Provenance

Lowengard

active late 19th - early 20th century

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The sculpture is a small, ornately decorated object with a cylindrical shape and an intricately designed surface. It appears to be a type of decorative vessel or container. The sculpture features a terracotta-orange hue with cream and white detailing. Its structure is composed of vertical panels adorned with patterns, bordered with carved pillars at the corners. The top portion is encircled by a band with a similar pattern. The base includes small feet adorned with green embellishments and decorative elements resembling heads or masks. Crafted from ceramic, the sculpture conveys a sense of delicate craftsmanship amidst a plain background.
French 16th Century, Salt, c. 1540/1560, lead-glazed fine earthenware, Widener Collection, 1942.9.353

Salt

French 16th Century · c. 1540/1560 · lead-glazed fine earthenware ·  Accession ID  1942.9.353

The sculpture depicts a woman and two young children, all three adorned with orange halos. In the center, the woman holds one of the infants. The woman has curly blonde hair and pale skin with rosy cheeks, and she wears a red-orange garment with a blue robe and a white cloth over her head. Both infants also have pale skin, and the one held by the woman is nude with blond hair, while the other child on the right has curly brown hair and a ragged brown tunic. The three people are in high relief on a blue background within a frame with gold leaf designs on a blue backdrop.
Italian 15th Century, Virgin and Child with Saint John, painted terracotta, Widener Collection, 1942.9.147

Virgin and Child with Saint John

Italian 15th Century · · painted terracotta ·  Accession ID  1942.9.147

The sculpture depicts a male figure with detailed facial features and a long, curly beard wearing a Renaissance-style garment featuring puffed sleeves and a buttoned front. The sculpture has a dark hue, appearing to be made of a bronze or dark patinated material. The figure has a strong, dignified expression and is presented on a decorative pedestal that is also dark. The sculpture captures intricate details like the beard texture and clothing folds, giving it a realistic and imposing presence.
Paduan 16th Century, A Jurist, c. 1550, bronze, Widener Collection, 1942.9.145

A Jurist

Paduan 16th Century · c. 1550 · bronze ·  Accession ID  1942.9.145

The sculpture is a bust depicting the upper torso and head of a man. The man has short hair that is close to his head, wide eyes, a straight nose, and neutral lips. He has deep lines under his eyes, giving his face a solemn appearance. His chest is bare. The bust is crafted from a dark material that reflects the light, and it is presented on a circular pedestal base.
North Italian 16th Century, Bust of a Man, first half 16th century, bronze, Widener Collection, 1942.9.136

Bust of a Man

North Italian 16th Century · first half 16th century · bronze ·  Accession ID  1942.9.136

The sculpture is a detailed bust of a man’s head facing slightly to the left, with prominent, slightly furrowed brows and defined cheekbones. The man has a closely shaved hairstyle, a small beard or goatee on his chin, and large, deep-set eyes. It is crafted from a dark material, with some areas in a lighter yellow color creating highlights on the face.
French 19th Century, Inkwell in the Form of a Grotesque Head, c. 1850, copper alloy with glass insert, Widener Collection, 1942.9.276

Inkwell in the Form of a Grotesque Head

French 19th Century · c. 1850 · copper alloy with glass insert ·  Accession ID  1942.9.276

The sculpture is a bust of an older male figure. He has a prominent mustache and short, curly hair. His expression is stern, with deeply furrowed brows and a strong jawline. The sculpture is made of bronze with a dark patina and slight greenish undertones. It rests on a rectangular base with an engraved inscription in a classical style. The base is made from the same bronze material as the bust. The overall presentation is sophisticated and solemn, highlighting the detailed craftsmanship of the sculptor.
Florentine 16th Century, Brunaccino Rinaldi, 16th century, bronze, Widener Collection, 1942.9.118

Brunaccino Rinaldi

Florentine 16th Century · 16th century · bronze ·  Accession ID  1942.9.118

The sculpture is a bust of an older man wearing a cap, with distinct facial features such as deep-set eyes and a slightly furrowed brow, suggesting a mature age. The sculpture is made of marble, with a smooth, off-white surface showing gray veining. The bust is life-sized, providing a realistic representation. Below the bust is an inscription that reads "PETRVS TALANVS EST" engraved around the base. The sculpture has a classical appearance, focusing on realistic detail and texture.
Gregorio di Lorenzo (Master of the Marble Madonnas), Pietro Talani, 1490s, marble, Widener Collection, 1942.9.105

Pietro Talani

Gregorio di Lorenzo (Master of the Marble Madonnas) · 1490s · marble ·  Accession ID  1942.9.105

The sculpture depicts a nude man standing with one leg slightly forward and holding his hands together with one palm turned upwards. The man has a muscular build and is wearing a helmet or hat on the top of his head. The sculpture is crafted from a material with a bronze color and smooth finish, and it rests on a rectangular base which is dark in color and contrasts with the sculpture.
Venetian 16th Century, Mercury, second half 16th century, bronze, Widener Collection, 1942.9.117

Mercury

Venetian 16th Century · second half 16th century · bronze ·  Accession ID  1942.9.117

This sculpture depicts two nude male figures engaged in a physical confrontation. The figures are standing, and they appear to restrain or grapple with one another. The man on the right holds up a small, rounded weapon in his right hand. The figures are intricately detailed, showcasing their textured, curly hair, as well as their muscles and the tension in their bodies. The sculpture is crafted from dark bronze material, which highlights the contours of the figures. The piece is mounted on a simple, rounded base.
Italian 18th/19th Century, Samson Slaying the Philistine, 18th/early 19th century, bronze, Widener Collection, 1942.9.102

Samson Slaying the Philistine

Italian 18th/19th Century · 18th/early 19th century · bronze ·  Accession ID  1942.9.102

Bibliography

1976

  • Fowles, Edward. Memories of Duveen Brothers. London, 1976: 48, 203.