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Graphicstudio

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This image is a portrait showing a person facing forward and looking at the viewer. The person has curly, dark hair that frames their face, detailed facial features, and is wearing a high-collared garment with intricate patterns. The background is a solid, light color. There are no visible jewelry or objects in the image, with the focus primarily on the person's face and upper body.
Chuck Close, Graphicstudio, Emily/Fingerprint/Silk Collé, 1986, direct gravure with silk collé, Gift of Graphicstudio/University of South Florida and the Artist, 1987.77.6

Emily/Fingerprint/Silk Collé

Chuck Close, Graphicstudio · 1986 · direct gravure with silk collé ·  Accession ID  1987.77.6

This is a drawing of a large letter C. The image depicts an outlined draft of the letter C drawn with pencil on paper. The lines are clean and straight with precision. The paper shows signs of wear with slightly frayed edges. The background is a plain, light color.
Vito Acconci, Graphicstudio, Sketch for "Building - Blocks for a Doorway" (C), c. 1983/1985, graphite on tracing paper, Gift of Graphicstudio/University of South Florida and the Artist, 1991.75.35

Sketch for "Building - Blocks for a Doorway" (C)

Vito Acconci, Graphicstudio · c. 1983/1985 · graphite on tracing paper ·  Accession ID  1991.75.35

The image shows a person with their head and neck visible. They are facing forward. The person has a full beard, a mustache, and is wearing glasses. Their hair is medium length, parted to the side. The background is abstract with shades of gray and brush-like strokes.
Chuck Close, Graphicstudio, John I, 1986/1990, photogravure in three blacks on T.H. Saunders paper, Gift of Graphicstudio/University of South Florida and the Artist, 1991.75.179

John I

Chuck Close, Graphicstudio · 1986/1990 · photogravure in three blacks on T.H. Saunders paper ·  Accession ID  1991.75.179

The image depicts a man with a broad face, prominent mustache, and thick, curly dark hair. He is wearing a light-colored collared shirt. Handwritten notes surrounding the man include phrases like "Blend very gradually" and "rainbow." More notes above his head discuss blending techniques in black pencil or pen. In the lower right corner, there is a signature or initial, possibly "M.S.," dated 1984.
Mark Stock, Graphicstudio, Don Saff, 1984, lithograph in black on wove paper [trial proof], Gift of Graphicstudio/University of South Florida and the Artist, 1991.75.171

Don Saff

Mark Stock, Graphicstudio · 1984 · lithograph in black on wove paper [trial proof] ·  Accession ID  1991.75.171

The image shows intersecting red and blue lines forming irregular shapes on a light background.
William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio, Untitled, 1993, 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper, Gift of Graphicstudio/University of South Florida and the Artist, 1995.61.11

Untitled

William S. Burroughs, Xiaowen Chen, Mark Callen, Graphicstudio · 1993 · 2-color photo-etching on chine collé of gampi on Somerset Satin 410 gm. paper ·  Accession ID  1995.61.11

The image depicts a stylized full-body portrait of a person. The individual is seated with a twisted torso, facing sideways. Their facial features are simplified with a straight nose, closed lips, and short hair. The person wears a high-necked top and layered skirt, all in shades of gray with black outlines. The background includes abstract shapes and designs, with curves and lines that suggest foliage, set against a white backdrop. The artwork is rendered in a modernist style.
Sandro Chia, Graphicstudio, Untitled, c. 1987/1989, black felt-tip marker and pen and black ink on plastic film, Gift of Graphicstudio/University of South Florida and the Artist, 1991.75.66

Untitled

Sandro Chia, Graphicstudio · c. 1987/1989 · black felt-tip marker and pen and black ink on plastic film ·  Accession ID  1991.75.66

""

Copper Poem Hands

Lesley Dill, Graphicstudio · 1993 · laser-cut, hammered, and soldered copper, with black patination and including copper tubes, brass rods, copper foil, screws, and wire ·  Accession ID  1995.61.19

The image shows an abstract composition with simple, flowing pencil lines forming a large rectangular shape with rounded corners at the bottom. This shape is enclosed within a larger square outline. At the top of the rectangle, there is a semicircular indentation. The lines and shapes create an abstract form that could resemble a shield or architectural detailing.
Vito Acconci, Graphicstudio, Sketch for "Building - Blocks for a Doorway" (U), c. 1983/1985, graphite on tracing paper, Gift of Graphicstudio/University of South Florida and the Artist, 1991.75.48

Sketch for "Building - Blocks for a Doorway" (U)

Vito Acconci, Graphicstudio · c. 1983/1985 · graphite on tracing paper ·  Accession ID  1991.75.48

The image shows a cover design featuring a portrait of a person facing forward with a neutral expression. The person's facial features are depicted in a bold, outline style with long hair. They wear a collared shirt with floral decorations. The setting includes natural elements like flowers and a hummingbird. The background has dynamic lines suggesting foliage against a solid color. There is text in English and Portuguese above the illustration and the name Abraão Batista below. The color scheme is earthy, with black and muted red tones used throughout.
Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner, A Brazilian in Florida, 1996, boxed set of eight woodblock prints in black with text letterpress, Gift of Graphicstudio/University of South Florida, 2002.111.2.1-8

A Brazilian in Florida

Abraao Batista, Graphicstudio, Robert Hanning, Hank Hine, Stefanie Kohn, Jill Lerner · 1996 · boxed set of eight woodblock prints in black with text letterpress ·  Accession ID  2002.111.2.1-8

""

Shriek

James Rosenquist, Graphicstudio · 1986 · color lithographs on Arches 88 wove paper adhered to color monoprint on Arches Cover wove paper ·  Accession ID  1987.77.27