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Inscription

center, in image on altar cloth, in plate: I jehsus maria M; bottom center, in image, in plate: IVM [artist's monogram]; across bottom, in plate: Quotiens quis coram armis christi quicumque orationes apostolicas cum quicumque Pater Noster et Ave Maria devote dixerit XX milibus annorum a penis purgatorii exonoratus erit (Whoever recites in the presence of the arms of Christ the Apostle's Creed, the Pater Noster, and the Ave Maria, and as often as he does so, shall be pardoned 20,000 years of punishment in purgatory [translation from Alan Shestack, "Fifteenth Century Engravings of Northern Europe." Exh. catalogue, Washington, D.C.: National Gallery of Art, 1967, no. 215.]); verso, at center, in graphite by a later hand: C 28708 / B.102; at lower left, in graphite by a later hand: Del / B.102

Marks and Labels

none

Provenance

(Richard H. Zinser, Forest Hills, NY); purchased by Lessing J. Rosenwald [1891-1979], 1953; gift to NGA, 1954.

Exhibition History

1960
Gothic to Baroque, Allentown Art Museum, 1960, no. 69.
1967
Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C., NGA, 1967-1968, no. 215, repro.

Bibliography

1908
Lehrs, Max. Geschichte und kritischer Katalog des deutschen, niederlandischen und franzosischen Kupferstichs im XV. Jahrhundert. 9 vols. and 1 plate vol. Vienna: Gesellschaft fur vervielfaltigende Kunst, 1934: Vol. 9, no. 354, i/ii.
1949
Hollstein, F.W.H. et al. German engravings, etchings and woodcuts ca. 1400-1700. Blaricum: A.L. van Gendt B.V., 1986: Vol. XXIV, no. 354, i/ii.
1967
Shestack, Alan. Fifteenth Century Engravings of Northern Europe from the National Gallery of Art, Washington, D.C.. Exh. cat. Washington: National Gallery of Art, 1967: no. 215.
1993
Parshall, Peter. "Imago contrafacta: Images and Facts in the Northern Renaissance." Art History 16:4 (1993): 557-558, pl. 5.

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