Provenance

Mr. and Mrs. Benjamin B. Smith

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The image shows a textured pattern with soft, flowing lines and shapes forming an abstract design. The pale hues suggest delicate shades of peach or ivory, subtly blended to create a harmonious composition. The texture and pattern create a sense of gentle movement within the artwork.
Theo Wujcik, Tamarind Institute, Grasshopper, 1968, lithograph (aluminum) in black , light pearly grayand two light pearly pinks on white Nacre paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1192

Grasshopper

Theo Wujcik, Tamarind Institute · 1968 · lithograph (aluminum) in black , light pearly grayand two light pearly pinks on white Nacre paper ·  Accession ID  1984.34.1192

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Untitled (New Perspective on Floors V)

Allen Jones, Tamarind Institute · 1966 · lithograph (zinc and stone) in yellow, light blue,red and black on Copperplate Deluxe paper ·  Accession ID  1983.18.781

The image shows an irregular, torn-edged white shape in the center against a black background. Strips of red are visible on the left side of the white shape, with a single blue strip on the right edge.
Emerson Woelffer, Tamarind Institute, Homage a Duchamp, 1969/1970, lithograph (zinc and stone) in red, blue and blackon Rives BFK paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1165

Homage a Duchamp

Emerson Woelffer, Tamarind Institute · 1969/1970 · lithograph (zinc and stone) in red, blue and blackon Rives BFK paper ·  Accession ID  1984.34.1165

The image shows bold, red outlines forming abstract shapes on a textured background. The abstract forms resemble shapes such as wings, dumbbells, and waves. Smaller textured imprints that resemble leaves, hearts, and floral petals are scattered across the composition. The scene is framed by an uneven red border.
Hugh Townley, Tamarind Institute, Untitled, 1969, lithograph (aluminum and zinc) in pearly white andred-brown on natural Nacre paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.1045

Untitled

Hugh Townley, Tamarind Institute · 1969 · lithograph (aluminum and zinc) in pearly white andred-brown on natural Nacre paper ·  Accession ID  1984.34.1045

The image shows various shapes and lines intersecting each other. The abstract composition features zigzags, spirals, and bold strokes. There are elements resembling eyes or architectural structures within the chaotic landscape.
Ynez Johnston, Tamarind Institute, Untitled, 1966, lithograph (stone) in black on J. Green paper, Gift of Dorothy J. and Benjamin B. Smith, 1983.18.768

Untitled

Ynez Johnston, Tamarind Institute · 1966 · lithograph (stone) in black on J. Green paper ·  Accession ID  1983.18.768

The image displays a central motif with four symmetrical looping lines, creating a clover or four-leafed form. It is set against a black square rotated to resemble a diamond shape. The design is abstract, with loops filling each section of the diamond. The loops hint at natural elements such as petals or smooth stones, with textured grayscale areas within them adding to the organic feel. The symmetrical nature of the design suggests a stylized version of a plant-like pattern.
Matsumi Kanemitsu, Tamarind Institute, Tam. #3, 1965, lithograph (stone) in black on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.25

Tam. #3

Matsumi Kanemitsu, Tamarind Institute · 1965 · lithograph (stone) in black on Copperplate Deluxe paper ·  Accession ID  1984.34.25

This is a painting of a baboon sitting near a body of water. The baboon is depicted in a stylized manner, with a focus on texture and form. The baboon is gazing towards the viewer, with its body partly reflected in the water below. Surrounding the baboon are trees and earthy tones dominating the composition, providing a sense of habitat. The water in front of the baboon reflects the colors and shapes of the landscape, creating a mirrored effect. The style is suggestive of post-impressionistic or modernist influences.
Robert Andrew Parker, Tamarind Institute, Baboon, 1967, lithograph (zinc and stone) yellow-beige, blue, black and two browns on Rives BFK paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.524

Baboon

Robert Andrew Parker, Tamarind Institute · 1967 · lithograph (zinc and stone) yellow-beige, blue, black and two browns on Rives BFK paper ·  Accession ID  1984.34.524

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Module for a split level ranch house

Irene Siegel, Tamarind Institute · 1967 · lithograph (aluminum and stone) in ochre, violet, dark yellow, five greens and three blues on Copperplate Deluxe paper ·  Accession ID  1984.34.802

This is a drawing of three toads with cups. The drawing features three toads, each with a cup positioned on their back. The toads are illustrated realistically with detailed markings and textures on their skin. The cups have a smooth appearance and there is a string or worm-like object in front of the middle and bottom toads. The artwork is in black and white.
Ken Price, Kenjilo Nanao, Tamarind Institute, Cup Gets the Worm, 1968, lithograph in black on Copperplate Deluxe wove paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.627

Cup Gets the Worm

Ken Price, Kenjilo Nanao, Tamarind Institute · 1968 · lithograph in black on Copperplate Deluxe wove paper ·  Accession ID  1984.34.627

The image shows swirling, looping lines and shapes concentrated towards the bottom, gradually becoming less dense and fading out as they ascend upwards. These dark, tangled clusters create an abstract impression. The upper part of the image remains mostly untouched, providing a stark contrast to the intricate entanglements below.
Hedda Sterne, Tamarind Institute, Untitled, 1967, lithograph (stone) in gray-blue on Copperplate Deluxe paper, Gift of Dorothy J. and Benjamin B. Smith, 1984.34.865

Untitled

Hedda Sterne, Tamarind Institute · 1967 · lithograph (stone) in gray-blue on Copperplate Deluxe paper ·  Accession ID  1984.34.865