François Perrier

French, 1594 - 1649

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The image shows a full-body depiction of a muscular male figure in a dynamic, forward-leaning stance. His right arm is extended forward, and his left arm is bent back. The man's facial features are detailed with a pronounced jawline, and his hair is short and curly. The figure is nude, showcasing the musculature and anatomical form. Around him, the ground appears natural with foliage and a small rock in the foreground. In the background, there is a simple, lightly textured surface suggesting an outdoor setting without distinct elements such as buildings or landscapes, emphasizing the figure.
François Perrier, A Nude Fighting Man, side view, turned to left [plate 27], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.12

A Nude Fighting Man, side view, turned to left [plate 27]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.12
The image features a full body of a muscular figure standing upright with their back and side visible. The person is positioned with their weight on one leg and the opposite leg slightly bent at the knee. The person’s hair appears short and tightly curled, revealing the muscular definition of their neck and upper back. The person is unclothed, allowing for a detailed depiction of their musculature. Their hands are positioned behind the back, with fingers intertwined. Adjacent to the figure, there is a draped fabric or garment hanging, providing texture and contrast to the figure's skin. The background consists of a lined texture.
François Perrier, The Farnese Hercules, seen from behind [plate 4], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.10

The Farnese Hercules, seen from behind [plate 4]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.10
This is a drawing of two figures engaged in wrestling. The drawing showcases two muscular figures entangled in an athletic struggle, with intricate detailing on their muscular forms and movement. The setting includes architectural elements resembling a column or the side of a structure, providing a classic backdrop. The composition includes foliage on the right side, suggesting an outdoor setting with trees and vegetation.
François Perrier, The Medici Wrestlers, side view, turned to left [plate 36], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.16

The Medici Wrestlers, side view, turned to left [plate 36]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.16
The image shows a full-length view of a male figure from the back. He is in a dynamic, athletic stance, leaning forward with his right arm extended and fist clenched. His left arm is bent and held close to his body. The man has short, curly hair and a muscular physique. He is nude except for a band on his right forearm. The background has a cross-hatched pattern, and the ground has sparse tufts of grass and rocks.
François Perrier, The Borghese Gladiator, side view, turned to right [plate 28], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.13

The Borghese Gladiator, side view, turned to right [plate 28]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.13
The image shows a statue of a male figure standing on a pedestal. The statue is leaning slightly, with a bent left leg and the weight on the right leg. The head is bowed, with defined facial features, including a beard and curly hair. The torso is muscular, with the left arm hanging down and the right arm bent behind. The left arm holds the skin of an animal with visible head and paws. The figure is unclothed. Diagonal lines in the background add depth. Initials "PB" and the number "3" are in the bottom right corner.
François Perrier, The Farnese Hercules, three-quarter view turned to left [plate 3], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.9

The Farnese Hercules, three-quarter view turned to left [plate 3]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.9
The image shows a muscular male figure standing in a relaxed pose against a textured background. The figure's right arm is bent at the elbow, resting on a large piece of fabric or a hide on a stone plinth. His left arm is bent behind his back. The figure has a strong jawline, a beard, and closely cropped curly hair. He is nude and displays a defined muscular structure. There are no visible jewelry or additional objects in the image. The setting has a classical and sculptural feel, with cross-hatching used for shading and texture.
François Perrier, The Farnese Hercules, front view [plate 2], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.8

The Farnese Hercules, front view [plate 2]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.8
This is an image of a wrestling match between two muscular figures. The figures are engaged in a physical struggle on a textured ground, with one positioned on top of the other. In the background, there are architectural elements, including large arches resembling ancient Roman architecture. The figures are depicted with detailed line work emphasizing their musculature and the intensity of their interaction.
François Perrier, The Medici Wrestlers, side view, turned to right [plate 35], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.15

The Medici Wrestlers, side view, turned to right [plate 35]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.15
The image depicts the back view of a person posing with one leg forward, a raised arm bent at the elbow, and curly short hair. The person is unclothed, showing a muscular physique, with a ring on a finger of the raised hand. The background shows a natural setting with trees, bushes, and a textured sky, resembling a classical etching or illustration.
François Perrier, The Borghese Gladiator, back view [plate 29], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.14

The Borghese Gladiator, back view [plate 29]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.14
The image shows a muscular male figure in a dynamic pose. He is stepping forward with his right leg bent and left leg behind. His right arm is extended forward with a fist, while his left arm is slightly bent with a clenched fist. The man has pronounced facial features and a focused expression. He has short, curly hair and is depicted nude, emphasizing his musculature. He wears a band on his right forearm. The background is plain with textured surfaces and hatching lines that convey movement around the figure. The style resembles classic engraved or sketched art with attention to shading and muscle definition.
François Perrier, The Borghese Gladiator, front view [plate 26], 1638, etching on laid paper, Gift of David H. McDonnell, 2017.126.11

The Borghese Gladiator, front view [plate 26]

François Perrier · 1638 · etching on laid paper ·  Accession ID  2017.126.11
The image shows a group of classical figures. The figures have various poses and interactions, with some seated and others standing. Several symbolic items are present, such as a trident and a winged staff. The figures are draped in flowing garments and some are nude. The drawing displays detailed linework and shading, creating depth and form, against a backdrop of clouds.
François Perrier, The Admission of Psyche to Olympia, c. 1635, etching with engraving on laid paper, Ailsa Mellon Bruce Fund, 1993.37.3

The Admission of Psyche to Olympia

François Perrier · c. 1635 · etching with engraving on laid paper ·  Accession ID  1993.37.3

Bibliography

1907

  • Ref Number: 26.438.
    T.-B.26.438.

2001

  • Clark, Jr., Alvin L. François Perrier, Reflections on the Earlier Works from Lanfranco to Vouet. Paris, 2001.