Provenance

Robert Stana and Thomas Judy

American

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The image displays abstract shapes and lines in green and reddish hues. On the left, a shape resembling a tree is present, with light patches suggesting snow. On the right, an abstract figure with elongated limbs and facial features stands, with smaller shapes around it.
Corita Kent, Have You Still No Faith, 1955, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.30

Have You Still No Faith

Corita Kent · 1955 · color screenprint on wove paper ·  Accession ID  2017.148.30

The image shows two abstract forms, side by side, each in the shape of a profile. Both shapes are curvilinear and textured with a charcoal-like appearance. The left shape has a reddish tint near the base extending outward, while the right also has a similar reddish area.
Lilli Carré, Bad Liar, 2014, ink and colored pencil on two sheets of wove paper, Gift of Bob Stana and Tom Judy, 2022.173.13.a-b

Bad Liar

Lilli Carré · 2014 · ink and colored pencil on two sheets of wove paper ·  Accession ID  2022.173.13.a-b

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Flat Brick

Robert Arneson, Landfall Press · 1979 · color etching and aquatint on wove paper ·  Accession ID  2019.109.3

The image shows various shapes and lines forming a combination of realistic and abstract elements. Several deer heads with branching antlers are in the foreground, creating depth and repetition. Two individuals are also depicted, one in a white shirt with the number "183" and another in red and yellow clothing. The antlers connect to these figures. Additionally, there is a sketch of an arched design on the left side resembling a fireplace or architectural element.
Jack Balas, Beginner's Luck, 2006, transparent and opaque watercolor, graphite, and felt-tip pen, and pen and black ink on Arches paper, Gift of Bob Stana and Tom Judy, 2020.168.19

Beginner's Luck

Jack Balas · 2006 · transparent and opaque watercolor, graphite, and felt-tip pen, and pen and black ink on Arches paper ·  Accession ID  2020.168.19

The image shows a composition of rectangles and amorphous forms with vibrant splashes of color. The interplay of pastel hues creates a textured surface. There are hints of triangular and angular shapes, as well as patterns reminiscent of maps or urban layouts.
Walter Darby Bannard, Sicilian Magician, 1980, screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2022.173.9

Sicilian Magician

Walter Darby Bannard · 1980 · screenprint on wove paper ·  Accession ID  2022.173.9

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Raising of Lazarus

Jean Charlot, Will A. Kistler Company, John Becker · 1933 · chromolithograph on wove paper ·  Accession ID  2016.148.19.19

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La Nana

Jean Charlot, Will A. Kistler Company, John Becker · 1933 · chromolithograph on wove paper ·  Accession ID  2016.148.19.27

The image displays a series of repeating geometric shapes, primarily squares and triangles, forming an intricate grid pattern. The design resembles a woven quilt or tile mosaic. The color scheme is black and white, creating a visual contrast. The arrangement suggests depth and rhythm as the pattern extends across the canvas.
Edna Andrade, Black Diamond, 1967, screenprint in black on wove paper, Gift of Bob Stana and Tom Judy, 2015.115.3

Black Diamond

Edna Andrade · 1967 · screenprint in black on wove paper ·  Accession ID  2015.115.3

The image shows abstract shapes and lines on the walls of a room-like structure. On the left side, circular lines are outlined in teal on a mint green wall. In the center, wavy lines form a shape resembling a casually drawn 'N' and a curve against a light blue background. On the right, an orange wall features a large, abstract figure resembling a bird or standing figure holding a tool. Next to this, a pink wall displays a tall, arrow-tipped line that suggests an abstract arrow or stylized plant form. The overall scene is in soft, pastel hues, with an abstract yet somewhat architectural resemblance to a gallery or museum space with symbolic graffiti.
Edward Landon, Hall of Fame, 1951, color screenprint on wove paper, Gift of Bob Stana and Tom Judy, 2017.148.35

Hall of Fame

Edward Landon · 1951 · color screenprint on wove paper ·  Accession ID  2017.148.35

The image displays interlocking shapes and lines forming a complex pattern. The artwork is abstract, with curves, angles, and varying thicknesses of lines. The collection of shapes and colors may evoke a bustling cityscape. The background has a yellow gradient.
Warrington Colescott, Mountain Village, 1953, color screenprint on black wove paper, Gift of Bob Stana and Tom Judy, 2017.148.15

Mountain Village

Warrington Colescott · 1953 · color screenprint on black wove paper ·  Accession ID  2017.148.15