Provenance

Frank Perls

Explore Selected Works

Edgar Degas, Mary Cassatt at the Louvre: The Etruscan Gallery, 1879/1880, cancelled etched and aquatinted copper plate, Collection of Mr. and Mrs. Paul Mellon, 1995.47.74

Mary Cassatt at the Louvre: The Etruscan Gallery

Edgar Degas · 1879/1880 · cancelled etched and aquatinted copper plate ·  Accession ID  1995.47.74

Royal-blue, sunshine-yellow, kelly-green, deep pink, and orange petal-like shapes and other geometric forms are arranged in a grid-like pattern against a cream-white field in this abstract, horizontal artwork. Applied to five joined, vertical canvases, the design is anchored at the center by a vertical blue pillar encasing a vertical row of four flower-like forms. Flanking the central column to either side, flowers are arranged in four rows of five blooms. Each bloom is a single, flat color, created with four cut pieces of painted paper. The arrangement of the colors vary so the flowers do not create a rigid pattern, though it seems like a pattern at first glance. The flowers are separated by clove-like forms creating X-shapes at the corner of each bloom. A stylized face takes the place of one flower near the center of each panel. Each oval face, eyes, nose, and mouth are drawn with black lines. Column-like forms in royal blue encase the composition along the left and right edges, and a row flicks like inverted commas lines the top edge. The flicks over the left half are blue and the flicks over the right half are green. The artist signed and dated the work with blue paint at the bottom right: “HM 53 53.”
Henri Matisse, Large Decoration with Masks, 1953, gouache on paper, cut and pasted on white paper, mounted on canvas, Ailsa Mellon Bruce Fund, 1973.17.1

Large Decoration with Masks

Henri Matisse · 1953 · gouache on paper, cut and pasted on white paper, mounted on canvas ·  Accession ID  1973.17.1