Provenance

Print Council of America

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Ben Shahn, Blind Botanist, 1961, screenprint in black and green, Rosenwald Collection, 1964.1.42

Blind Botanist

Ben Shahn · 1961 · screenprint in black and green ·  Accession ID  1964.1.42

The image features swirling, texturized lines and shapes forming a dark mass that could be interpreted as a figure or form. Green leafy shapes resembling fern fronds are on the left side. In the dark mass, there is a yellow oval shape. The composition suggests connections to natural elements such as plants and rounded objects.
Jerome Kaplan, Ceremony, 1960, color intaglio, Rosenwald Collection, 1964.1.22

Ceremony

Jerome Kaplan · 1960 · color intaglio ·  Accession ID  1964.1.22

The image shows a side profile of a person's head and part of their neck, with the rest of the body not visible. The person is facing to the left. Their facial features include a prominent nose and lips, with a slight indication of an eye socket and cheekbones. The hair appears to be short and textured, with undefined edges giving it a rough appearance. The person is not depicted with any visible clothing, jewelry, or objects in their hands. The background is composed of a solid, textured brown color that encompasses the entirety of the image, with no distinct forms or objects present.
John Paul Jones, Red Lady, color intaglio, Rosenwald Collection, 1964.1.20

Red Lady

John Paul Jones · · color intaglio ·  Accession ID  1964.1.20

The image shows the upper portion of a man's body, with a side profile view of his head and shoulders. He faces to the left, with noticeable facial features like a prominent nose and a textured beard. The man wears a dark, wide-brimmed hat, and his hair is thin and wispy, partially visible beneath the hat. His clothing suggests a collar around his neck. The background has a textured, light monochrome surface on top and a solid dark green expanse below. The overall setting appears abstract, drawing attention to the minimalist depiction of the man.
Leonard Baskin, E.P.: It is Pitiable, 1964, etching in black on wove paper, Rosenwald Collection, 1964.1.3

E.P.: It is Pitiable

Leonard Baskin · 1964 · etching in black on wove paper ·  Accession ID  1964.1.3

The image displays a landscape seen from an elevated viewpoint with rocky terrain stretching into the distance. The horizon is positioned near the top of the circular frame under a detailed sky with swirling clouds. The engraving technique shows intricate linework creating textures mimicking natural surfaces. The color scheme is black and white, highlighting the contrast between shadows and highlights. The terrain shows angular lines suggesting rocky formations, leading the eye towards the horizon meeting the dynamic sky.
Norma Morgan, Dartmoor, 1959, engraving and aquatint in black on wove paper, Rosenwald Collection, 1964.1.34

Dartmoor

Norma Morgan · 1959 · engraving and aquatint in black on wove paper ·  Accession ID  1964.1.34

The image shows a close-up view of a person's face, centered within the frame. The facial features are abstract and softly rendered, giving an impressionistic feel to the face. The eyes, nose, and mouth are barely distinguishable and blurred. The hair is long and dark, framing the face in a loose manner. There is no visible clothing or accessories depicted. The background is a light tone, with a darker, textured circular formation surrounding the face. The overall composition is monochromatic, utilizing shades of gray to create a somber and ethereal atmosphere.
Aubrey Schwartz, Faces - Triptych [left half], 1961, lithograph, Rosenwald Collection, 1964.1.56

Faces - Triptych [left half]

Aubrey Schwartz · 1961 · lithograph ·  Accession ID  1964.1.56

The image shows an arrangement of curved and angular shapes in green, blue, yellow, and brown. The shapes are layered to form a complex pattern of overlapping lines. The composition resembles a fan or a flower, with elements extending from a central point. The overall effect is both abstract and organic, reminiscent of leaves or petals.
Edmond Casarella, Swamp Bank, paper relief, Rosenwald Collection, 1964.1.7

Swamp Bank

Edmond Casarella · · paper relief ·  Accession ID  1964.1.7

The image features swirling lines and jagged shapes. In the upper section, black and white curves intertwine. The surrounding colors include earthy browns, fiery reds, and vibrant yellows. These forms create movement resembling a swirling tornado or a splash of colorful elements. Familiar shapes may be perceived in the interplay of dark and light.
Seong Moy, Vis-a-Vis, color woodcut, Rosenwald Collection, 1964.1.35

Vis-a-Vis

Seong Moy · · color woodcut ·  Accession ID  1964.1.35

The image features swirling and jagged shapes and lines. It has a chaotic and abstract composition, with some areas suggesting stormy skies or turbulent water. The right side has a dense concentration of shapes, contrasting with the more dispersed and softer forms on the left. The monochrome tones enhance the dramatic essence of the piece.
Adja Yunkers, Bohuslav Horak, Skies of Venice I, 1960, lithograph on wove paper, Rosenwald Collection, 1964.1.53

Skies of Venice I

Adja Yunkers, Bohuslav Horak · 1960 · lithograph on wove paper ·  Accession ID  1964.1.53

The image displays vertical, wispy lines and curves sketched in a reddish hue, resembling abstract figures. The shapes suggest elongated forms similar to the human torso, with an ethereal quality. The artwork is abstract and open to interpretation.
Ezio Martinelli, Matrone, inkless embossed print with color stipple engraving, Rosenwald Collection, 1964.1.28

Matrone

Ezio Martinelli · · inkless embossed print with color stipple engraving ·  Accession ID  1964.1.28