Provenance

Sylvester Rosa Koehler

Koehler, S. R. Mr.

American, 1837 - 1900

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See all 39 works of art
The image displays a rural landscape with a cluster of buildings, including a large barn or farmhouse slightly to the left of center. The horizon is low, with the structures and bare trees extending into a sky filled with intricate lines indicating a textured, potentially overcast atmosphere. The detailed lines suggest an etching technique, creating a monochrome image emphasizing textures. In the foreground, rough grassy terrain with scattered sheep grazing is visible, adding depth. Beyond the buildings, textured land and leafless trees continue, enhancing the tranquil atmosphere. The color palette is muted with sepia tones and dark lines, imparting a vintage feel.
Stephen Parrish, American Art Review, November, 1880, etching in black on wove paper, Corcoran Collection, 2015.19.3541

November

Stephen Parrish, American Art Review · 1880 · etching in black on wove paper ·  Accession ID  2015.19.3541

The image depicts a landscape with an elevated point of view. The horizon is high in the composition, featuring distant trees and possibly a church steeple. A cluster of buildings is visible on the horizon line. In the foreground, people are walking along a path flanked by trees and bushes. The style uses dark etching lines for contrast and texture. The color scheme is monochromatic, with the path leading towards the distant horizon.
Otto Henry Bacher, American Art Review, Aŭf Staŭfá Brŭck, 1879, etching in black on wove paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2438

Aŭf Staŭfá Brŭck

Otto Henry Bacher, American Art Review · 1879 · etching in black on wove paper ·  Accession ID  2015.19.2438

The image shows a landscape with donkeys carrying loads, led by figures. The viewpoint appears slightly elevated, with a horizon line placed about a quarter of the way from the top. The sky is clear with some clouds. The scene is depicted using fine, detailed, cross-hatched lines, typical of etchings. Closest to us, donkeys laden with barrels and boxes walk along a dirt path. Further away, the path leads into hilly terrain with more figures and cargo. The color palette is monochrome, primarily black and grey shades, emphasizing texture and contrast.
Peter Moran, American Art Review, The Burrow Train, New Mexico, 1880, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2461

The Burrow Train, New Mexico

Peter Moran, American Art Review · 1880 · etching in black on laid paper ·  Accession ID  2015.19.2461

The image displays a tranquil landscape with a waterway winding through it. The perspective is slightly elevated, showing the curves of the water. The horizon is high, obscured by dense trees, creating depth. The fine brushstrokes emphasize textures of grass, water, and trees. The color palette is monochromatic, with shades of black and white. Tall grasses and wooden posts line the waterway, enhancing the natural setting. Subtle cloud formations are visible in the background.
Thomas Moran, American Art Review, In the Newark Meadows, 1879, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2464

In the Newark Meadows

Thomas Moran, American Art Review · 1879 · etching in black on laid paper ·  Accession ID  2015.19.2464

The image depicts a landscape with sandy dunes stretching towards the horizon, a low horizon line, an expansive sky with horizontal lines for texture, sparse vegetation and sandy surfaces, a winding pathway, and a monochrome color palette emphasizing contrast and depth through line density.
Stephen Alonzo Schoff, American Art Review, The Sea Serpent, 1880, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2467

The Sea Serpent

Stephen Alonzo Schoff, American Art Review · 1880 · etching in black on laid paper ·  Accession ID  2015.19.2467

This is a drawing of a crowded waiting area with various figures seated and standing around. The scene depicts a busy room filled with people engaged in activities such as conversing and sitting in attentive postures. In the foreground, a woman with a headscarf is seated with her hands crossed on her lap, next to a young girl seated on a crate at her feet. Bags and luggage are on the floor, suggesting travel. The figures wear hats and coats, indicating a cold environment. The composition is dense and bustling, showing a scene of an era where such gatherings were common in public waiting areas.
Frederick Juengling, In the Land of Promise, 1886, wood engraving in black on laid paper, Corcoran Collection (Gift of the Friends of the Corcoran Gallery of Art), 2015.19.3116

In the Land of Promise

Frederick Juengling · 1886 · wood engraving in black on laid paper ·  Accession ID  2015.19.3116

The image shows a wooded area with tall, slender trees in a cluster. The trees are vertical, bending slightly in one direction. The horizon is visible behind the trees, with more vegetation extending to the edge. The artwork features detailed textures of tree barks and foliage, with subtle shading around the roots. The color palette is mainly sepia and brown, giving a vintage and natural impression. In the distance, dense trees create a dark mass, enhancing the depth of the scene.
Mary Nimmo Moran, American Art Review, Solitude, 1880, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2460

Solitude

Mary Nimmo Moran, American Art Review · 1880 · etching in black on laid paper ·  Accession ID  2015.19.2460

The image shows a busy dockside scene viewed from a waterfront perspective. The horizon is low with distant land visible across the water. The dock area to the right is filled with wooden structures on piles, including buildings with signs like "SPARS" and "BOATS TO LET." Tall masts from docked vessels rise vertically. The style appears to be an etching with fine, intricate lines. The color palette is muted and monochromatic with sepia tones. Rocks and small ripples are visible on the calm water, with people in small boats further out. The background blends into the pale sky.
Charles A. Platt, American Art Review, Old Boat-House, 1881, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2465

Old Boat-House

Charles A. Platt, American Art Review · 1881 · etching in black on laid paper ·  Accession ID  2015.19.2465

The image shows a woodland scene with a forest path. The horizon is depicted where the trees meet the sky. The detailed engravings show leafless, twisting branches. The ground is textured with linework to show earth and vegetation. The color palette is monochromatic, using shades of brown and sepia. In the distance, a path winds through the trees with two small figures present.
Henry Farrer, American Art Review, December, 1877, etching in black on laid paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2446

December

Henry Farrer, American Art Review · 1877 · etching in black on laid paper ·  Accession ID  2015.19.2446

The image shows a village scene viewed from a low vantage point near a water's edge. A row of small, closely packed buildings and a church with an onion-shaped dome are prominently featured. There are gentle slopes leading towards the structures. The image uses fine, detailed line work to depict texture and depth in the buildings and natural landscape. The lines are delicate and varied, creating a sense of detail and softness. The color palette is monochromatic, with dark ink on a pale background, resulting in a classic and timeless feel.
Otto Henry Bacher, American Art Review, Schwabelweiss, 1879, etching in black on wove paper, Corcoran Collection (Gift of Mr. S.R. Koehler, Boston, Massachusetts), 2015.19.2473

Schwabelweiss

Otto Henry Bacher, American Art Review · 1879 · etching in black on wove paper ·  Accession ID  2015.19.2473