Francisco Preciado de la Vega

Spanish, 1713 - 1789

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The artwork presents a detailed scene with a classical architectural structure prominently positioned in the middle distance. This building features columns and ornate decorations. Close to us are figures engaged in a hunting scene. The figures are dressed in classical attire and are depicted with expressive poses, involved in the hunt with animals and hunting equipment. In the distance, the horizon is low, revealing more architectural elements and trees under a sky filled with swirling clouds. The color palette is monochromatic, with intricate lines and shading that add depth and texture to the scene, characteristic of an etching or engraving style.
Miguel de Sorellò, The Seconda Macchina for the Chinea of 1748: The Royal Hunt, 1748, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.37

The Seconda Macchina for the Chinea of 1748: The Royal Hunt

Miguel de Sorellò · 1748 · etching ·  Accession ID  2016.121.67.37
The artwork is a detailed etching with a landscape orientation, illustrating a scene of a royal hunt. In the foreground, several figures are engaged in hunting activities, with some on horseback and others on foot. The figures are dressed in classical garments, carrying spears and bows, and are positioned to convey motion. To the right, a group of figures tends to hunting dogs and captured game. In the background, a grand architectural structure, resembling a classical pavilion, stands with columns and ornate detailing. The setting includes trees and distant structures under a cloud-filled sky, creating depth and complexity in the composition. The lower portion of the artwork contains a block of text related to the scene depicted.
Miguel de Sorellò, Various Artists, The Seconda Macchina for the Chinea of 1748: The Royal Hunt, 1748, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.66.3

The Seconda Macchina for the Chinea of 1748: The Royal Hunt

Miguel de Sorellò, Various Artists · 1748 · etching ·  Accession ID  2016.121.66.3
The artwork presents a detailed architectural scene from a straight-on point of view. The horizon is low, showcasing an elaborate building that is the focal point of the image. This structure features ornate details and multiple levels with a central domed section adorned with intricate sculptures. Stairs lead up to the main entrance, and the entire edifice is elevated on a rocky base. Flanking the building on both sides are two other structures with similar architectural styles, creating a symmetrical composition. The sky above is filled with softly rendered clouds, and the entire scene is depicted in a monochrome palette of black and white, typical of an engraving. The intricate linework captures the elaborate details of the architecture and the texture of the rocks and clouds.
Miguel de Sorellò, The Seconda Macchina for the Chinea of 1747: The Hanging Gardens, 1747, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.35

The Seconda Macchina for the Chinea of 1747: The Hanging Gardens

Miguel de Sorellò · 1747 · etching ·  Accession ID  2016.121.67.35
This is a drawing of an architectural facade. The image shows an intricately designed building facade with classical elements such as columns, arches, and niches with statues. Above the central archway is a large emblem with statues of angels on each side. The facade includes ornamental cornices and sculptural decorations. In the foreground, there are figures interacting, potentially involved in a ceremonial or communal activity. The drawing demonstrates careful detail and shading to add depth to the architectural features.
Miguel de Sorellò, The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples, 1746, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.12

The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples

Miguel de Sorellò · 1746 · etching ·  Accession ID  2016.121.12
The artwork is a detailed etching depicting an architectural structure with a grand facade. The composition features multiple levels with classical columns and niches containing statues of figures. The central section includes an arched niche housing a statue. Above, there are decorative elements including cherubs and a crest with insignia. On either side of the structure, smaller groups of figures are present. The overall tone is monochromatic, with intricate line work emphasizing the details and symmetry of the design.
Miguel de Sorellò, The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples, 1746, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.33

The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples

Miguel de Sorellò · 1746 · etching ·  Accession ID  2016.121.67.33
This is a drawing of an ornate architectural façade. It depicts a highly detailed and intricate architectural design featuring classical elements such as columns, arches, and sculptures integrated into a grand building facade. The central section of the building is adorned with statues set within niches and decorative relief sculptures, while figures of classical mythological characters and emblems are prominently displayed. The composition is symmetrical, with a sense of harmony created by the repeated use of columns and arches. At the top, there are artistic ornaments, including winged figures holding trumpets, a central coat of arms, and elaborate crown motifs. The lower section of the drawing includes some human figures that appear to be illustrating or interacting with the architectural structure, suggesting its monumental or celebratory nature. The detailed drawing is likely a design or illustration intended to convey the grandeur and artistic style of this architectural facade.
Miguel de Sorellò, The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples, 1746, etching and engraving on laid paper, Gift of Mr. and Mrs. Paul Gourary, 1996.48.6

The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples

Miguel de Sorellò · 1746 · etching and engraving on laid paper ·  Accession ID  1996.48.6
The artwork is an intricately detailed engraving with a horizontal orientation, depicting a scene. At the center, there are three prominent figures: a woman, a man in Roman armor, and another man, all engaged in conversation as they stand on rocky terrain. The central figure is clad in detailed armor, while the woman beside him gestures forward. Surrounding them, the landscape includes lush trees and rocky outcrops. To the left, a cave with several figures inside is visible, and a three-headed dog guards the entrance. In the foreground, creatures pour water from urns, creating a sense of movement. In the background, a cityscape and a group of people can be seen, adding depth to the scene. The upper section includes a sculpted figure atop a plinth, flanked by additional figures amid trees. The engraving features fine lines and meticulous details, emphasizing the textures of the landscape and the figures' attire. An Italian inscription runs along the bottom.
Miguel de Sorellò, The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl, 1744, etching, Gift of Vincent Buonanno in Honor of Andrew Robison, 2016.121.67.30

The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl

Miguel de Sorellò · 1744 · etching ·  Accession ID  2016.121.67.30
This is an artwork featuring various mythological and historical elements. It includes a central male figure in Roman-style armor, accompanied by a female figure gesturing towards a cave where other figures and mythical creatures stand. Surrounding the scene are lush trees, an ornate landscape, and a distant city or castle. Mythical creatures, including one with a human torso and a serpentine body, are in the foreground. In the background, figures engage in activities near a statue. Decorative text is present at the bottom of the drawing.
Miguel de Sorellò, The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl, 1744, etching and engraving on laid paper, Gift of Mr. and Mrs. Paul Gourary, 1996.48.5

The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl

Miguel de Sorellò · 1744 · etching and engraving on laid paper ·  Accession ID  1996.48.5

Bibliography

1907

  • Ref Number: XXVII.367
    T.-B.XXVII.367