Provenance

Hauser & Wirth

Private Collection C/O Hauser & Wirth
Private Collection, Singapore

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The sculpture is a cylindrical gray form placed on the floor within an interior space. The surface is textured with a white pattern resembling weathered or worn paint, with the gray material showing through in some patches. The top is smooth and dark gray. It sits against a backdrop of a wall with large, light-colored rectangular tiles, and on top of a light brown, marbled floor.
Roni Horn, Opposite of White, v. 2 (Large) (A), 2006-2007, solid cast black glass with fire-polished top, Gift of the Collectors Committee, Howard and Roberta Ahmanson, John and Mary Pappajohn, Denise and Andrew Saul, Constance R. Caplan, Lenore S. and Bernard A. Greenberg Fund, Kyle J. and Sharon Krause, and Mitchell and Emily Rales, 2015.63.1

Opposite of White, v. 2 (Large) (A)

Roni Horn · 2006-2007 · solid cast black glass with fire-polished top ·  Accession ID  2015.63.1

Glenn Ligon, Blue (for JB) #11, 2025, carbon ink and acrylic on torinoko paper, Gift of the Collectors Committee, 2026.56.1

Blue (for JB) #11

Glenn Ligon · 2025 · carbon ink and acrylic on torinoko paper ·  Accession ID  2026.56.1

Takesada Matsutani, In the Morning-Pink, 1970, color screenprint on offset paper, Ailsa Mellon Bruce Fund, 2025.42.5

In the Morning-Pink

Takesada Matsutani · 1970 · color screenprint on offset paper ·  Accession ID  2025.42.5

Takesada Matsutani, La Propagation-10, 1967, color etching on wove BRK Rives paper, Ailsa Mellon Bruce Fund, 2025.42.2

La Propagation-10

Takesada Matsutani · 1967 · color etching on wove BRK Rives paper ·  Accession ID  2025.42.2

Katrine Van Houten, Corrections for directions on latitudes, 1968, etching on BFK paper, Ailsa Mellon Bruce Fund, 2025.42.6

Corrections for directions on latitudes

Katrine Van Houten · 1968 · etching on BFK paper ·  Accession ID  2025.42.6

Takesada Matsutani, Sun Rise, 1971, color screenprint on offset paper, Ailsa Mellon Bruce Fund, 2025.42.4

Sun Rise

Takesada Matsutani · 1971 · color screenprint on offset paper ·  Accession ID  2025.42.4

Takesada Matsutani, La Propagation-Y, 1967, color etching on wove BFK Rives paper, Ailsa Mellon Bruce Fund, 2025.42.1

La Propagation-Y

Takesada Matsutani · 1967 · color etching on wove BFK Rives paper ·  Accession ID  2025.42.1

The image features a series of bold, sweeping black lines and shapes against a lighter background. The forms intertwine and overlap in an abstract composition. The thick black areas have a rugged texture. The negative space between the forms invites the viewer to trace the outlines.
Eva Hesse, No title, 1957/1958, sugarlift etching, Avalon Fund and Gerald Cerny Fund, 2020.7.2

No title

Eva Hesse · 1957/1958 · sugarlift etching ·  Accession ID  2020.7.2

The image features swirling, organic lines and blotches creating an abstract composition. Black circular shapes dominate the upper portion, resembling tree tops or foliage. Below, the lines merge into elongated forms suggestive of flowing water or wind-swept grass. Angular and rounded shapes interspersed throughout the canvas evoke rocks or figures in motion. The color palette includes blacks, grays, and touches of ocher.
Jack Whitten, King's Garden #14, 1968, pen, brush, and ink with torn-and-pasted paper on handmade Japanese paper, Gift of Funds from Agnes Gund and Avalon Fund, 2023.24.2

King's Garden #14

Jack Whitten · 1968 · pen, brush, and ink with torn-and-pasted paper on handmade Japanese paper ·  Accession ID  2023.24.2

Mark Bradford, Legendary, 2016, mixed media on canvas, Purchased as the Gift of Ken Griffin and Anonymous, 2017.1.1

Legendary

Mark Bradford · 2016 · mixed media on canvas ·  Accession ID  2017.1.1