Provenance

Ms. Marina Picasso

Picasso, Marina Ruiz Ms.
Ruiz-Picasso, Marina Ms.

French, born 1950

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The image shows an intricate array of overlapping lines forming abstract shapes and figures. A distorted human-like figure is the main focus, with various objects scattered in the background suggesting an artist's studio.
Pablo Picasso, Roger Lacourière, Nude in the Studio, 1936/1937, etching and engraving with scraping in black printed from half-tone plate on laid paper (proof), Pepita Milmore Memorial Fund, 1998.37.2

Nude in the Studio

Pablo Picasso, Roger Lacourière · 1936/1937 · etching and engraving with scraping in black printed from half-tone plate on laid paper (proof) ·  Accession ID  1998.37.2

This photograph shows a cluttered studio or workspace with various artworks, art supplies, and a transparent drawing of a figure superimposed on the scene. The room includes paintings leaning against a wall and a cupboard topped with bottles and artifacts. In the foreground, there is a translucent drawing of a nude figure with intricate, abstract details. The floor displays scattered art supplies and potential debris, indicating use. The artworks against the wall depict figures in varied styles and abstract forms, contributing to the eclectic and dynamic ambiance of the space.
Pablo Picasso, Nude in the Studio, 1936/1937, half-tone in black on coated wove paper (proof), Pepita Milmore Memorial Fund, 1998.37.1

Nude in the Studio

Pablo Picasso · 1936/1937 · half-tone in black on coated wove paper (proof) ·  Accession ID  1998.37.1

The image showcases bold, sweeping lines and curved forms dominating the composition in an abstract style. The shapes resemble those of a robust bull, with horn-like projections and sturdy legs grounding the form. Dark shades are used to create a rough fur-like texture.
Pablo Picasso, The Bull (Le taureau), 1945, lithograph on Arches paper [second state], Ailsa Mellon Bruce Fund, 1982.12.2

The Bull (Le taureau)

Pablo Picasso · 1945 · lithograph on Arches paper [second state] ·  Accession ID  1982.12.2

Pablo Picasso, The Bull (Le taureau), 1945, lithograph on Arches paper [third state], Ailsa Mellon Bruce Fund, 1982.12.3

The Bull (Le taureau)

Pablo Picasso · 1945 · lithograph on Arches paper [third state] ·  Accession ID  1982.12.3

Pablo Picasso, The Bull (Le taureau), 1945, lithograph on Arches paper [first state], Ailsa Mellon Bruce Fund, 1982.12.1

The Bull (Le taureau)

Pablo Picasso · 1945 · lithograph on Arches paper [first state] ·  Accession ID  1982.12.1

The image shows intersecting lines and curved shapes forming an abstract depiction of a bull. Thin black lines create an outline with semicircles for the head and rounded shapes for the body. The linear elements suggest horns and legs of a bovine. The artwork simplifies the bull to its essential forms through geometric abstraction.
Pablo Picasso, The Bull (Le taureau), 1946, lithograph on Arches paper [ninth state], Ailsa Mellon Bruce Fund, 1982.12.9

The Bull (Le taureau)

Pablo Picasso · 1946 · lithograph on Arches paper [ninth state] ·  Accession ID  1982.12.9

The image shows an abstract composition of sweeping curves and geometric lines that form an outline resembling an animal. The shape includes a broad, curved line for the body, two arcs at the bottom for legs, a pointed curve for the head, a circular mark for an eye, and two elongated arcs for horns.
Pablo Picasso, The Bull (Le taureau), 1946, lithograph on Arches paper, Ailsa Mellon Bruce Fund, 1982.12.11

The Bull (Le taureau)

Pablo Picasso · 1946 · lithograph on Arches paper ·  Accession ID  1982.12.11

The image displays black lines and curves on a beige background. The lines form an abstract composition that could be interpreted as resembling an animal, possibly an ox or similar bovine, with segments resembling a large body, head, and horns. The abstract style uses minimalist outlines and curves to suggest familiar object shapes like an eye and limbs, while retaining a simplistic and stylized appearance.
Pablo Picasso, The Bull (Le taureau), 1946, lithograph on Arches paper, Ailsa Mellon Bruce Fund, 1982.12.10

The Bull (Le taureau)

Pablo Picasso · 1946 · lithograph on Arches paper ·  Accession ID  1982.12.10

This print displays an arrangement of geometric shapes and curving lines that form an abstract composition resembling a bull, with distinct horns, legs, and a swishing tail. The dark shapes that make up the bull have white outlines that crisscross its body. Its head faces the right, with one large eye, a round ear, a long, thin nose, and a small, flat mouth. The background is off-white paper with some small black markings.
Pablo Picasso, The Bull (Le taureau), 1945, lithograph on Arches paper [fifth state], Ailsa Mellon Bruce Fund, 1982.12.5

The Bull (Le taureau)

Pablo Picasso · 1945 · lithograph on Arches paper [fifth state] ·  Accession ID  1982.12.5

Pablo Picasso, The Bull (Le taureau), 1946, lithograph on Arches paper [eighth state], Ailsa Mellon Bruce Fund, 1982.12.8

The Bull (Le taureau)

Pablo Picasso · 1946 · lithograph on Arches paper [eighth state] ·  Accession ID  1982.12.8