Provenance

Professor Thomas Vogler

Estate of Donald Vogler

Explore selected works

See all 155 works of art
This is a drawing of a bustling street scene full of noise and activity. In the center, a woman carries a large vessel on her head while others around her are engaged in various activities, like playing musical instruments and making noises. On the left, a man leans out of a window. The background shows architectural elements like a church steeple and buildings. There are several objects on the ground and in the hands of the figures, hinting at daily life and trades happening in the street.
William Hogarth, The Enraged Musician, 1741, engraving with etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.33

The Enraged Musician

William Hogarth · 1741 · engraving with etching on laid paper ·  Accession ID  2017.53.33

The image shows three individuals positioned within a rocky, natural setting. The central figure is seated, facing left and extending an arm towards the other two individuals below him. He wears a helmet, sleeveless vest, knee-length shorts, and sandals. His hair is partly visible under the helmet. The other two individuals crouch beside a rock, one wearing a turban. In the foreground, there are rocks and sparse vegetation, with a spear and jug to the right. The background shows a distant landscape with clouds and tree branches.
John Hamilton Mortimer, Banditti Taking His Post, 1778, etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.77

Banditti Taking His Post

John Hamilton Mortimer · 1778 · etching on laid paper ·  Accession ID  2017.53.77

This is a drawing of fantastical creatures sleeping by the water. The drawing depicts a cluster of monstrous beings resting at the edge of a body of water. The creatures have a hybrid appearance with features resembling both humans and animals, including horns and scales. The detailed line work captures the texture of their skin and the ripples in the water. The surrounding landscape includes water, grass, and skeletal remains on the ground.
John Hamilton Mortimer, Sleeping Monsters, 1780, etching on pale blue-green paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.74

Sleeping Monsters

John Hamilton Mortimer · 1780 · etching on pale blue-green paper ·  Accession ID  2017.53.74

The image shows a bust-length depiction of a person in a three-quarter view to the left. The individual is in a regal or authoritative pose, with their head slightly turned. Their features are detailed, with strong facial features, a prominent nose and lips, and a beard. They are wearing an elaborate turban or headdress with a central jewel or brooch, suggesting nobility. Their clothing is richly embroidered, and they have large earrings. Behind them, another figure appears to be floating, holding an object above the main figure's head. The background has a textured, stippled pattern in an oval frame. The text "RICHARD, II" is inscribed above the figure, identifying them.
John Hamilton Mortimer, Richard II, 1775, etching on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.72

Richard II

John Hamilton Mortimer · 1775 · etching on wove paper ·  Accession ID  2017.53.72

This is a drawing of armed guards with spears in a rocky landscape. The composition shows a rocky terrain with vegetation. A figure in classical armor and helmet is seated on a rock, with a spear nearby and gesturing with an outstretched arm. Two other figures are crouched under a rocky outcrop. The background has trees and clouds. The artwork features detailed textures in armor, clothing, and rocks, creating a dramatic narrative. The style includes fine lines, intricate details, and dynamic forms for storytelling.
John Hamilton Mortimer, Banditti Taking His Post, 1778, etching on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.76

Banditti Taking His Post

John Hamilton Mortimer · 1778 · etching on wove paper ·  Accession ID  2017.53.76

This is a drawing of a mythological creature labeled as an "ENRAG'D MONSTER." The image depicts a beast with a human-like upper body and a serpentine lower body emerging from water. The creature has an intense expression, wild hair, and a muscular form. Its tail is curled aggressively, surrounded by splashes and aquatic movement. The background shows a turbulent sky with swirling clouds, adding to the dynamic atmosphere of the scene.
John Hamilton Mortimer, Enrag'd Monster, 1778, etching on pale blue-green paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.80

Enrag'd Monster

John Hamilton Mortimer · 1778 · etching on pale blue-green paper ·  Accession ID  2017.53.80

The image shows a bull walking through a wooded area. The bull's detailed features and textures are depicted in a black and white engraving style. The landscape behind the bull includes trees and another bull grazing in the distance.
Thomas Bewick, The Wild Bull of Chillingham, 1789, wood engraving on wove paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.5

The Wild Bull of Chillingham

Thomas Bewick · 1789 · wood engraving on wove paper ·  Accession ID  2017.53.5

The image depicts a detailed illustration of Brough Castle from a southeast perspective in the county of Westmorland. The castle stands centrally, with tall, rectangular towers and partially intact walls. The horizon is positioned high, aligning with the castle's tallest points, with rolling hills in the background. The technique used is stippling and linear hatching, creating a textured effect. The color palette is mainly monochromatic, typical of traditional line engravings, enhancing contrasts between light and shadow. In the foreground, there is a grassy hill with low shrubs and rocks. Beyond the castle, the landscape slopes towards distant hills under light clouds. The composition elegantly combines architectural and natural elements within the framed scene.
Samuel Buck, Nathaniel Buck, The South-East View of Wardour Castle, in the County of Wilts, 1739, engraving on laid paper, Gift of Thomas Vogler in memory of his brother, Donald J. Vogler, 2018.35.2

The South-East View of Wardour Castle, in the County of Wilts

Samuel Buck, Nathaniel Buck · 1739 · engraving on laid paper ·  Accession ID  2018.35.2

The image shows an aerial view of a historical landscape with ancient architectural ruins, trees, and a group of figures in period clothing. The ruins, including a central structure, are detailed with fine lines capturing textures and architectural details. The color palette is monochrome with muted browns and grays. Linear shading in the sky suggests clouds, adding atmosphere to the scene.
Paul Sandby, Ruined Circular Temple, c. 1750, etching on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.46

Ruined Circular Temple

Paul Sandby · c. 1750 · etching on laid paper ·  Accession ID  2017.53.46

This is a drawing of a rustic village scene during the evening. The image depicts a rural setting with various architectural elements and natural scenery. The drawing includes domestic animals, visible elements of buildings, a signboard, dramatic cloud formations, a fence, and various tools. It captures daily life in a past era, focusing on community and nature.
William Hogarth, Bernard Baron, Evening, 1738, etching and engraving on laid paper, Gift of Thomas Vogler in memory of his brother Donald J. Vogler, 2017.53.38

Evening

William Hogarth, Bernard Baron · 1738 · etching and engraving on laid paper ·  Accession ID  2017.53.38