Provenance

E. Weyhe, Inc.

Explore selected works

See all 23 works of art
The image shows a reclining woman on a soft surface, likely a chaise or couch. She is nude with one shoe visible on her right foot. Her left arm is under her head and her right arm rests on the back of the seat. The woman has a calm expression and short, dark hair framing an oval face. The fabric beneath her has textured patterns and the background features a mirror reflecting her form. The etching is set against a softly textured backdrop.
Walter Pach, Miss M.G., 1929, etching in black on laid paper, Gift of Jacob Kainen, 2002.98.170

Miss M.G.

Walter Pach · 1929 · etching in black on laid paper ·  Accession ID  2002.98.170

The image shows a large steel bridge structure from a low angle, emphasizing its height and size. The horizon is low in the image, marked by the steel pillars' base and a road curving out of sight. Two airplanes are visible in the sky above the horizon. The steel's lattice pattern is highlighted by precise brushstrokes. The color palette is limited to black, white, and gray, creating contrast with the sky. In the distance, another similar structure is partially obscured. A few bare trees at the base of the tower break up the geometric shapes.
Louis Lozowick, Hudson Bridge, 1929, lithograph in black on Rives BFK wove paper, Gift of Jacob Kainen, 2002.98.144

Hudson Bridge

Louis Lozowick · 1929 · lithograph in black on Rives BFK wove paper ·  Accession ID  2002.98.144

The image depicts a sketch of a seated person, showing the full body. The individual's left leg is crossed over the right knee, with the left foot dangling. The head is turned slightly to the left, and the arms are bent. The left arm rests along the side, and the right hand is resting on a surface. The facial features include lightly sketched eyes, a long nose, and closed lips. The hair is curly and dark. The figure is nude, without any visible jewelry or objects. The background is plain and unadorned, drawing attention to the figure.
Arnold Friedman, Seated Nude, 1925-1928, lithograph in black on wove paper, Gift of Jacob Kainen, 2002.98.103

Seated Nude

Arnold Friedman · 1925-1928 · lithograph in black on wove paper ·  Accession ID  2002.98.103

The image displays an abstract composition of geometric shapes and lines, such as rectangles, triangles, and curves. The artwork suggests a human figure with a stylized head and body. The head is represented by a round shape with a vertical curve, resembling hair. The body is implied through rectangular and angular forms. A circular shape near the center could be interpreted as a button or brooch. The color palette consists of muted blues and yellows.
Natalija Sergeevna Goncharova, A Woman, 1921, color lithograph, Gift of Jacob Kainen, 2002.98.282

A Woman

Natalija Sergeevna Goncharova · 1921 · color lithograph ·  Accession ID  2002.98.282

The image displays a stylized, abstract figure from the chest up. The figure is facing forward, showing their facial features. The artistic style emphasizes angular and geometric lines, with pronounced cheekbones, a sharp nose, and deeply set eyes creating a dramatic expression. The hair is depicted with broad strokes, suggesting it is either slicked back or tied. The figure appears to be wearing a garment with a v-shaped neckline. The background is filled with vertical and diagonal lines, creating a dynamic and textured setting that complements the figure's striking appearance.
Werner Gothein, Rosi Fischer, 1919, woodcut in black on japan paper, Gift of Jacob Kainen, 2002.98.283

Rosi Fischer

Werner Gothein · 1919 · woodcut in black on japan paper ·  Accession ID  2002.98.283

The image depicts a bird's-eye view of a rugged and mountainous landscape with intricate geometric forms and terraces filling a valley-like area. The artwork is created using fine stippling and line-work, resulting in a textured monochrome effect in varying shades of gray. In the distance, jagged mountain forms surround the constructed area, highlighting the contrast between natural and man-made elements.
Louis Lozowick, Inca Sanctuary, 1965, lithograph in black on Rives paper, Ruth and Jacob Kainen Collection, 1989.80.10

Inca Sanctuary

Louis Lozowick · 1965 · lithograph in black on Rives paper ·  Accession ID  1989.80.10

The image shows a landscape with a man leaning on a stick under a tree. The horizon is in the upper half and the terrain is sloping. Trees and clouds are detailed with fine lines. The color scheme is black and white. Branches, trunks, and sparse foliage are visible, with the man in dark clothing looking down.
George Henry Smillie, Orchard, 1883, etching in black on Japan paper, Gift of Jacob Kainen, 2002.98.189

Orchard

George Henry Smillie · 1883 · etching in black on Japan paper ·  Accession ID  2002.98.189

The image shows a tall, intricately detailed architectural structure. The perspective centers on a large building that dominates the scene, extending upwards and occupying most of the composition. There is no visible natural horizon due to the urban setting. The style is characterized by fine lines and hatchings, giving texture and depth to the building's facade. The scene primarily uses a monochromatic color palette composed of blacks, whites, and varying shades of grey. Beneath the structure, smaller buildings and vehicles suggest a bustling urban environment. In the distance, more buildings fade into less distinct outlines, adding layers to the metropolitan landscape.
Walter Pach, Tower, 1924, etching in black on laid paper, Gift of Jacob Kainen, 2002.98.171

Tower

Walter Pach · 1924 · etching in black on laid paper ·  Accession ID  2002.98.171

The image shows an ornate building with a prominent facade in the center. The scene includes the building, natural surroundings, intricate architectural details, latticed windows, turrets, chimneys, and grazing livestock. A woman is tending to the animals by a gate. The brushstrokes create a textured quality in the foliage and sky. The color palette is sepia-toned, providing a nostalgic and timeless feel, with dark shading contrasting the lighter tones of the building.
Rodolphe Bresdin, La Maison Enchantée (The Haunted House), 1871, lithograph on chine collé, Gift of Jacob Kainen, 2002.98.6

La Maison Enchantée (The Haunted House)

Rodolphe Bresdin · 1871 · lithograph on chine collé ·  Accession ID  2002.98.6

The image shows a village with mountains in the distance. The horizon is above the village, below the mountains against a blank sky. The artwork uses bold black brushstrokes creating an angular appearance. The color palette is monochrome with black and beige. The scene includes geometric patterns in the field and a path leading to the village. In the distance are houses, a clock tower, and mountains. The brushstrokes give the impression of a woodcut style with sharp forms and rough texture.
Richard Seewald, Ascona, 1921, woodcut in black on tan paper, Gift of Ruth Cole Kainen, 2007.141.18

Ascona

Richard Seewald · 1921 · woodcut in black on tan paper ·  Accession ID  2007.141.18