Provenance

University of South Florida Foundation

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Earth and Moon

James Rosenquist, Graphicstudio · 1971 · color lithograph on Arches Cover wove paper ·  Accession ID  1986.26.159

The image shows a nude figure from the waist up, standing in front of a mirror. The person is facing away from the viewer, with their back visible, and their hands are raised to their head. The reflection in the mirror shows a view of the person's face and front, including features such as closed lips and a neutral expression. The person has short, dark hair that appears slightly messy. The individual is using a hairdryer, which is held in their right hand, pointed towards the head. The background is detailed with patterned wallpaper featuring abstract designs, and they are standing over a countertop with a sink in view, complete with two faucets. The overall artwork is done in black and white, resembling a sketch or drawing with soft shading and strong outlines.
Mike Glier, Graphicstudio, Grooming, mixed-media etching, Gift of Graphicstudio/University of South Florida and the Artist, 1986.26.40

Grooming

Mike Glier, Graphicstudio · · mixed-media etching ·  Accession ID  1986.26.40

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Heart and Wall [upper right of 4-part print,see 1986.26.224-227]

Jim Dine, Graphicstudio · 1983 · color intaglio [trial proof] ·  Accession ID  1986.26.225

The image shows a composition of fine, delicate lines creating an abstract form resembling a simplified flower with a central vertical line resembling a stem. The abstract lines form curves suggesting petals, evoking the shape of a large blossom or an abstract wind turbine. Subtle horizontal lines at the base could be a horizon or ground. Faintly drawn lines against a textured background create a sense of lightness and subtlety, resembling familiar objects like an abstracted botanical form or a minimalist sculpture.
Jim Dine, Graphicstudio, The Plant Becomes a Fan #4, 1974/1975, lithograph (aluminum) in black and neutral with a screenprinted varnish layer on Natsume 4007 Japanese paper [cancellation proof], Gift of Graphicstudio/University of South Florida and the Artist, 1985.48.10

The Plant Becomes a Fan #4

Jim Dine, Graphicstudio · 1974/1975 · lithograph (aluminum) in black and neutral with a screenprinted varnish layer on Natsume 4007 Japanese paper [cancellation proof] ·  Accession ID  1985.48.10

The image shows a series of concentric rectangles in pastel hues of yellow and orange, nested within one another, creating an illusion of depth through progressively lighter shades. Thin, parallel lines define the boundaries of each rectangle.
Richard Anuszkiewicz, Graphicstudio, Tampa Summer, 1972/1973, color lithograph, Gift of Graphicstudio/University of South Florida and the Artist, 1986.26.246

Tampa Summer

Richard Anuszkiewicz, Graphicstudio · 1972/1973 · color lithograph ·  Accession ID  1986.26.246

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Heart and Wall [lower right of 4-part print,see 1986.26.224-227]

Jim Dine, Graphicstudio · 1983 · color intaglio [trial proof] ·  Accession ID  1986.26.227

The image shows intersecting lines and shapes on a textured background. There are four circular forms at the top arranged in a clover-like pattern, overlapped by two thick diagonal lines. Streaks and splatters extend from the central arrangement, intersecting with an undefined ground shape at the base.
Jim Dine, Graphicstudio, The Plant Becomes a Fan #5, 1974/1975, lithograph (aluminum) in black and neutral with a screenprinted varnish layer on Natsume 4007 Japanese paper [cancellation proof], Gift of Graphicstudio/University of South Florida and the Artist, 1985.48.11

The Plant Becomes a Fan #5

Jim Dine, Graphicstudio · 1974/1975 · lithograph (aluminum) in black and neutral with a screenprinted varnish layer on Natsume 4007 Japanese paper [cancellation proof] ·  Accession ID  1985.48.11

The image shows a large 'X' shape composed of broad, white brush strokes on a textured, dark background with a central vertical stripe. The composition combines straight lines of the 'X' with a middle section resembling worn paint or aged fabric. The lines and textures create an impression similar to a weathered road sign or an intersection of train tracks, giving an urban-industrial feel to the abstract design.
Robert Rauschenberg, Graphicstudio, Tampa 4, 1972, lithograph in black on American Etching wove paper, Gift of Graphicstudio/University of South Florida and the Artist, 1985.48.39

Tampa 4

Robert Rauschenberg, Graphicstudio · 1972 · lithograph in black on American Etching wove paper ·  Accession ID  1985.48.39

The image consists of a line drawing of a nude figure shown from a side view. They are lying on their side with knees bent and head resting on their arm. The facial features are partially visible, and the hair is tied back. The drawing emphasizes the contours of the figure through simple lines and shading. The background is minimalistic with shading to suggest a surface or bed, and some crosshatching for texture. There are no distinct objects or detailed scenery in the background.
Philip Pearlstein, Graphicstudio, Study for "Untitled", 1969, graphite, Gift of Graphicstudio/University of South Florida and the Artist, 1985.48.28

Study for "Untitled"

Philip Pearlstein, Graphicstudio · 1969 · graphite ·  Accession ID  1985.48.28

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Quarter Century

James Rosenquist, Graphicstudio · 1981 · color lithograph on Arches Cover wove paper ·  Accession ID  1986.26.144