. The surroundings suggest an indoor setting with a large opening or window showing an abstract landscape. On the left, a fainter sketch shows another figure amid debris, with less detail. The background is the plain beige texture of the paper. No specific details about jewelry or objects held are included.
Enoch Wood Perry, Jr., Studies of Farmers Shucking Corn, c. 1870-1880, graphite, pen and black ink, and wash on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2663

Studies of Farmers Shucking Corn

Enoch Wood Perry, Jr. · c. 1870-1880 · graphite, pen and black ink, and wash on wove paper ·  Accession ID  2015.19.2663

The image displays a sketch of the upper portion of a person, showing only their head, shoulders, and a bit of their upper torso. The person is depicted in a resting position, with their left elbow resting on an unseen surface and their head slightly turned to the right. The facial features are lightly sketched, and the person is wearing a wide-brimmed hat. The hair is partially shaded under the hat, with minimal detail. They are dressed in a garment with a discernible collar, which could be a shirt. There is no jewelry or other objects visibly held by the person. The background is plain, with no distinct details, focused only on the lightly rendered sketch against an unadorned surface.
Enoch Wood Perry, Jr., Study of a Farmer [verso], c. 1870-1880, graphite on wove paper, Corcoran Collection (Gift of J. William Middendorf, II), 2015.19.2664.b

Study of a Farmer [verso]

Enoch Wood Perry, Jr. · c. 1870-1880 · graphite on wove paper ·  Accession ID  2015.19.2664.b